Great Rock Albums of 1983: Big Country- The Crossing

 

It was the beginning of December in 1983 when MTV finally came into my household. That was because we were offered a really good deal on it, so my mother agreed to it but that's not important here. What I did discover almost straight away was that while many an act owed their success to MTV, that channel also had the potential to kill an act. In those first few weeks, just about every time we switched on the channel, the video for Big Country's first big hit, "In a Big Country" would be playing. It got played to the point that whenever it came on, either me or my sister and even my then 12 year old brother would crack the sarcastic comment, "Hey, never seen this one before." The irony is that when I first heard that song, I thought it was decent enough. I liked Big Country's Scottish Celtic-folk sound mixed in with a bit of hard rock. It was definitely something I would call new wave. Unfortunately, the over saturation of the song on MTV put me off and as a result, I never got to appreciate how good their debut album, "The Crossing" was.

Another ironic point about this album was that by chance, I saw the video for their second single, "Fields of Fire." I say by chance because unlike "In a Big Country" they hardly played it and that's a shame because I preferred "Fields of Fire" to the other one. It is a bit harder. Throughout "The Crossing," the folk-rock combination weaves its way in, out and around all the tracks. The first three or four tracks edge closer to the more progressive side. There are some very interesting musical arrangements here, especially with the song, "Chance." Things tend to sound a bit more harder after that, although the track "1000 Stars" does slightly remind of U2. Furthermore, I do like the acoustic folk sound on "The Storm." But "Harvest Home" is more hard rock for and that is followed by my favourite track, "Lost Patrol." Another song, I will add to my list of songs that would sound good metalized.

At first, I didn't know what to think about the closer, "Porrohman." But once I sat down and really listened to it, I found it to be one of those that absorbs you in and you have no choice but to just enjoy it to its end. A great song to end the album with. One more point I have to make is about the vocals of Stuart Adamson. What makes his vocals good is that they fit right in with the music and that does well here.

Track Listing:

1. In a Big Country
2. Inwards
3. Chance
4. 1000 Stars
5. The Storm
6. Harvest Home
7. Lost Patrol
8. Close Action
9. Fields of Fire
10. Porrohman

 

Stuart Adamson- vocals, guitar, piano, ebow

Bruce Watson- guitar, vocals, ebow, mandolin, sitar

Tony Butler- bass, vocals

Mark Brzezicki- drums, percussion,vocals

Did you know that some people actually consider Big Country to be one hit wonders. I don't. From what I heard from their later work, they seem to go a bit more harder. Still, they were never one hit wonders. That label kept people like me from hearing how good "The Crossing" actually was.

Next post: Robert Plant- The Principle of Moments

To buy Rock And Roll Children, email me at: tobychainsaw@hotmail.com  

Great Rock Albums of 1983: Marillion- Script for a Jester's Tear

 

I had heard of Marillion in 1983 but didn't actually hear them until their 1985, "Misplaced Childhood" album made a major breakthrough in the US. Even then, it would be another two years before I listened to their back catalog, which included this, their debut album, "Script for a Jester's Tear." I have to thank my first wife for giving me this opportunity as it was her albums that help me appreciate their early work. Actually, Marillion was the first concert we saw together as husband and wife but that story is better for another day.

One of my on going rants here on 80smetalman is that the progressive rock of the 1970s descended into the synth pop of the 1980s. I still believe this but somebody forgot to tell Marillion this was the case. "Script for a Jester's Tear" proved that there was still some good progressive rock to be found in the 1980s. In fact, I will go as far as to say that legends from the decade before such as Emerson, Lake and Palmer and Yes, (I'll be visiting an album of theirs in the near future) would be glad that Marillion carried on the torch of progressive rock far into a decade where it wasn't as widely appreciated.

