Thursday 29 August 2013

Great Rock Albums of 1978: The Who- Who Are You

The Who were considered the comeback story of 1978. They hadn't put an album out in three years and all the band members were engaged in solo projects. Furthermore, drummer Keith Moon was having battles with drug and alcohol addiction, a battle that he would eventually lose.
I am reminded of the this album every time I see CSI Las Vegas on TV as they use the title track for the title sequences of the show. But for me, it is the lyrics of the song that do it for me. While I've never woken up in a Soho doorway, I know of people who have. I have been to parties in London and had to make my way home on the underground with a little bit of a sore head and asking myself that question.
With "Who Are You" the Who seemed to have returned to their more traditional blues/hard rock sound. In the mid 70s, they experimented with different creative thoughts, although I really do love "Tommy" and "Pinball Wizard" is one of my all time Who favourites. But this album reminds me more of the early days when they had a more aggressive harder rock edge.
Track Listing:
1. New Song
2. Had Enough
3. 905
4.  Sister Disco
5. The Music Must Change
6. Trick of the Light
7. Guitar and Pen
8. Love is Coming Down
9. Who Are you
The Who
Roger Daltrey- vocals, percussion
Pete Townshend- guitars, piano, synthesiser, backing vocals
John Entwistle- bass, synthesiser, brass, backing vocals
Keith Moon- drums, percussion
Keith Moon's tragic death shortly after the release of this album would overshadow the success that "Who Are You" would have. The album would reach number 2 in the US and number 6 in the UK and showed that The Who were definitely back and in great form.
Next post: Deep Purple- When We Rock We Rock and When We Roll We Roll
Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

Thursday 22 August 2013

Why Black Emerald Should Be Signed

Black Emerald
Black Emerald
Last week at the Bloodstock Festival, the very first band I was treated to on the day totally blew me away. Standing in the New Blood tent, where unsigned acts get to show their stuff, the Reading based Black Emerald opened the day and for me, provided a fantastic beginning to what would go on to be a monumental day. When they left the stage, I was totally of the opinion that if there were any record company scouts observing this band, they would be insane not to sign them to a record contract.  One week later, after listening to their demo CD and currently listening to material they posted on the Reverbnation web site, I am still of that opinion. Therefore, the object of this post is to make you the reader of the same mind frame.
Let's start with the vocals. most of which are carried out by bassist Simon Hall. If you're expecting some operatic,  melodic vocals in the vein of Coverdale, Gillan, Tempest of Dio, then you will be deeply disappointed. Instead, if I were to make such comparisons, I would go more in line with Hetfield or Mustane and there lies the pleasant problem. Hall's vocals are unique enough to call his own so it is difficult to compare him with anybody and that's a good thing. In addition, guitarists Edd Higgs and Dave Toland also contribute in the lead vocal department giving Black Emerald more versatility. When I observed this phenomenon, it immediately took me back to 70's bands like KISS, Styx and The Eagles where most, if not all, in the band were just as capable of taking the mike.
Another feature I identified with this band is that they have a lead guitarist who can shred. Unfortunately, I don't know which one was the one who did most of the shredding last Sunday. The other problem at Bloodstock and a little on the demo was that his efforts lacked volume, which I blame on sound production. Fortunately, I have heard three tracks on Reverbnation and this isn't a problem, I can hear the lead guitar just fine. Finally, I also mentioned the tight rhythm section and drummer Connor Shortt leads this very well, along with the bass and rhythm guitar.
untitled
Simon Hall- bass, vocals
Edd Higgs- guitar, vocals
Dave Toland- guitar, vocals
Connor Shortt- drums
Demo Songs
1. B.O.D.
2. Drown In the River
3. Figure On a Barbed Wire Cross
One last aspect of this band is their material. They sing about all things heavy metal, sex, drugs and Satan. Five days on after listening to their CD, I still find myself singing the lines from B.O.D.: "Smoking weed, smoking crack." That's the other thing, if they were to break America, the religious right would undoubtedly put them on their hit list. So, I hope that I have put forward a strong enough argument to why Black Emerald should be given a record contract. But if you don't want to take me word, check them out on www.reverbnation.com and type Black Emerald in the search. You won't be disappointed.
Next post: The Jam- Sound Effects
To buy Rock and Roll Children, go to www.strategicpublishinggroup.com/title/RockAndRollChildren.html
Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

