Great Metal Albums of 1981: Sammy Hagar- Standing Hampton

According to Wikipedia, "Standing Hampton" by Sammy Hagar was released in 1982 but other sources state it was actually 1981. I always thought the latter because I remember hearing some of the songs on it in that year. One of these was definitely the track "Heavy Metal" which appears on the soundtrack for the film of the same name, which I covered a few weeks back. Fair dues to the film makers, when they pieced together the songs for the soundtrack, they took them straight from the album and that is a good thing, especially with Sammy's song. Wikipedia says that it is a different version but I am beginning to doubt a lot of what they say because it doesn't sound different to me. Either way, "Heavy Metal" is definitely a mind blowing anthem.

True, "Standing Hampton" starts off with the more airplay oriented "I Fall in Love Again," which isn't a bad song but not as heavy as the others on the album. After the opener, the rest of the album kicks into gear with "There's Only One Way to Rock" and that is definitely heavier and goes on throughout rest of the album, including the heaviest song mentioned above. Great heavy tracks like "Baby It's You," Baby's On Fire" and "Can't Get Loose" go together very well to stamp Sammy firmly on the page of heavy metal. Now, one might think "Sweet Hitchhiker" would make a fantastic closer to a great album and it is a fine song but Sammy goes on better and ends things with a magnificent cover of the famous Janis Joplin jam "Piece of My Heart." I'm sure Janis would be proud of Hagar's efforts on the song.

Track Listing

1. I Fall In Love Again

2. There's Only One Way to Rock

3. Baby's On Fire

4. Can't Get Loose

5. Heavy Metal

6. Baby It's You

7. Surrender

8. Inside Looking In

9. Sweet Hitchhiker

10. Piece of My Heart

[caption id="attachment_1954" align="aligncenter" width="228" class=" "] Sammy Hagar[/caption]

Sammy Hagar- lead vocals, lead guitar

Gary Pihl- guitar, backing vocals

Bill Church- bass, backing vocals

David Lauser- drums, backing vocals

One of the things I really enjoy about writing this blog is the opportunity to go back in time and fully appreciate artists I didn't fully appreciate at the time. It would be another album before I really got listening to Sammy Hagar so in my view, his best was yet to come. "Standing Hampton" was a great stepping stone for him towards greater glory.

Next Post: Anvil- Hard and Heavy

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Great Metal Albums of 1981: Saxon- Denim and Leather

I know I've said this before, but Saxon didn't fully come to my attention until 1985. I had heard of them before that and even remember liking one of their songs but I can never remember which one. I blame it on the booze. Their master song "Princess of the Night" appears on a compilation album I had bought in the above year but it would be more than another year until I saw this great album "Denim and Leather" on sale at my local record store for $3. I snapped it up without further thought and it is probably the wisest investment I ever made.

"Denim and Leather" is my all time favourite Saxon album and it is easy to understand why. But before I sing it's praises, let me begin with the one minor flaw with the album, if you want to call it that. It is with the song "Rough and Ready," which is about being a hard man. Now, in my mind, there is nothing more ridiculous than someone who is clearly not hard trying to sound like they are and sorry Biff, you're not convincing here. Saying that, the song does redeem itself with some good musicianship equal to the rest of the album.

That leads nicely to the monster classics on this album, there are no fewer than five blockbusting songs on "Denim and Leather." Of course,  I have to mention the track already mentioned "Princess of the Night." It has such a killer intro that stays with you long after the song is done. Even now, I listen to it and say "wow!" Not taking anything away from the three songs that follow "Princess of the Night," especially "Never Surrender," but "Play It Loud" is definitely the "Wheels of Steel" of the album in the sense that it is the perfect song to play at full volume when driving in your car. I bought the album on cassette so I got to do a lot of that back in the day. Just when you've gotten over it, your ear drums are once again assaulted by another great one in the form of "And the Band Played On." The guitar work in this song is completely amazing, my head just wants to keep banging away to it even when it's over. "Midnight Rider" follows on and between this song and "Princess of the Night," I get the impression that Saxon are into trains because that's two songs about them. That doesn't stop the former from also being a killer song. Then following "Fire in the Sky," which like April Wine's "Caught in the Crossfire" is about nuclear destruction, a relevant fear back in 1981 with Ronald Regan wanting to put cruise missiles everywhere, is one of the finest album closers of all time. The title track "Denim and Leather" is the best way to bring any album to a close. Like the other gems on the album, it has that memorable guitar crunch that aids Biff Byford's vocals in creating history. For me, Saxon's "Denim and Leather" is definitely my pick for one of the best albums of 1981.

Track Listing:

1. Princess of the Night

2. Never Surrender

3. Out of Control

4. Rough and Ready

5. Play it Loud

6. And the Band Played On

7. Midnight Rider

8. Fire in the Sky

9. Denim and Leather

[caption id="attachment_1148" align="aligncenter" width="209" class=" "] Saxon[/caption]

Biff Byford- vocals

Graham Oliver- guitars

Paul Quinn- guitars

Steve Dawson- bass

Pete Gill- drums

When people mention NWOBHM, they are quick to say Judas Priest, Iron Maiden and Def Leppard, but Saxon only gets mentioned as an after thought in many cases. I think the problem was that they put out their three greatest albums in rapid succession, sort of like Blackfoot. Furthermore, Oliver and Quinn often get left out when great guitar duos are mentioned. They are every bit as good a combo as Downing/Tipton and Smith/Murray. It is a shame that they didn't make it as big as the the others but they're every bit as good. "Denim and Leather" is proof in the pudding.

Next post: Sammy Hagar- Standing Hampton

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Great Metal Albums of 1981: Judas Priest- Point of Entry

You probably have already noticed that I didn't go to Bloodstock this year and it wasn't because of all the rain. While I would have loved to have seen Megadeath and Saxon on stage, my finances are dictated by other priorities, mainly my trip to the US in October. Enough of that said, onto the "Point of Entry," the 1981 album from metal gods Judas Priest.

