Sunday 27 June 2021

Great Rock Albums of 1983: DNA- Party Tested

 dnapartytested

We all have songs and albums that we listened to many years ago which still pop up in our minds after all these years. For me, when I began to reflect back to the music of 1983, there was one such band that immediately came to mind. I remember DNA getting plenty of air play in the spring of said year although it was only when I refamiliarised myself with them that I remembered the song in question was "Doctors of the Universe." Now, this could have qualified them as one hit wonders but I did hear the album "Party Tested" once upon a time and remember liking it. Why I never bought it is something I can not understand. Besides any album made by guitar great Rick Derringer and drumming ace Carmine Appice has to be worth, not only a listen but a post on its own.

Let me tell you that listening to "Doctors of the Universe" after more than thirty years did get me in a party mood. I forgot just how catchy that song was then and now. It starts with a hard guitar riff then comes the hook of the keyboards. They sound clean without going totally synth pop, which was the bucking trend at the time. Then there's the chorus which you want to sing again and again.

"We are the doctors of the universe, we twist your DNA we like our work"

Needless to say, the guitar solo by Rick, while not a belter, is sufficient for this song.

Listening to the rest of "Party Tested" is like seeing an old friend whom you haven't seen in years. The old familiarites come back instantly. Most of the songs gave me the distinct impression of "Oh yeah, I remember this one." That is especially the case of the following track, "Intellectual Freedom for the Masses." But even more so with track three, "Rock and Roll, Part 2." I definitely heard that one before and fairly recently. It took me a few minutes of laying nude in the grass in deep contemplation, okay maybe not the nudity in the grass, too cold for that but I do remember where I heard it. It was from an episode of South Park where the new kid brings dance to the school. However, he would rather play basketball but his father makes him dance and bitch slaps anyone who opposes him. They play "Rock and Roll Part 2" at the basketball game at the end to which the father gets up and gets into the song. Of course, that song could have that effect on people.

[caption id="attachment_3010" align="aligncenter" width="169"]The bitch-slapping dancing father The bitch-slapping dancing father[/caption]

Track four, "The Song That Wrote Itself" is the first noticeable one where Rick Derringer shows why he should be counted among the guitar greats. He really jams out here and while his guitar presence isn't as in your face as the mentioned song, it is enough to hook you. The title track is definitely one for that and I have to say that "What About?" is a better than decent closer. One thing I must point out is that if you're expecting major drum solos from Carmine, there are none to be had on "Party Tested." He doesn't need to as his drumming is as good as ever on the album. In fact, I will venture forth the opinion that he and bassist Jimmy Johnson make a damn fine rhythm section.

Track Listing:

  1. Doctors of the Universe
  2. Intellectual Freedom for the Masses
  3. Rock And Roll Part 2
  4. The Song That Wrote Itself
  5. Party Tested
  6. The Recipe For Life
  7. What About?
[caption id="attachment_3011" align="aligncenter" width="259"]Rick Derringer and Carmine Appice Rick Derringer and Carmine Appice[/caption]

Carmine Appice- drums, vocals

Rick Derringer- guitar, vocals

Jimmy Johnson- bass

Duane Hitchings- keyboards

I am hoping that when people read about this album, they respond with, "Oh yes, I remember them, that song/album" but I fear that it might draw a blank. Therefore, your assignment should be to have a listen to "Party Tested." It will get you in the party mood and what a better way to do that in the run up to the holiday season.

Next post: Christmas

To buy Rock And Roll Children, email me at tobychainsaw@hotmail.com

Sunday 20 June 2021

Great Rock Albums of 1983: Weird Al Yankovick

 220px-Weird_Al_Yankovic_-_Weird_Al_Yankovic

Madness had finally broken through to America and Frank Zappa put out a fantastic album but if there was any more proof needed to forward the belief that 1983 was a good year for humour in music, it would be the debut album of Weird Al Yankovic. In fact, since this year, many people would forever compare Weird Al with Frank on account of their love of humour. So much so, that twenty years after this album, Weird Al would have a track on an album that if you didn't know any better, you would think it was Zappa himself. As for me though, it would only be the humour and the fact that both are true musical geniuses being the only things they have in common. They have totally different styles.

Hearing the tracks "Ricky" and "Stop Dragging My Car Around" on the radio in the spring of this year would convert me to Weird Al forever and I don't care if people think I'm sad for it, (some do.) Those songs had me rolling on the floor in laughter and when I heard it, so did the self titled debut album. Nobody, now or then, does parody better than he does. What's even more impressive is how he is able to adjust to the musical style of the song he's parodying even if he sometimes does it with an accordion. That's another amazing thing about him, no one else has been able to employ an accordion in rock songs the way he does.