In the true spirit of progressive rock, the shortest track on the album is just a mere five minutes and twenty nine seconds, that track is "He Knows You Know." It's also why that song was released as a single. The next shortest track is over seven minutes long and the remaining ones are all more than eight. In each of those tracks, there is the great keyboard work of Mark Kelly in tandem with some impressive guitar playing from Steve Rothery. Those two elements are strongly supported by the rhythm section and the unmistakable voice of lead singer, Fish. They make all of those tracks ones where you just want to kick back and listen and just appreciate the musical efforts of the band. All good tracks but my personal favourite has to be "Garden Party," most likely for the acoustic guitar followed by hard rock intro. One other point is that at the time, the track "Chelsea Monday" was criticised for having nonsense lyrics. If they do, who cares? The music, especially Rothery's guitar solo more than compensates.

Track Listing:

1. Script for a Jester's Tear
2. He Knows You Know
3. The Web
4. Garden Party
5. Chelsea Monday
6. Forgotten Sons

 

Fish- vocals

Steve Rothery- guitar

Mark Kelly- keyboards

Pete Trewavas- bass

Mick Pointer- drums

I think what Marillion achieved in 1983 was to provide a common ground for trendies who were able to look beyond what synth pop was offering and metalheads like me who still appreciate a bit of melody. For those, Marillion's debut album has it all. The paradox is that while "Script for a Jester's Tear" was a huge success in the UK, it hardly made a dent in the US. Then again, I'll be visiting another UK band who in the same year, had an album that went multi- platinum in the US but only sold about 17 copies in the UK.

Next post: Big Country- The Crossing

To buy Rock and Roll Children, email me at tobychainsaw@hotmail.com 

Great Rock Albums of 1983: Night Ranger- Midnight Madness

 

An huge argument raged throughout the mid 1980s and for some, it still does today. It is even briefly debated in "Rock and Roll Children." Was Night Ranger heavy metal? Pure metalheads gave a resounding no because of the band's use of keyboards and softer, more commercial rock, especially in regards to the album following this one. However, this didn't stop the rest of the world from claiming they were. My opinion in this matter can be found in the title of this post. You probably noticed that I didn't call Night Ranger's "Midnight Madness" album a great metal album.

Listening to the second album from Night Ranger, it is quite easy to see why many of the less knowing would call it a metal album. Most of the first five songs do rock, although I still wouldn't call them metal. Even the ballad, "Sister Christian" ranks up there as a very good power ballad. It did influence some metal bands who wanted at least one on their album to write their ballads in this style.

My first experience of the album came in the form of "You Could Still Rock in America." Like the classic, "Don't Tell Me You Love," I thought this too was a Rick Springfield song at first. Another example of irony in my life, I first heard it after spending four weeks in London. My first musical experience there wasn't great. The people I was staying with were all top 40 dance junkies and they tried to insist that there was no place in London to find the hard rock I loved so much. After lamenting the first two weeks, I did discover a really cool rock pub in Croydon in South London and things got better after that. Then I went to my first Donington Festival so my I ended up enjoyingmy London stay. When I returned, I heard this song playing on the radio and thought, "Damn right, you can still rock in America." Saying that, I was glad that earlier reports about music in the UK were proved totally wrong.

Apart from "Sister Christian," the only really commercial oriented tracks are "When You Close Your Eyes," another hit single for the band and "Passion Play." The latter is a bit harder than the former but doesn't rock like the rest of the album. Tracks that really do rock, besides the opener, are "Touch of Madness" and "Chippin' Away." "Rumours in the Air" is pretty cool as well. But what makes this album rock, even the songs that don't rock as much is the guitar duo of Brad Gillis and Jeff Watson. One or the other or both in some cases, lay down some serious guitar heat in every song, except the acoustic closer. When people talk of guitar duos, the ones mentioned are Tipton/Downing, Smith/Murray or Gers/Murray (same band), Ojeda/French and the original guitar duo, Walsh/Felder. After hearing this album again after so many years, Watson/Gillis needs to be included among the others.