Many people have shot down "Point of Entry" over the years and I ask myself if this is fair. One such person even put the album on a par with "Turbo" and to me, that is totally way off base. I will be the first to admit, it is not one of Judas Priest's best albums. What highlights this the most is that it is unfortunately sandwiched between what I think is their two best albums of all time: "British Steel" and "Screaming for Vengeance." I think that most of the other albums would pale significantly when put between those two monuments to metal. Taking them out of the equation and listening to "Point of Entry" on its own, I can safely say that it doesn't totally suck.

"Heading Out on the Highway" is an adequate opener and "Don't Go" does move the party along to the one of the more stronger tracks, "Hot Rockin'." But I'm not too sure about "Turning Circles" and "Desert Plains," maybe another listen is due here. However, the most of the remainder of the album is quite good. I do like the guitars in  "Solar Angels" and "You Say Yes" would be a great song to sing along to when drinking heavily. I'm going to have to try it just to make sure. "All the Way" and "Troubleshooter" are decent songs too but I'm not too sure about the closer. A good closing song should make me feel uplifted and I can't say that "On the Run" does that. Overall though, I think "Point of Entry" is a good album from Judas Priest and there are some of the famous trademark screams from Halford and the solid guitar work of Tipton and Downing. Maybe after the likes of the albums that precede and succeed it, the bar may have been set too high.

Track Listing:

1. Heading Out on the Highway

2. Don't Go

3. Hot Rockin'

4. Turning Circles

5. Desert Plains

6. Solar Angels

7. You Say Yes

8. All the Way

9. Troubleshooter

10. On the Run

[caption id="attachment_1108" align="aligncenter" width="128"] Judas Priest[/caption]

Rob Halford- vocals

Glen Tipton- guitar

KK Downing- guitar

Ian Hill- bass

Dave Holland- drums

 "Point of Entry" isn't the terrible album made out to be. If I were grading it I might be tempted to say it wasn't done at the best of the band's ability and it doesn't stand out from many of the great metal albums that came out in 1981, but it's still good enough to be included among them.

Next post: Saxon- Denim and Leather

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Great Metal Albums of 1981: April Wine, The Nature of the Beast

It was about this time of my life that I began to wonder if Canadian music was largely ignored by US and UK markets, especially metal bands from the Great White North. Rush and Triumph being the two exceptions of course.  Two of my very earliest posts asked this question and certainly feel free to go back through the archives and read those posts. I ask myself the same question because while searching through my local record store, I discovered "The Nature of the Beast" by Canadian band April Wine. There will be some debate as to whether or not to label April Wine a metal band and I will attempt to put forward the case for yes as I examine their most commercially successful album.

If one were to listen to the first four songs only, they would be more inclined to put April Wine into the hard rock or power pop category. The opening song "All Over Town" starts hard enough with the opening riffs. However, I get the sneaking suspicion that it could have been played even harder. It's still a good song though and the second song, "Telling Me Lies" sort of goes on in the same vein. It's another song that borders on power pop. Then comes "Sign of the Gypsy Queen." This is the first song that really shows off some impressive guitar work. I have "The Nature of the Beast" on cassette, which is gathering dust in my attic so I heard the version on YouTube. It was a live version and it is totally mind blowing. The guitar solos go on for much longer and my thought to this was "Why couldn't have recorded it like that on the album?" It would have made a great song even greater. Following "Sign of the Gypsy Queen" is my second favourite power ballad of all time, "Just Between You and Me." Yes, it's a soppy love song lyrically, but the guitar breaks between the verses and the solo itself totally launch it to a new level. I will go out on the limb here and say that "Just Between You and Me" set the bar for how metal ballads should sound. It totally kicks the ass of "Every Rose Has Its Thorn."

After the ballad, the album goes heavier kicking in straight away with "Wanna Rock." I agree with the lyrics "Disco music has a social disease, if it ain't gonna rock me then it ain't gonna please." "Wanna Rock" sets the stage for the hard rocking rest of the album and is the exhibit A, B and C for my case of April Wine being a metal band. It follows on with the anti-nuclear weapons song "Caught in the Crossfire" that starts with a very cool lead guitar intro. On the cassette it would start the second side but "Future Tense" starts with an almost thrash sound before slowing down a little while still maintaining metal integrity. It continues with the third best known song on the album and definitely more metal sounding than either "Sign of the Gypsy Queen" and "Just Between You and Me." Big City Girls" is a true cooker of a song even if it is about prostitutes. "Crash and Burn" doesn't do what it suggests in the title but continues the party. "Bad Boys" may not be as hard as the ones mentioned but it carries things on nicely to its excellent closer "One More Time" which ends the album very nicely. So, I hope I have convinced some of you that April Wine should be a metal band but don't take my word for it, listen for yourself.

Track Listing:

1. All Over Town

2. Telling Me Lies

3. Sign of the Gypsy Queen

4. Just Between You and Me

5. Wanna Rock

6. Caught in the Crossfire

7. Future Tense

8. Big City Girls

9. Crash and Burn

10. Bad Boys

11. One More Time

[caption id="attachment_2349" align="aligncenter" width="285"] April Wine[/caption]

Myles Goodwyn- vocals, guitars, keyboards

Brian Greenway- vocals, guitars

Gary Moffet- guitars, backing vocals

Steve Lang- bass, backing vocals

Jerry Mercer- drums

I have a confession to make, when I bought "The Nature of the Beast" I never knew that they had put out so many albums before hand. It was always in my mind to listen to these albums but I never got around to it, that's going to change. I would love to hear how they stack up to this monster of a classic.

Next post: Judas Priest- Point of Entry

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Great Metal Albums of 1981: Ozzy Osbourne- Blizzard of Ozz

"Heaven and Hell" proved for Black Sabbath that there was life after Ozzy, however, in 1981, Ozzy's debut solo album "Blizzard of Oz" proved for him there was life after Sabbath. Since his departure from the band in 1978, the Oz had been battling with booze and drugs but he managed to clean himself up enough to put out an album that would forever be a major rock in the foundation of heavy metal. "Blizzard of Oz" changed the way many people, me too, at the time thought about hard rock music. It was in this year that I acknowledged heavy metal as its own genre of rock music and this album was one of the reasons why.