On the debut album, the parodies come thick and fast. Not only do many of them take the piss out of classic songs, they are also parody other things. Take the two already mentioned. "Ricky" is obviously a parody of one hit wonder Toni Basil's "Mickey" but it also parodies the old "I Love Lucy" show. Same with "Stop Dragging My Car Around." Yes, it's a humourous version of the classic Tom Petty/Stevie Nicks duet "Stop Dragging My Heart Around," but it also rips on the the culture of towing cars away. Other great ones are "Another One Rides the Bus," which is a parody of a Queen classic and if you have ever ridden on a crowded bus, then you would appreciate the sentiments on this song. Others great parodies are "My Bologna" which pokes fun at The Knack's "My Sharona and "I Love Rocky Road," a dig at the famous Joan Jett and the Blackhearts song. However, not all of Weird Al's songs parody other songs. Some are just simple digs about other things. "Buckingham Blues" makes fun of the Royal Family. "I'll Be Mellow When I'm Dead" is a dig at the hippy culture. Then there's "Gotta Boogie," let me just say this song has nothing to do with dancing. In any case, unless you have no sense of humour at all, and there are people out there who do, you can't stop laughing out loud at the songs from this album. Weird Al proves to the world just how weird he is.

Track Listing:

  1. Ricky
  2. Gotta Boogie
  3. I Love Rocky Road
  4. Buckingham Blues
  5. Happy Birthday
  6. Stop Dragging My Car Around
  7. My Bolgna
  8. The Check's in the Mail
  9. Another One Rides the Bus
  10. I'll Be Mellow When I'm Dead
  11. Such a Groovy Guy
  12. Mr Frump in the Iron Lung
[caption id="attachment_3006" align="aligncenter" width="374"]Weird Al Yankovic Weird Al Yankovic[/caption]

Weird Al Yankovic- accordion, vocals

Rick Derringer- guitar

Steve Jay- bass

John 'Bermuda' Schwartz- drums, percussion

Rich Bennett- ukulele, banjo, guitar

William K Anderson- saxophone, harmonica

Joel Miller- bongos

Mike Kieffer- percussion

Dorothy Ramsen- harp

Tress MacNeille- voice of Lucy Ricardo on "Ricky"

Dawn Smythey, Zaidee  Cole, Joan Manners- backing vocals

Weird Al Yankovic, along with Frank Zappa of course, proved to the world in 1983 that humour and music could go together. The debut album from Weird Al continues to have me in stitches each time listen to it.

Next post: DNA- Party Tested

To buy Rock And Roll Children, email me at: tobychainsaw@hotmail.com

Sunday 13 June 2021

Great Rock Albums of 1983: Frank Zappa- The Man From Utopia

 220px-The_Man_From_Utopia

If there was any more evidence to further my belief that 1983 was the year for humour in music, then it would have to be the album "The Man From Utopia" by Frank Zappa. For over a decade and a half before the release of this album, Frank had been successfully carrying out a two pronged assault of making some fantastic music while at the same time, making us laugh our asses off with his humourous lyrics. In the late 1970s, listening to Zappa was practically a requirement at my high school. 1983 would be the year that one of his songs would actually get airplay on commercial radio. Before that, his only access to radio play was via the Dr Demento Show. Yes, I know that "Valley Girl" broke into the top forty charts in 1982 but that song will always be associated with his daughter Moon.

[caption id="attachment_778" align="aligncenter" width="235"]Doctor Demento Doctor Demento[/caption]

That all changed when one day, while listening to the one decent rock station in Jacksonville, North Carolina, I heard the track "Cocaine Decisions." Okay, the song never broke the top forty singles chart, but who really cares about that? I just thought it was great to hear Frank on the radio. True, "Cocaine Decisions" is an anti drug song. However, it is not aimed at the common man. Instead it pokes fun at all the high class executives who used to snort. There was a saying back in the 80s that went, "Cocaine was God's way of telling you that you make too much money." Frank's song parodies that.

The rest of the album consists of everything that Frank Zappa has been doing to entertain us for all those years. There are a load of great parody songs on the album. At first, I thought "The Radio is Broken" was going to be about a broken radio. Instead, Frank is being a kind of prophet here. It would only be less than two years later when, in my view, commercial radio started to suck. This song is about that.

Then there's "The Dangerous Kitchen." This one takes the piss out of the rising health and safety culture and look where it is now these days. The track "The Jazz Discharge Party Hats" rips on musicians trying to get laid after every gig. However, my favourite track on "The Man From Utopia" is "The Man From Utopia Meets Mary Lou." While the song is done with the usual Zappa sense of humour, there is a serious side to it. It's about a down trodden housewife who gets away but then gets revenge by fleecing men. It is on this track that Ray White's underrated vocals come out. Oh yes, "Sex" is a pretty funny track too.