Track Listing:

1. You Can Still Rock in America
2. Rumours in the Air
3. Why Does Love Have to Change
4. Sister Christian
5. Touch of Madness
6. Passion Play
7. When You Close Your Eyes
8. Chippin' Away
9. Let  Him Run

Jack Blades- bass, lead vocals

Jeff Watson- guitars, keyboards

Brad Gillis- guitars

Alan 'Fitz' Fitzgerald- keyboards

Kelly Keagy- drums, lead vocals

True metalheads like me do not consider Night Ranger heavy metal. However, they did know how to rock as the album "Midnight Madness" clearly shows. In 1983, they did rock America.

Next post: Marillion- Script For a Jester's Tear

To buy Rock and Roll Children, email me at: tobychainaw@hotmail.com 

Great Rock Albums of 1983: Men At Work- Cargo

 

Let me clarify something I wrote when I posted about Men At Work's debut album, "Business As Usual." I stated that Men At Work was the closest I got to mainstream music back in the 1980s. That was definitely the case in 1982 however, after refamiliarising myself with their second album, which I find superior to the debut album by the way, and thinking about music in 1983, I have to agree to the premise that this band wasn't really mainstream. Still, they were the closest I got to it.

One reason why the "Cargo" album might be considered mainstream was that it had three successful singles on it. "Dr Heckyll and Mr Jive" was a very fun catchy tune and I love the paranoid feeling that "Overkill" provides. I've had days when I feel exactly like that. However, my favourite all time Men At Work song is the single "It's a Mistake." Its release couldn't have come at a better time for me. Call it kharma or deja vu but hearing a good anti war song right after coming out of the marines was unbelievable. The video of the song provided the proper punchline. Even without all that, I still would have found it a good song.

[caption id="attachment_3231" align="aligncenter" width="259"] From the Men At Work video: It's A Mistake[/caption]

Call "Cargo" what you will, post punk, new wave or even mainstream, none of it stops this album from being a good, fun album. There also elements of reggae in it as well, I site "Settle Down My Boy" and "Blue For You" as evidence,  so in my mind, all of those combinations make it anything but mainstream. I sort of like it when people aren't able pigeon hole certain bands. With "Cargo" there is something for everyone to like. Hell, I even noticed a bit of a hard rock-ish sound on "High Wire." What's more, Men At Work incorporate a brilliant sense of humour on their songs, something I always like. That's expecially the case with "I Like To." Therefore, my conclusion is while "Cargo" by Men At Work may not be the hard pounding metal album I was liking more and more in those days, it was still a very enjoyable album.

Track Listing:

1. Dr Heckyll and Mr Jive
2. Overkill
3. Settle Down My Boy
4. Upstairs in My Room
5. No Sign of Yesterday
6. It's a Mistake
7. High Wire
8. Blue For You
9. I Like To
10. No Restrictions

[caption id="attachment_2617" align="aligncenter" width="204"] Men At Work[/caption]

Greg Ham- flute, keyboards, saxophone, vocals

Colin Hay- guitar, vocals

John Rees- bass, backing vocals

Jerry Speiser- drums, backing vocals

Ron Strykert- guitar, vocals

Men At Work might have been the closest I ever got to mainstream music back in the 1980s but they certainly weren't mainstream. Good musicianship, fun and catchy music and lyrics and a sense of humour was why I liked the "Cargo" album.

Next post: Night Ranger- Midnight Madness

To buy Rock and Roll Children, email me at: tobychainsw@hotmail.com 

Great Rock Albums of 1983: Michael Stanley Band- You Can't Fight Fashion

 

1983 saw another album from possibly the best band that nobody's ever heard of. Hopefully, this might jog a few memories. Back in the year, on several occasions, I saw the video for the Michael Stanley Band's only top 40 hit, "My Town." This song was a very good rock anthem and while I don't lament its lack of chart success because that was the direction music was heading then, I did think that more rockers and metalheads would have been singing along to its very cool chorus, especially with the way this song rocks!

"Oh, and this town
Is my town, alright?
Love or hate it, it don't matter
'Cause I'm gonna stand and fight
This town, is my town
She's got her ups and downs
But love or hate it, it don't matter
'Cause this is my town"

Does anybody remember now?