There is preciously very little about "Blizzard of Oz" that I could say that hasn't been already said. The only thing I can do is to share how it has influenced me over the many years and I still worry if I will be able to do it justice. What I like most about it is the fact that Ozzy didn't go out and recreate an album that sounded like his former band. His brand of metal here is totally unique but you still know that it is Ozzy at the mike. That comes through clearly with the opener "I Don't Know," a good opening song as any. It leads the listener onto to want to listen to the rest of the album while letting you know, (if this was 1981), that Ozzy was back. But there are so many great classic songs on the album that are still popular among metalheads today. "Suicide Solution," "Mr Crowley" and the single "Crazy Train" will forever go down in the annals of metal history as classic all time great metal songs. Even the ballads "Goodbye to Romance" and the powerful "Mother Earth" play their part in making "Blizzard of Oz" the iconic album that is still is.

I don't want to take anything away from the great Ozzy here because his vocals on here can't be duplicated and prove his abilities. Still, what catapults this album from being good to being great is the guitar work from the late Randy Rhodes. He is considered one of the greatest guitarists of all time and he definitely shows why on "Blizzard of Oz." The solo on "Crazy Train" is one of my favourite and what he does on the other tracks is completely out of this world. So the math teacher in me concludes that Ozzy+ Randy = some memorable heavy metal.

Track Listing:

1. I Don't Know

2. Crazy Train

3. Goodbye to Romance

4. Dee

5. Suicide Solution

6.Mr Crowely

7. No Bones Movies

8. Mother Earth

9. Steal Away (The Night)

[caption id="attachment_2343" align="aligncenter" width="199"] Ozzy Osbourne[/caption]

Ozzy Osbourne- vocals

Randy Rhodes- guitar

 Bob Daisley -bass

Lee Kerslake - drums

Don Airey- keyboards

A few months ago, I shared a petition that Ozzy should receive a knighthood for his services to music. I was informed that the petition has nearly reached its quota for signatures and may have fully done so since then. "Blizzard of Oz" is a rock solid reason why he should get a gong. To sign the petition, go to: https://www.causes.com/campaigns/39911-knight-ozzy-osbourne

Next post: April Wine- The Nature of the Beast

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Great Rock/Metal Albums of 1981: KISS- Music From the Elder

Of the four albums I have visited in this rock/metal segment, this 1981 offering from the legendary KISS totally passed me by in the year. I can't even blame it on being in the marines. The reason this album not only passed me by but many others as well was due to the fact it disappeared almost as soon as it was released. According to history, it was reviled by many fans and although it did receive some positive feedback from the critics, "Music From The Elder" was voted the 44th worst album of all time by Q Magazine and 6th in the category "When great rock bands lost the plot." Nevertheless, being a fair minded bloke, I thought I would give the album a listen and decide for myself. Still, I would welcome any comments, especially from fellow metal blogger and self confessed KISS-a-holic, Stone from Metal Odyssey fame.

Let me be totally frank, "Music From the Elder" is nowhere near a patch on great KISS albums like "Destroyer," "Love Gun," "Alive" or even some of the albums they made following this one like "Creatures of the Night." However, the album isn't as terrible as I feared it was going to be. The opener, "The Oath" was an attempt to create the earlier KISS sound at least as far back as "Dynasty" anyway and it is a notable effort on their part. Then came the instrumental "Fanfare" which had me thinking "WTF?" Fortunately, things return to normal, well sort of. I am sure that with "Just a Boy," that KISS are trying to sound like The Who here and while not a bad song, it doesn't leave me thinking, "Okay, cool." Ace Frehley and Gene Simmons manage to rescue things a bit with the tracks "Dark Light," "Only You" and "Under the Rose" but then comes the ballad "A World Without Heroes" and I am left saying to myself "No" and that if I was listening this back in 1981, I would say, "Leave the ballads to Peter Criss." "Dr Blackwell" does go a good long way to redeem things and I do like the guitar solo on this song. Then after another instrumental which isn't too bad, they try to be creative with "Odyssey." Not sure if it works though. At the end, barring a very short instrumental which perhaps shouldn't be on there was a pleasant surprise for me. I have heard the the track "I" before. It wasn't recorded by KISS but covered in 2000 by the band Hair of the Dog on their album "Rise." For them, "I" was a great closer for a great metal album and there is little comparison to it and the version done by KISS on this album. I think that the song was good enough for Hair of the Dog to record it just like the way it is done here. That song should have been the closer.

I guess I should mention that "Music From the Elder" was the first KISS album to fully feature new drummer Eric Carr who replaced Peter Criss when he left the band a year earlier. Most of you probably already knew that.

Track Listing:

1. The Oath

2. Fanfare

3. Just a Boy

4. Dark Light

5. Only You

6. Under the Rose

7. A World Without Heroes

8. Dr Blackwell

9. Escape From the Island

10. Odyssey

11. I

12. Finale

[caption id="attachment_2338" align="aligncenter" width="260"] KISS[/caption]

Paul Stanley- rhythm guitar,vocals

Gene Simmons- bass, vocals

Ace Frehley- lead guitar, vocals

Eric Carr- drums, percussion, backing vocals

My final verdict here is that if KISS had remained more true to their hard rocking roots, I think "Music From the Elder" would have been a much better album. I have no problem with an album telling a story through its songs, King Diamond''s "Abigail" does that beautifully. It doesn't mean a band has to go all progressive to do so and that's where this album falls down. The other thing I can see with the album, with the aid of hindsight, that KISS were beginning to move away from Gene Simmons' 1980 boast that KISS were four guys equally covering for each other towards simply becoming Paul and Gene's band.