If I were to nit pick anything about the album, it would be the absence of Frank Zappa's guitar playing ability. He doesn't go into any great solos and it could be said that there is a lack of guitar great Steve Vai's skills. Honestly, I'm not really bothered. There are three instrumentals, "Tink Walks Amok," "We're Not Alone" and "Moggio," on the album and they all boast the great musicianship from the people Frank gets to play on his albums. I think that "The Man From Utopia" might be his best album since "Joe's Garage Act 1."

Track Listing (CD)

  1. Cocaine Decisions
  2. Sex
  3. Tink Walks Amok
  4. The Radio is Broken
  5. We're Not Alone
  6. The Dangerous Kitchen
  7. The Man From Utopia Meets Mary Lou
  8. Stick Together
  9. The Jazz Discharge Party Hats
  10. Luigi and the Wise Guys
  11. Moggio
[caption id="attachment_777" align="aligncenter" width="198"]Frank Zappa Frank Zappa[/caption]

Frank Zappa- vocals, guitar, drum machine

Steve Vai- guitars

Ray White- guitar, vocals

Roy Estrada- vocals

Bob Harris- boy soprano

Ike Willis- vocals

Bobby Martin- keyboards, saxophone, vocals

Tommy Mars- keyboards

Arthur Barrow- bass, rhythm guitar, keyboards

Ed Mann- percussion

Scott Thunes- bass

Chris Wackerman- drums

Vinnie Colaiuta- drums

Craig Twister Stewart- harmonica

Dick Fegy- mandolin

Marty Krystall- saxophone

Frank Zappa was still going strong in 1983 as "The Man From Utopia" shows. After all, if 1983 was a year for humour in music to step forward, it wouldn't have been able to do so without Frank.

I have also made a rather disappointing discovery. As a teen forty years ago, I thought that by now, 2021, wars would no longer exist but there would be ROLLERBALL!

[caption id="attachment_3001" align="aligncenter" width="274"]Rollerball Rollerball[/caption]

Next post: Weird Al Yankovick

To buy Rock And Roll Children, email me at: tobychainsaw@hotmail.com

Monday 7 June 2021

Great Rock Albums of 1983: Madness- The Rise and Fall

 Madnesstheriseandfall

Madness are generally considered to be one hit wonders in the US. The song, "Our House," from this album, got a good amount of airplay on radio and MTV. I always laughed at the part in the video where they are all outside and the mother comes parachuting down. While the song didn't get me rocking, I still found it quite amusing and I liked it for its different sound. But I have to admit that Madness got sort of pushed to one side after more music that typified me came out. Though I did hear and like the song, "One Step Beyond," which is not on the album "The Rise and Fall." Madness would gain more of my attention a few years later when I came to their home country. It also happens that my first wife was a fan of them so I got to appreciate their material more fully.

[caption id="attachment_2996" align="aligncenter" width="370"]Video for Our House Video for Our House[/caption]

As I journey back more into 1983, I see that while it was the year that heavy metal burst onto the scene in flamboyant style, it was a good year for more humourous music. Maybe the music industry finally opened up and got a funny bone in this year. As I listen to "The Rise and Fall," I sense that there is a bit of fun to it. Madness play with of tongue in cheek humour. Even in their more serious songs like "Blue Skinned Beast," which is a political dig at Margaret Thatcher's handling of the Falklands Conflict, does it completely go away. However, it is definitely present in the single, as well as tracks like "Sunday Morning" and the closer "Madness (Is All In the Mind.)"

Humour aside, I find that Madness are all very good musicians. Like I said, their sound is definitely unique now as it was back in 1983. I find it hard to label and since I don't really like to pigeon hole things to much, I'll just say it's unique. Other standout tracks on the album for me are "Mr Speaker Gets the Word" and "New Dehli."

Track Listing:

  1. Rise and Fall
  2. Tomorrow's (Just Another Day)
  3. Blue Skinned Beast
  4. Primrose Hill
  5. Mr Speaker (Gets the Word
  6. Sunday Morning
  7. Our House
  8. Tiptoes
  9. New Delhi
  10. That Face
  11. Calling Cards
  12. Are You Coming (With Me)
  13. Madness (Is All in the Mind)
[caption id="attachment_2997" align="aligncenter" width="300"]Madness Madness[/caption]

Suggs- vocals

Mike Barson- keyboards, harmonica

Chris Foreman- guitar

Lee Thompson- saxophone

Daniel Woodgate- drums

Mark Bedford- bass

Chas Smash- trumpet, backing vocals, lead vocal on "Madness (Is All in the Mind)"

They may be considered one hit wonders in the US but I know they were more than that in the UK. Either way, they definitely got the notice from a lot of people, myself included in 1983. Their unique sound helped a lot.

Next post: Frank Zappa- The Man From Utopia

To buy Rock and Roll Children,