"You Can't Fight Fashion" has been considered the Michael Stanley Band's best album and I won't argue the fact. The album starts out more progressive with the first three songs. When I listened to it the other night, I just wanted to sit back and soak those songs in. None of those songs are ballads but they aren't very hard rockers but all done very well. What stands out in those tracks and even more in the fourth track, "Highlife" is the superb sax playing by Rick Bell. Put it this way, after hearing his sax rip on those tracks, I will never question the idea of horns in rock ever again, provided those horns are played well to complement the song.

The other thing that "Highlife" does for the album is provide a brilliant point for the change of tempo in the album. Things start to rock with said song and then with the "My Town" coming right on the heels of "Highlife," things get interesting indeed. Even though the next track, "The Damage is Done" is a ballad, it is a very good power ballad with just the right combination of piano and guitar power chords. Then, "Fire in the Hole" is just as powerful rocker as "My Town" and I think it would sound rather good metalized. It also sets the pace for the album to go out on a real rocking feel, a duty which the closing song, "Just How Good (A Bad Woman Feels) preforms outstandingly.

Track Listing:

1. Hard Times
2. Just Give Me Tonight
3. Someone Like You
4. Highlife
5. My Town
6. The Damage is Done
7. Fire in the Hole
8. How Can You Call This Love
9. Just How Good (A Bad Woman Feels)

[caption id="attachment_2588" align="aligncenter" width="352"] Michael Stanley Band[/caption]

Michael Stanley- guitar, vocals

Tommy Dobeck- drums

Bob Pelander- keyboards

Greg Markasky- lead guitar

Kevin Raleigh- keyboards, vocals

Michael Gismondi- bass

Rick Bell- saxophone

If you didn't do my homework assignment when I posted about the 1982 "MSB" album, you should definitely do it now and listen to "You Can't Fight Fashion." I'm sure at least one person will remember hearing "My Town" and then you can listen to the rest of this fine album.

Next post: Men At Work- Cargo

To buy Rock And Roll Children, email me at: tobychainsaw@hotmail.com 

Great Rock Albums of 1983: Stray Cats- Built for Speed

 

Internet didn't exist back in 1983 and that is going to be my excuse for posting an album that came out in the middle of 1982 in 1983. A quick historical point here, it was the early 1980s when computer technology was becoming accessible to the common masses. I did do an introductory course in computers during my first semester at college in the Autumn of this year but that's not important here. What is was the fact that back then, I had to rely on record stores, radio, word of mouth and a late night television show called "Video Rock" to learn about new music. Our house didn't even get MTV until the December of this year! It was the mentioned television show where I first learned about the Stray Cats in the summer of 1983.

It was their 1950s look and sound that first got my attention. At a time where everyone was trying to be different, the Stray Cats actually were. While I wasn't very impressed with the first single I heard, "Stray Cats Strut," I did like the second one that reached my ears, "Rock This Town." Even though, like most people, I got the impression they were in love with the fifties, I thought they were at least trying to be original at the time. Besides, with "Rock This Town," they proved to me they were good musicians. Brian Setzer was a competent guitarist, (no Van Halen or Nugent but competent) and Slim Jim Phantom and Lee Rocker work very well together as a rhythm section, a point I will certainly expand on when I get to 1985.

The Stray Cats' album "Built For Speed," pretty much sounds like the two songs I've already mentioned. They are firmly locked in the 1950s rockabilly sound reminiscent of Eddie Cochran or Bill Haley and the Comets, not a bad thing. Each song, with the exception of the slower "Lonely Summer Nights" possesses a catchy sound that draws you in. It might not get you to start fist pumping and banging your head but I did find myself wanting to snap my fingers along with them, which is saying something for someone with no natural rhythm. Apart from "Rock This Town," the other songs which stand out for me are "Little Miss Prissy," "Rumble in Brighton" and "Jeanie, Jeanie, Jeanie." All contain a strong dose of the elements that turned my ear to the Stray Cats in the first place. Not only was it something different at the time, what was different was done very well.