Next post: Ozzy Osbourne- The Blizzard of Oz

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Great Rock/Metal Albums of 1981: Blue Oyster Cult- Fire of Unknown Origin

Of the four artists who made the transition from hard or glam rock in the 1970s to heavy metal in the 1980s, at least in the minds of non-believers, Blue Oyster Cult's album "Fire of Unknown Origin" is the one album that didn't pass me by unnoticed. Once again, I have the marines to thank for that, pulling barracks security watch on the graveyard shift on a Saturday night. I also have to thank the radio station WXQR in Jacksonville, North Carolina for their Saturday Night Six Pack show where six albums were played in their entirety starting at midnight on Saturday nights. Old age, I said all this when I visited the Danny Joe Brown Band, but yes, it was here where I got to first listen to this great album, (and I do mean great) from Blue Oyster Cult.

First, I can now certainly reassure my fellow blogger Heavy Metal Overload that the track "Veteran of 1000 Psychic Wars" is the same on this album as it is on the soundtrack to "Heavy Metal" and a good track it is. "Burning For You" is the single from the track and I mention this because it appears on a compilation album I bought five and a half years ago and I was glad that it was any other B.O.C. song than "Don't Fear the Reaper." I think I have that song on at least three compilation discs. It's still a good jam nonetheless.

If someone was to listen to just the opening and closing tracks on "Fire of Unknown Origin," they may be tempted to think that Blue Oyster Cult had gone a bit progressive rock. The keyboard intro on the title track may give that feel and "Don't Turn Your Back" almost sounds like a lounge act track, that is until it unleashes what is in my mind, the best guitar solo on the album. However, in between them is some great hard rock tunes like the two I've already mentioned, "Sole Survivor" and "Heavy Metal, The Black and the Silver." That is taking nothing away from the tracks "After Dark" and "Vengeance, the Pact."

Some of you are screaming inside about the one track I haven't mentioned yet and that is because I'm saving the best for last, at least I think so. Blue Oyster Cult has a reputation for writing quirky songs and none can be quirkier than "Joan Crawford." First, I love that piano intro, it gives me goosebumps every time I hear it and the lyrics: "Policemen hide behind the skirts of little girls" and the first line of the second verse, "Catholic school girls throw away their mascara." Pure genius. Saying that, I still prefer the live version of this song but you will have to wait till I visit that live album in 1982 to find out why.

Track Listing:

1. Fire Of Unknown Origin

2. Burning For You

3. Veteran of 1000 Psychic Wars

4. Sole Survivor

5. Heavy Metal, The Black and the Silver

6. Vengeance, The Pact

7. After Dark

8. Joan Crawford

9. Don't Turn Your Back

[caption id="attachment_1443" align="aligncenter" width="248"] Blue Oyster Cult[/caption]

Eric Bloom- lead vocals

Donald Buck Dharma Roeser- lead guitar, lead vocals

Alan Lanier- keyboards

Joe Bouchard- bass

Albert Bouchard- drums, percussion

I have always considered "Fire of Unknown Origin" one of the best Blue Oyster Cult albums. For me, it marked a genuine attempt to return to the glory days of albums like "Agents of Fortune." I leave you all to debate if it how well it does but for me, it came pretty close. Besides, it did get me through that graveyard shift that Saturday night.

Next post: Kiss- Music From, "The Elder"

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Great Rock/Metal Albums of 1981: Alice Cooper- Special Forces

Like the Thin Lizzy album in my previous post, this was another album by an established superstar of 70's rock that passed me by back in 1981. I vaguely remember that Alice Cooper had an album out at the time and I even more vaguely remember that it was called "Special Forces" but that's all I can remember. I never listened to it until now and if wasn't for my fellow blogger mikledano, I wouldn't have even done that. So, thank you Mike for enlightening me about this album.

Perhaps I can use a similar excuse to Alice for not experiencing this album back in 1981. He doesn't remember writing or recording "Special Forces" or his next two albums due to being drunk all the time. Okay, I wasn't drunk all the time even though the military bullshit was taking its toll on me at the time and I briefly became what is known in the military as a shitbird. But now that I have listened to it, (I got to thank youtube for that) I realise that I missed a rather good album. If Alice Cooper was drunk at the time, it might have been a good thing because "Special Forces" has some amusing songs played in well established hard rock fashion. "Vicious Rumours," "The Prettiest Cop on the Block" and "Don't Talk Old to Me" are all catchy, enjoyable songs. "You're a Movie" and "Skeletons in the Closet" are just as amusing but more new wave in their sound. Still, they're both decent songs and the one that stands out for me is "Seven and Seven Is." For me, that song reminds me of the Alice Cooper that I came to love in the 70's.

Track Listing:

1. Who Do You Think We Are

2. Seven and Seven Is

3. Prettiest Cop on the Block

4. Don't Talk Old to Me

5. Generation Landslide 81(Live)

6. Skeletons in the Closet

7. You Want It, You Got It

8. You Look Good in Rags

9. You're a Movie

10. Vicious Rumours

[caption id="attachment_812" align="aligncenter" width="128"] Alice Cooper[/caption]

Alice Cooper- lead vocals

Duane Hitchings- guitar, keyboards

Mike Pinera- guitar

Erik Scott- bass

Danny Johnson- guitar

Craig Krampf- drums

"Special Forces" proves that you can put out a decent album while you're drunk and have no recollection that you did. Now, I  could write the cliched "Imagine what he could have done if he was sober" line but I don't think it really applies here. "Special Forces" was one of those surprise albums that make me ask myself, "Why didn't I listen to this sooner?"

Next post: Blue Oyster Cult- Fire of Unknown Origin

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Great Rock/Metal Albums of 1981: Thin Lizzy- Renegade

There were several artists in the 1970's and early 80's that were hard rock bands but as the latter decade progressed, some people considered them to be heavy metal acts. The next four posts will be dedicated principal artists who fell into this category and some of them accepted being called metal better than others but they all put out albums in 1981. First of these, only because I listed them first, was Thin Lizzy. It's hard to say how they would have reacted to being labeled heavy metal since they broke up in 1983. However, I know a lot of metalheads, especially in the UK, who were heavily into them.