Saturday 17 August 2013

Bloodstock, August 11, 2013- A Great Day for Metal

Many of you have been waiting with baited breath for my account of the Bloodstock concert this past Sunday, well here it is. To start with, the drive there was quite uneventful in a good way and I was glad that most people in Britain decided to spend their Sunday morning in bed allowing me to make such good time. I mean, the two CD's played for the journey (The Best of Seputura and Megadeth's "Youthanasia") weren't finished by the time I pulled into the car park. It did foretell what a great day it was going to be.
First, I feel I must apologise for the poor quality of the photos, they were taken with my cell phone camera. Anyway, as I got there very early, I thought I would start handing out cards for "Rock And Roll Children." Handing one to a man of my age, he returned the favour by giving me a CD and saying that I should check this band out on the New Blood Stage and that's were things began in earnest.
Black Emerald
Black Emerald
The CD was for a band called Black Emerald from Reading. What a great opener to the day as this hungry, unsigned band kicked the ass of those who ventured into the tent to see them. I won't go into great details about them here but these guys have everything needed to be big. Good vocals, a tight rhythm section and a guitarist who can shred as well as songs about heavy metal's favourite topics, sex, drugs and Satan. I can't think of a better way to open the show. I was so impressed with Black Emerald that the next post will be why if any label happened to be there while they were on stage and didn't immediately sign them, well they're insane.
Gamma Bomb
Gamma Bomb
From Black Emerald to the Emerald Isle as we made it in time to see the first band to ascend the Ronnie James Dio stage, Irish metallers Gamma Bomb. What a great way to start things on the main stage at Bloodstock! Their speed metal had me ferociously banging my head away from start to finish and I loved the lead singer's comment that they had started drinking at 9 AM and would continue for the rest of the day. I guess that's bound to happen when you mix the Irish and heavy metal. Trust me, I have met many Irishmen and the great majority of them love their drink. Still, I will be looking for their albums in the future.
States of Panic
States of Panic
One improvement that Bloodstock 2013 had over 2010 was that in 2010, whenever I an act finished on the one stage, I felt frustrated that when I went to one of the other stages, nothing was happening there either. This year that wasn't a problem. We decided to take a break after Gamma Bomb and to my surprise, there was music coming out of the Sophie Lancaster tent. My stepson and I went inside and were both delighted by the music played by the band that was currently on the stage, States of Panic. I know you can't see from this photo but their image might suggest that these guys are simply clones of The Black Veil Brides. However, they had a sound all their own and that sound was fine and I was glad that I was able to catch them on stage.
Music wasn't the only metal on Sunday
Music wasn't the only metal on Sunday
The next hour and a half or so was spent going in between the three stages. I did catch part of both bands that played the main stage, Whitechapel and Sacred Mother Tongue who both kept the day rocking as well as a band from each of the other two stages. While, they were all enjoyable, I didn't see enough of any of them to give an account here. When we decided to go for lunch, we happened to go past this display of knights in armour. The sword play was a vicious as any mosh pit as they really went at it.
Fozzy
Fozzy
I knew nothing of this band before they went on stage but there was something familiar about the lead singer. Then he got the crowd to chant "Y2J" and it all fell into place. I knew that WWE Superstar Chris Jerico was singing with a band, but I didn't know it was this one. Had I known this before hand, I would have assumed that Fozzy were a joke band and not bothered with them. For once, I am grateful for my ignorance. Fozzy are not a joke band. True, I only rate Jerico's vocals as passable but this is made up for by the fact that he has a great band behind him and that he has something that many singers of superior vocal ability lack, stage presence. Y2J owned the stage during the entire time he was on it and he was able to use his physical abilities as a wrestler to his advantage when he climbed up the stage rigging and sang from on top of that.
Y2J singing from the rafters
Y2J singing from the rafters
Fozzy made a believer out of me, I was impressed to the point that I will have to check out their recorded material.
Amorphis
Amorphis
Amorphis provided a much needed respite between what had been and what was to come. Their more melodic metal sound allowed me to catch my breath for a second while yet continuing to enjoy some fantastic sounds. Once again, they proved my theory that keyboards can work with metal if done properly. Seeing the keyboard player for Amorphis brought back memories of Claude Schnell and Jens Johanssen. This in no way takes anything from the rest of the band, especially the way the guitarists shredded.
Exodus
Exodus
One thing I pride myself on when I wrote Rock And Roll Children was my accuracy. When Exodus take the stage in the story, the characters are amazed that mortal men can play so fast. Seeing Exodus again after all these years, I am glad that they continue to prove me right. They were fast, furious and just mental and that effect went out to the entire crowd. They weren't on stage five seconds when a huge mosh pit opened up at the front. I'm afraid to say that when he saw the pit, my step son lost his nerve and didn't want to go in but I can't really blame him. Instead, we stood to one side and enjoyed all the fast paced music delivered by those on the stage. The energy was indescribable as Exodus stamped their name on memory of Bloodstock forever. They only stopped briefly so the lead singer could organise one massive wall of death.
The Wall of Death
The Wall of Death
When that was over with surprising no casualties, Exodus went on to finish their slaughter of the ear drums to the point that it could be argued that they won the day.
Devil Driver
Devil Driver
While Devil Driver may not have matched the violence of Exodus, they continued to carry on the fast metal. Having never heard anything from them before, I can say that I did like them. Especially when the lead singer invited everyone out to California, the only place where weed is legal.
Anthrax
Anthrax
This was my fourth time seeing Anthrax live, the last time was Donnington in 1987. Let me say that they haven't lost any of that intensity they had back then. They took me with old favourites like "I Am the Law," "Indians," and the song they opened with, "Caught In a Mosh" to that magical time nearly 30 years ago when I was a pure Anthraxian and it made me renew my vows to follow them always. They also proceeded to convert my fifteen year old step son, although that didn't take much. I was so impressed with the performance of Anthrax that I can even forgive them for not playing one single song from the "Spreading the Disease" album. I used to think that there were few better songs to open a concert than A.I.R." but now I'm not so sure. Not many bands can boast to having two great show opening songs. As for the band themselves, they all proved they still have it.
Slayer