Track Listing:

1. Rock This Town
2. Built for Speed
3. Rev It Up & Go
4. Stray Cats Strut
5. Little Miss Prissy
6. Rumble in Brighton
7. Runaway Boys
8. Lonely Summer Nights
9. Double Talkin' Baby
10. You Don't Believe Me
11. Jeanie, Jeanie, Jeanie
12. Baby Blue Eyes

[caption id="attachment_3222" align="aligncenter" width="326"] Stray Cats[/caption]

Brian Setzer- vocals, guitar

Slim Jim Phantom- drums, percussion, vocals

Lee Rocker- double bass, bass, vocals

Outside of this album, I have little experience of the Stray Cats. For me, their 1950s persona would only last for the one album. Their next album would pretty much escape my notice and in the years following, it would be their post break up projects that I would be more into. Saying all this, however, doesn't stop "Built For Speed" from being a pretty good album.

Next post: Michael Stanley Band- You Can't Fight Fashion

To Buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com

Great Rock Albums of 1983: Huey Lewis and the News- Sports

 

Huey Lewis and the News were another band I inwardly debated about featuring here. Most metalheads consider this band to be pop or top 40 and in some cases I would tend to agree. However, as my mind drifts back to 1983, I remember that I didn't hate them. My first experience of them came late that summer when I saw their video for the first single from the "Sports" album, "Heart and Soul." Okay, the song didn't have me fist pumping away to it but I did like the hard guitar part during the chorus. My verdict then was that "Heart and Soul" was a decent enough song and Huey Lewis and the News weren't all that bad. That was my attitude towards them, even after the release of the more successful single, "I Want a New Drug," for the next few months. Then, in February 1984, I happened to see them open for 38 Special. Now, I won't say that I became a die hard News fan that night but they definitely won my respect.

"Sports" was the making of the band. It produced several singles in addition to the two I already mentioned. "The Heart of Rock and Roll" is one of those fun filled songs that is an okay listen provided you don't take it too seriously. I have been in the situation and know others who have been in the situation described in the single, "If This is It." In fact, I think most of us have been left dangling by a boy/girl friend whom one is not sure if they want to stay in or get out of the relationship with you. Still, they make it seem okay with this light hearted song. Of all the singles though, my favourite happens to be "Walking on a Thin Line." Even though I never saw actual combat while in the marines, I still think the song speaks directly to me.

"Don't you know me I'm the boy next door.

The one you found so easy to ignore."

When they played this song, Huey Lewis asked if there were any vets in the audience. I think I was the only one who screamed "Yes!" I got some looks from people around me but that was Regan youth for you.

Besides the hits, I found "Bad is Bad" to be a good bluesy type song and the intro to "Finally Found a Home" leads the listener to believe that this song is going to be a scorching rocker. It's still not bad even though it does go more pop as it progresses. Both these songs, as well as, "You Crack Me Up," confirm to me that The News were actually a good band of talented musicians and I think they certainly had the potential to completely rock out.

Track Listing:

1. The Heart of Rock and Roll
2. Heart and Soul
3. Bad is Bad
4. I Want a New Drug
5. Walking on a Thin Line
6. Finally Found a Home
7. If This is It
8. You Crack Me Up
9. Honky Tonk Blues

[caption id="attachment_3216" align="aligncenter" width="317"] Huey Lewis and the News[/caption]

Huey Lewis- lead vocals, harmonica

Mario Cipallina- bass

Johnny Colla- guitar, saxophone, backing vocals

Bill Gibson- drums, percussion, backing vocals

Chris Hayes- lead guitar, backing vocals

Sean Hopper- keyboards, backing vocals

Say what you like about Huey Lewis and the News. Maybe they were a bit too pop but listening to the "Sports" album, I'm not really bothered. They proved to be a good tight band who could probably excel at playing any type of music.

Next post: Stray Cats- Built For Speed

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com