One critic called the 1981 "Renegade" album Thin Lizzy's worst album. Well after listening to it, I have drawn the conclusion that if this is their worst album, I have to hear what he calls their best. I find nothing to dislike about "Renegade." True, I thought the first two tracks, "Angel of Death" and "Renegade" started off a little proggy but the first of those quickly reverted to the more traditional Thin Lizzy sound. The rest of the album carries on sounding like the Thin Lizzy I have grown to love. "The Pressure Will Blow" and "Hollywood (Down On Your Luck)" both carry the trademark sound and in between them is the slightly more bluesier "Leave This Town." Another point this critic made was that there were elements of NWOBHM on the album. I can definitely hear that on the song "No One Told Him" but I say there's nothing wrong with that. With the likes of Iron Maiden, Judas Priest and Saxon around at the time, it should come as no surprise that that sound should find it's way into Thin Lizzy's music. I think it sounds good. One song that is noticeably different to the rest is "Fats" which has a pop/lounge act sound reminiscent of the Little River Band. What is prominent on the song is the keyboard skills of Darren Wharton who had been fully included into the band on this album. Still, "Fats" isn't enough to make me agree with the critic's assertion that Thin Lizzy were trying to sound pop. The critic might have said the same thing about "Mexican Blood" although that has a harder sound than "Fats" and that leads to the rocking closer "It's Getting Dangerous." Maybe this critic thought so little of the album because of the drug problems the band members were experiencing at the time and there are occurrences in Lynott's voice that suggest this but at the end of the day, there is nothing I dislike about "Renegade."

Track Listing:

1. Angel of Death

2. Renegade

3. The Pressure Will Blow

4. Leave This Town

5. Hollywood (Down on Your Luck)

6. No One Told Him

7. Fats

8. Mexican Blood

9. It's Getting Dangerous

[caption id="attachment_2326" align="aligncenter" width="300"] Thin Lizzy[/caption]

Phil Lynott- bass, lead vocals

Scott Goram- guitar, backing vocals

Snowy White- guitar, backing vocals

Darren Wharton- keyboards, backing vocals

Brian Downey- drums, percussion

Some people considered Thin Lizzy to be on their way out with this album due to the drug problems and I have to admit, I never listened to "Renegade" until recently because I believed the same. But even with all that, I found that I nearly missed a great album by one of the major bands to influence metal.

Next post: Alice Cooper- Special Forces

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Great Soundtracks of 1981: Heavy Metal

If I have to think back in time and pick out one major turning point in what made me the metalhead I am today, it would have to be this film and its superb soundtrack. Back then, I only thought of heavy metal music as a concept and it wouldn't be until I left the marines two years later that I would actually call myself a metalhead but after seeing the film and listening to all the great music on the soundtrack, it was safe to say that I was well on the road to becoming one.
Even though as a film, "Heavy Metal" was dismissed by some critics, even science fiction ones, I thoroughly enjoyed it. When you're twenty years old and your mind is under the influence of certain substances, seeing a space ship open its cargo door and then an astronaut comes out of it in a 1953 chevy corvette parachuting to Earth is mind blowing. For those who haven't seen the film, the mentioned scene happens to be at the beginning. The astronaut drives home and is met by his daughter. He then gives her this gift which is a large green globe. The globe melts the father and then tells the daughter its going to kill her after it shows her six stories about how it is the sum of all evil. It is these individual stories that make the film. My personal favourite is story two, "Den" about a nerdy teen who gets transported to a fantasy world where is is this muscular hero who gets all the girls. For months, I went around repeating Den's  lines from where he first discovers he's in a new body. "No hair, mmm big." Then the nerdy voice (done by the late John Candy) says, "There is no way I'm walking around this place with my dork hanging out." And then later in that story, after he sleeps with the evil queen, "Eighteen years of nothing and then twice in one day." Sorry, small things amuse small minds. While those lines amused me, the one that became the standard for me and my buddies was from story five when the two stoned aliens badly dock their space ship. Voiced by the late Harold Ramis: "One thing I know how to do man is drive when I'm stoned."
[caption id="attachment_2321" align="aligncenter" width="272"] Chevy Corvette parachutes to Earth[/caption]
You find out at the end that the entire film is tied to the very last story, "Taarna." Taarna is the last descendant of a warrior race known as the Taarakians, who after extracting vengeance on the barbarians who destroyed a peaceful city, sacrifices herself so the green globe can't take over the world. Her blood is in the young girl who becomes the new Taarakian defender. Yes, I thought the ending was a little naff but after watching the other six stories, I didn't really care. Besides, it was this last story that has instilled my fondness for ladies wielding swords. That might be too much information.
[caption id="attachment_2322" align="aligncenter" width="300"] Taarna with her sword[/caption]
Enough about the film, lets move to this fantastic soundtrack. I don't use the term "fantastic" loosely here because I really believe it about this soundtrack. It's a who's who of great rock and metal artists from the period. Two bands, Grand Funk Railroad and Blue Oyster Cult were listed in my honourable mentions category in great heavy metal influences. Then there's a song by Nazereth, whose album "Hair of the Dog" could have been used as a blue print for the creation of metal. Note: the Nazereth song on this soundtrack wasn't from that album but it's a good one nonetheless. Up an coming Sammy Hagar demonstrates why he would rise to glory in his own right with the song he plays here. There are also two great songs from Cheap Trick and my favourite Devo song and the soundtrack's more tender moments give us "Open Arms" by Journey and ones from Stevie Nicks and Donald Fagen. And of course we can't forget the contribution from one of the metal's founding fathers, Black Sabbath. What better song for this soundtrack than "The Mob Rules." However, the one song that gained the most notoriety was the second title track, (there are two on this one) by former Eagles guitarist Don Felder. If the soundtrack and film set me on the road to being a metalhead, it was this particular song that was the engine driving it.
[caption id="attachment_1950" align="aligncenter" width="275"] Black Sabbath[/caption][caption id="attachment_1443" align="aligncenter" width="248"] Blue Oyster Cult[/caption]

Track Listing:

1. Sammy Hagar- Heavy Metal

2. Riggs- Heartbeat

3. Devo- Working in a Coal Mine

4. Blue Oyster Cult- Veteran of 1000 Psychic Wars

5. Cheap Trick- Reach Out

6. Don Felder- Heavy Metal

7. Donald Fagan- True Companion

8. Nazereth- Crazy (A Suitable Case for Treatment)

9. Riggs- Radar Rider

10 Journey- Open Arms

11. Grand Funk Railroad- Queen Bee

12. Cheap Trick- I Must Be Dreamin'

13. Black Sabbath- The Mob Rules

14. Don Felder- All of You

15. Trust- Prefabricated

16. Stevie Nicks- Blue Lamp

[caption id="attachment_947" align="aligncenter" width="222"] Journey[/caption][caption id="attachment_963" align="aligncenter" width="220"] Cheap Trick[/caption]

One useless piece of information: When I visited Journey' "Escape" album, I mentioned that "Open Arms" was Mrs 80sMetalman's and mine first dance song at our wedding. Actually it was the CD from this very soundtrack that was used for it. See, that's how good this soundtrack was. Not much more I can say about it as the songs speak for themselves.

Next post: Thin Lizzy- Renegade

To buy Rock And Roll Children, go to www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

Great Soundtracks of 1981: American Pop

Whilst I was on leave after my first deployment overseas, the animated film "American Pop" was at the cinemas. The fact that they used the spot where Jimi Hendrix plays "Purple Haze" was enough to make me want to go see it. The movie itself was all right but what was even better was the soundtrack. It had some of the great artists from the 60s and 70s on it and those songs together make this soundtrack very cool to listen to.

[caption id="attachment_113" align="aligncenter" width="226"] Jimi Hendrix[/caption]

It has been many years since I have seen this film or listened to the soundtrack but for those who may not be familiar with it, I'll go through a very quick synopsis of the movie. "American Pop" is about 4 generations of musicians. It begins in the early 20th Century and focuses on the character Zamwe who is a child star. However, is throat is injured while singing for the troops on World War One so he never gets to be a star. He also falls foul of the mafia. The story then goes to his son Benny who is an accomplished pianist in a jazz band. He is on the road to fame when World War Two breaks out. Unfortunately, he is shot in the back while playing a piano in a bombed out bar in France. However, Benny's seed is passed on through Tony. Now in the 60s, Tony's mother has remarried and has more kids making him an outcast. He goes on the road taking odd jobs where he meets a rock band and becomes their song writer. However, he gets involved with the female lead singer and also gets hooked on drugs ending his brief brush with success. Several years later, Tony is a down and out and his companion is a young street kid named Pete. Tony disappears after giving Pete a load of drugs telling him not to sell it all in one place. Several years more and Pete is a big time drug dealer and is selling to rock stars. One day, he asks the band he is selling to to hear one of his songs. The band refuse at first but relent when Pete threatens to withdraw his business. Pete plays his song and the result is he becomes a big rock star, the end.

[caption id="attachment_2316" align="aligncenter" width="208"] Tony and Pete[/caption]

At the time, this film was slated by a lot of people. The problem was that some people tried to take the film too literally. For instance, the girl singer comes across like Grace Slick, (the rest of the band does resemble Jefferson Airplane a little) but turns into Janis Joplin. Okay, those two 60s rock queens may have been fused together to create the character but I say good on them. The other one was at the end. It turns out that Pete's song is none other than "Night Moves" by and I know I've said it before, the unsung hero of 70s rock, Bob Seger. The Pete character was never meant to be Bob, they just use his song. Besides, I did a little research and didn't find any evidence that Bob Seger was a drug dealer. If I were to go back to that time, I would tell those people to lighten up because if you don't try to look at things that aren't really there, the film is quite enjoyable. Of course it is the soundtrack that really makes this movie.

[caption id="attachment_2317" align="aligncenter" width="300"] Do they resemble Jefferson Airplane to you?[/caption]

Official Track Listing:

1. Pat Benatar- Hell is for Children

2. Big Brother and the Holding Company- Summertime

3. The Mamas and the Papas- California Dreamin'

4. Peter, Paul and Mary- This Train

5. Jefferson Airplane- Somebody to Love

6. Jimi Hendrix- Purple Haze

7. The Dave Brubeck Quartet- Take Five

8. Sam Cooke- You Send Me

9. Fabian- Turn Me Loose

10. The Doors- People are Strange

Songs in the film not on the Soundtrack

Bob Seger- Night Moves

Lynyrd Skynyrd- Freebird

[caption id="attachment_940" align="aligncenter" width="251"] Bob Seger[/caption]

Just from looking at this list of songs, it is obvious that I do not need to go into more detail about them. A great array of songs from several decades brought together to make one hell of a soundtrack and you can't debate that whatever you think of the film.

Next post: The Soundtrack to Heavy Metal

To buy Rock And Roll Children, go to www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

Great Rock One Hit Wonders of 1981

Originally, this post was going to be a promotion for an unsigned band whose demo has happened to come into my possession. When I told the band I was going to write about them, they were going to send me a picture of themselves but since that hasn't happened yet, I'm afraid it will have to wait till next time. So instead I will post about the one hit wonders that graced us in 1981.

[caption id="attachment_2303" align="aligncenter" width="284"] Joe Dolce[/caption]

NO this isn't a wind up! I am including "Shaddap You Face" by Joe Dolce among the one hit wonders. Yes, the song was a total wind up but Mr Dolce was probably laughing all the way to the bank. Besides, I have a more mercenary reason for putting it here. See, my ex wife was a big fan of Ultravox back in the 80s and in 1981, their hit "Vienna" was destined for the number in the UK charts. However, this strange song by Joe came along and usurped the top spot. My ex has never forgiven him for that and although we're on amicable terms now,  the thought does bring a sinister smile to my face.

This might seem a wind up too but if you were around in 1981, you will remember Pac Man. This was the game to play at video arcades and it caught on so much that a group named Buckner and Garcia made a song about it. "Pac Man Fever" was very cheesy to say the least, the lyrics prove that. So, why am I including it here? The answer is that, "Pac Man Fever" gets my vote for being the worst song with a cool guitar solo. That's the only reason why I liked it. After all, I never played Pac Man that much; instead I was getting my initials down on the top ten lists on Bezerk.