Slayer

The problem with the headline act is that they have all the lights and this makes it difficult to get a good photo. After several attempts, this was the best I could get. Slayer fulfilled their duties as a headline act. Taking the energy provided by all the bands on the day to an even higher level. The played a good mix of their material throughout the ages and had the crowd at their mercy. I had never seen them live before this day and I must say that all the good things I heard are all true. This was just one speed paced set going from one song to the next in wildfire succession. It proved to be the perfect end to a magnificent day of heavy metal.
Unfortunately, my stepson had the case of the spirit being strong but the flesh was weak. After an hour and ten minutes of Slayer, he was too tired to continue so I had to leave missing the final half hour. Still, "South of Heaven" was probably the best song to walk back to the car to. In the end, we both enjoyed an historical day of heavy metal, one that will match or supersede any of my previous and will dwell in the mind of my young stepson for a long time. Even getting home, at one in the morning following detours due to the motorway being closed and having to get up at 6:30 the next morning to drive to the in laws didn't lessen the day. In the end, nothing could as it was a great piece of metal history.
Next post: Why Black Emerald should be signed to a record deal
To buy Rock And Roll Children, go to www.strategicpublishinggroup.com/title/RockAndRollChildren.html
Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in Lonon

Sunday 4 August 2013

Great Rock Albums of 1978: Rainbow- Long Live Rock And Roll

First of all, I have been kicking myself for leaving out Rainbow albums in the past chapter of "Great Rock Albums of the 70s." I should have at least included the "Rising" album in one of the posts. Not taking anything away from Graham Bonnet or Joe Lynn Turner, I will be visiting their contributions to Rainbow, but I remain convinced that the Ronnie James Dio era was Rainbow's best, this album is one of the contributors to my belief.
At Bloodstock 2010, there were many tributes to Ronnie James Dio by many acts over the three days. While it could be said that some of the bands should have checked with eachother, it seems fitting that many of them played the title track, "Long Live Rock and Roll" as a tribute to Ronnie. I might be biased here, but it was Twisted Sister's version of the song I liked the best.
Needless to say, the title track isn't the only song that does this album justice. Other tracks like "Gates of Babylon,"Kill the King" and the mellow but eeriely appealing "Rainbow Eyes" also combine to make this album what it is, a great album. "Long Live Rock and Roll" is a great hard rocking album and one where metal bands can point to for inspiration.
Track Listing:
1. Long Live Rock and Roll
2. Lady of the Lake
3. L.A. Connection
4. Gates of Babylon
5. Kill the King
6. The Shed (Subtle)
7. Sensitive to Light
8. Rainbow Eyes
Rainbow
Ritchie Blackmore- guitars
Ronnie James Dio- vocals
  Cozy Powell- drums, percussion
David Stone- keyboards
Bob Daisley- bass
"Long Live Rock And Roll" would be the last album to feature Ronnie James Dio, who would go on to take over the singing duties for Black Sabbath. Rainbow would continue on and both would achieve greatness. I believe that Ronnie James Dio and Cozy Powell, who passed away a few years earlier, are jamming together in the after life and continuing to rock on.
Next post: The Who- Who Are You
Also available on Amazon, Barnes & Noble and Froogle and on sale in Foyles Book Shop in London.