[caption id="attachment_2031" align="aligncenter" width="300"] Bezerk[/caption][caption id="attachment_2307" align="aligncenter" width="300"] Climax Blues Band[/caption]

My British readers are now jumping up and down in sheer anger for calling the Climax Blues Band one hit wonders. I know they had much more success in the UK and were still going strong ten years after their only US hit "I Love You" was in the charts. Back in 1991-2, I used to work at a factory down the road from the famous Royal Standard pub in Walthamstow, London and I would see the band posted on the board outside for a Saturday night gig on several occasions. But, "I Love You" was the only song I would remember them for, especially as it's one I can associate with yet another dancer at The Driftwood. I can never remember her name though.

[caption id="attachment_2308" align="aligncenter" width="275"] Quarterflash[/caption]

Now it's the turn of American readers to blow a gasket, especially those in the Northwest but I have always considered Quarterflash to be one hit wonders. After a little research, I saw that they had some other hits but that was in early 1982 and I was on my second tour overseas. Other songs didn't make it across the Atlantic and like the Rolling Stones' "Waiting on a Friend," Quarterflash's greatest hit, "Harden My Heart" was also blasting out of juke boxes in cafes in Toulon, France. This is the best of the songs I have mentioned so far, it is a true rock song. Back then, some were calling lead singer Rindy Ross, the next Pat Benatar. I wouldn't go that far but Ross did have an excellent voice.

[caption id="attachment_2309" align="aligncenter" width="199"] Kim Carnes[/caption]

Always sounding like she had a frog in her throat, Kim Carnes dominated the US and other countries' singles charts with her most famous hit, "Bette Davis Eyes." Like Quarterflash and the Climax Blues Band, there is much scope for debate as whether or not she should be a one hit wonder. She has many song writing credits to her name including songs for David Cassidy, Kenny Rogers and Barbra Streisand, I know not real rockers. That's why I was glad that this song tended to be slightly more rock.
We can sum up that the songs from one hit wonders in 1981 went from the ridiculous to the serious. Two of the ones mentioned here evoke the John McEnroe, "You can't be serious" approach but the the ones that were are definitely good songs in their own right.

Next post: Hopefully- Great Soundtrack of 1981

To buy Rock And Roll Children, go to www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble, Froogle and on sale at Foyles Book Shop in London

Bloodstock 2018: The Sunday

Final full day at Bloodstock and I was prepared for a long one. Five of the final six bands on the Ronnie James Dio Stage were on my 'must see' list. That gave me some time to not have to wolf down breakfast and chill before I headed to the arena for a final day of metal. However, that was cut short when Teal suggested I make it six of the last seven bands when he recommended I see Amaranthe. Oh well, one more band wouldn't hurt so I went with him and Joe to the arena.
That six of seven could have become seven of eight, at least I wished so because when I got to the Dio Stage, the band Evergrey was finishing up. This was yet another band whom I only caught the last few minutes of and wished I had seen more of them. Maybe it's mellowing with age but I'm getting more into prog-metal bands and these guys from Sweden are definitely worth checking out. Shame I can't say more.

[caption id="attachment_4799" align="aligncenter" width="265"] Evergrey on stage[/caption]

So far at Bloodstock, Teal had been two for two when recommending bands I should see, Kamelot on Friday and Alestorm on Saturday. No surprises that on Sunday, he was three for three when I saw the second consecutive Swedish band, Amaranthe, although they did have some technical difficulties before they came out on stage. Not to worry, while those difficulties were being sorted, bassist Johan Andreassen entertained the crowd with a bit of improv. I can't remember anything he said, damn my Swiss cheese memory, but he had me and the rest of the crowd rolling on the ground in laughter. When the rest of the band emerged, the most obvious sight was that they had three singers. Two males, one described as clean vocals, that was Nils Molin and the unclean male vocals of Henrik Eglund Wilhemsson along with the vocals of Elize Ryd. The best thing is that this combination totally worked. Each singer would come in with their style of vocals at the appropriate part in the song and take it in an unexpected direction. Of course, the other reason it worked was the musical efforts of guitar, bass and drums. The end result was forty minutes of good power metal and another band not known to me who impressed me a hell of a lot.
https://www.youtube.com/watch?v=UDVycjDLx4Y

[caption id="attachment_4801" align="aligncenter" width="250"] Johan Andreassen doing his improv[/caption][caption id="attachment_4802" align="aligncenter" width="250"] Elize and Henrik on the vocals[/caption][caption id="attachment_4803" align="aligncenter" width="339"] Amaranthe won me over[/caption]

Having seen Fozzy twice before I had already regarded Chris Jerico as a good metal singer. Third time is the charm and if I had any doubt in my mind about him, those doubts were obliterated on this particular Sunday. He even came out on stage in a really cool looking long coat. His vocals, if anything, were even better and he still knows how to work a crowd. His band was as good as ever, especially when they played my all time favourite Fozzy song, "Drinkin' With Jesus." Really love that song and I have made a promise to myself to listen to more Fozzy.

[caption id="attachment_4798" align="aligncenter" width="268"] Chris in his coat[/caption][caption id="attachment_4805" align="aligncenter" width="365"] A shot of the entire band[/caption][caption id="attachment_4806" align="aligncenter" width="244"] I thought I'd get the guitar and bass in.[/caption][caption id="attachment_4808" align="aligncenter" width="239"] Chris engaging the crowd[/caption][caption id="attachment_4809" align="aligncenter" width="242"] Got more good shots of Fozzy[/caption][caption id="attachment_4810" align="aligncenter" width="240"] I thought he was going to attempt a flying drop kick here.[/caption]

Since I didn't want to go back to the campsite but my 57 year old frame didn't want to stand, I went over to the Sophie Lancaster Stage to have a little sit down at the back. Shortly after, the next band started to get ready to go on stage but they too had some technical difficulties. This time, the bass player didn't do improv. Instead, she treated the crowd to a brilliant bass solo, she could play! The band took the stage and played some really cool thrash/death metal. I learned they were from Nepal and it's great to see such a good band coming out from that part of the world. I hope more people will check them out. Unfortunately, someone from either Wordpress or Youtube is being a prick and not letting me paste any of their songs here.

[caption id="attachment_4811" align="aligncenter" width="268"] Bass player shredding away[/caption][caption id="attachment_4812" align="aligncenter" width="267"] Underside finally emerge[/caption][caption id="attachment_4813" align="aligncenter" width="343"] Underside show that you can rock in Nepal.[/caption]

The universal big question asked by many of the 18,000 who attended Bloodstock in 2018 was whether Mr Big was the type of band to play at this Festival. For me, that question was answered in the affirmative on the very first song, it being my vote for their hidden gem, "Daddy, Lover, Brother and Little Boy." I have always loved that song and that set the stage for the rest of their set. Sure, they played most of their classics, "Green Tinted Sixties Mind" was the fourth song and not long after, "To Be With You" which Eric Martin brought out an acoustic guitar to play along to. He did the same with the cover of the Cat Stevens classic, "Wild World." On top of that, Paul Gilbert totally impressed me with his guitar work on the songs and when he was left to play a solo. Eric also explained to the crowd that they had been on a European tour and Bloodstock was their last stop. Their final songs were more metal leaning, one of the being "Take Cover." However, when they left the stage, they proved to everyone that Mr Big belonged at Bloodstock! Even if they didn't play my other favourite Mr Big song, "The Whole World's Gonna Know."

[caption id="attachment_4814" align="aligncenter" width="258"] Welcome Mr Big[/caption][caption id="attachment_4815" align="aligncenter" width="255"] Paul plays a solo[/caption][caption id="attachment_4816" align="aligncenter" width="247"] Paul continues to wail[/caption][caption id="attachment_4817" align="aligncenter" width="246"] Here's a shot of Billy Sheehan[/caption][caption id="attachment_4818" align="aligncenter" width="254"] Eric on the acoustic guitar[/caption][caption id="attachment_4819" align="aligncenter" width="253"] Billy and Paul jamming together. Mr Big were certainly the most photogenic band at Bloodstock.[/caption]

Some might think this might be going from one extreme to the other. Going from the melodic metal sounds of Mr Big to the death metal of Devil Driver. That didn't bother me nor the many others who came to see them. It was metal mayhem to say the least. I can't really say much about their time on stage. I went close to the front with Teal and Joe and therefore, spent the entire time on the edges of mosh pits and passing crowd surfers to the front. That kind of ruins your concentration a bit. What I did hear from Devil Driver, I totally liked and still had a fantastic time during their set.

[caption id="attachment_4821" align="aligncenter" width="246"] Devil Driver[/caption][caption id="attachment_4822" align="aligncenter" width="335"] The mayhem spoiled this shot a little.[/caption][caption id="attachment_4823" align="aligncenter" width="245"] The best shot of them[/caption][caption id="attachment_4824" align="aligncenter" width="258"] I don't remember anything about them but I got a shot of Servers on the New Blood Stage[/caption]

At Bloodstock 2016, I took HMO's advice and went to see a band he recommended on his blog called Ackercoke. So, when he posted about At the Gates a few months ago, I knew I had to see them. He's now two for two in my book because At the Gates were brilliant. Three Swedish bands took the Dio Stage on this day and all three impressed me. For me, they were a natural progression after the more progressive sound of Evergrey to the sometimes more harder one of Amaranthe to At The Gates's death metal although, they did go melodic at times. I always have liked that style so these guys fit in well. During their set, I met a man from New York who had come to Bloodstock just to see them. Apparently, they hardly ever go to the States. The band needs to rectify that! All I can say when they left was "Thank you HMO for showing me another great band."

[caption id="attachment_4825" align="aligncenter" width="365"] At The Gates[/caption][caption id="attachment_4827" align="aligncenter" width="254"] Singer Thomas Lindberg engaging the crowd[/caption][caption id="attachment_4828" align="aligncenter" width="239"] Thomas turned his back on me here.[/caption]

Headlining the Sunday was the Finnish band Nightwish. I had heard many great things about this band and I further liked what I had heard from them so I was expecting good things. I wasn't disappointed. A huge clock at the back of the stage counted down the final minute to their appearance and they came out just as it hit zero. From then on it was pure magic, whether it was the vocals of Floor Jansen, the guitar work of Emppu Vuorinen or the keyboards of Tuomas Holopainen. What impressed me even more was Troy Donockley who played guitar, Bouzouki and an assortment of woodwind instruments and all very well. I now have a full appreciation of what is called Gothic metal. The hour and a half went by too fast and the show ended with a spoken word bit but I can't say who was speaking or what was said but it added greatly to the atmosphere of the show. The band did come back and I was hoping for one more song but they just took more bows. Can't complain though.

[caption id="attachment_4829" align="aligncenter" width="241"] The clock counts down[/caption][caption id="attachment_4830" align="aligncenter" width="237"] Good shot of Tuomas Holopainen on keys[/caption][caption id="attachment_4831" align="aligncenter" width="243"] I tried to get the band but a bunch of lights got in the way[/caption][caption id="attachment_4832" align="aligncenter" width="241"] Flash![/caption][caption id="attachment_4833" align="aligncenter" width="240"] The last shot before they left the stage.[/caption]

Tired and hungry, I went back to the tent to feed, drink my last beer and get some sleep. Next morning would be time to tear down, pack up and go. However, I left completely fulfilled having seen some great bands not only this day but the entire weekend. However, Scandinavia did win the Sunday.

Next post: Bloodstock, My final thoughts.

To buy Rock and Roll Children, go to https://www.amazon.co.uk/Rock-Roll-Children-Michael-Lefevre/dp/1609763556/ref=sr_1_8?ie=UTF8&qid=1535059396&sr=8-8&keywords=michael+d+lefevre