Wednesday 30 November 2011

Great Rock Albums of the 70s: Black Sabbath- Sabbath Bloody Sabbath

There are many great Black Sabbath albums post "Paranoid" from the 1970s which I could talk about (ie. We Sold Our Soul For Rock and Roll), but I chose "Sabbath Bloody Sabbath" because it is the only Sabbath album I own on CD. This is not to say that this isn't a great album in its own right because it definitely is. When I put this album into the car CD player, it always makes the car journey that much more pleasant.
"Sabbath Bloody Sabbath" was the first Black Sabbath album to receive favourable reviews from the mainstream press and the subsequent tour in 1974 helped expose the band to a wider audience in the U.S. On the album, the band makes greater use of additional instruments such as synthesisers, which in no way detracts from the over all heavy sound which Sabbath are known and loved for. Additionally, keyboard legend Rick Wakeman also plays on the album. While the album has the traditional dark mood sounding lyrics, the track "Killing Yourself to Live," written by Geezer Butler, is about his battle with binge drinking.
Track Listing:
1. Sabbath Bloody Sabbath
2. A National Acrobat
3. Fluff
4. Sabbra Cadabra
5. Killing Yourself to Live
6. Who Are You?
7. Looking for Today
8. Spiral Architect
Black Sabbath
Bill Ward- drums, percussian, timbani
Ozzy Osbourne- vocals, synthesiser
Geezer Butler- bass, synthesiser, meletron
Tony Iommi- guitar, piano, organ, synthesiser, flute
"Sabbath Bloody Sabbath" is just one of the great Sabbath albums that they put out during the 1970s and while they would go on to put out more great albums after the departure of Ozzy, it is this era in the chronicles of Black Sabbath and albums such as this one that they will forever be known for.
Next post: Lynyrd Skynyrd- One More From the Road
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Wednesday 23 November 2011

Great Rock Albums of the 70s: Led Zepplin- Physical Graffiti

Although released in 1975, this is another album I didn't get to hear until the early 1980s mainly owing to my self imposed repression back in my teenage years. I first heard this album in late 1980 or early 1981, I can't pinpoint the exact time. All I know was that at the time, I was in the marines serving on a troop transport, which can get very boring. Therefore, in order to preserve sanity, we opened our musical minds and explored new horizons, something I am now very grateful about.
Enough about that though, before I heard "Physical Graffiti," my main experience of these legends of the 70s was the fourth album, which really rocks out and a few odd tracks. My mind set of Led Zeppin was the standard four piece singer, guitar, bass and drums laying down some really cool hard rock. Therefore, I was at first surprised by the wide range of music the album had to offer. However, it didn't stop me from liking the album any less. You could say that "Physical Graffiti" helped to expand my mind.
Track Listing:
1. Custard Pie
2. The Rover
3. In My Time of Dying
4. Houses of the Holy
5. Trampled Under Foot
6. Khashmir
7. In the Light
8. Bron- Yr- Aur
9. Down By the Seaside
10. Ten Years Gone
11. Night Fright
12. The Wanton Song
13. Boogie With Stu
14. Black Country Woman
15. Sick Again
Led Zepplin
Robert Plant- vocals, harmonica, accoustic guitar
Jimmy Page- electric, slide and accoustic guitars, harmonica, mandolin, synthesiser
John Paul Jones- bass, accoustic guitar, electric piano, meltron, mandolin, synthesiser, clavinet, organ
John Bonham- drums, percussion
I always have wondered what today's put music neatly into categories world would make today if a noted heavy rock band like Led Zepplin put out a diverse album such as "Physical Graffiti." Would the hardcore rockers accuse them of selling out? Fortunately, back in the 7os, people tended to listen to music with a more opened mind, which is why this album was so successful and is why it is listed among the albums you should listen to before you die.

Next post: Black Sabbath- Sabbath, Bloody Sabbath

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Wednesday 16 November 2011

Great Rock Albums of the 70s: KISS- Destroyer

If there are any albums which I can site as being an album that converted me to metal, this would definitely be one of them. I wasn't quite fifteen when this album came out and it would be a few months after its initial release before I actually heard any of it, but when I did, I was hooked. Before, I heard this album, my idea of hard rock was Bachman Turner Overdrive but KISS's "Destroyer" album completely blew me away. This was in spite of my religious upbringing and some people trying to tell me that KISS were admitted Satan worshippers.
Track Listing:
1. Detroit Rock City
2. King of the Nighttime World
3. God of Thunder
4. Great Expectations
5. Flamming Youth
6. Sweet Pain
7. Shout It Out Loud
8. Beth
9. Do You Love Me
10. Rock and Roll Party
"Detroit Rock City" became a show opener for KISS for nearly the next ten years. I saw them in 85 and have the video of their 1984 tour and they opened both concerts with this song. Upon hearing it, I can definitely see why and is also why I include lyrics from the song in "Rock And Roll Children." Of course the album includes the ballad Beth which, as I mentioned in previous postings, is the song that young rockers like me played to their girlfriends in the hopes it would lead to paradise.
KISS:
Paul Stanley- rhythm guitar, vocals
Gene Simmons- bass, vocals
Ace Frehley- lead guitar, vocals
Peter Criss- drums, vocals
While KISS would dominate rock throughout the rest of the decade and go on to be a chief influence for many of the 80s metal bands, I'm afraid my religious affiliations would prevent me from getting into more of their music after this. However, although fear of hellfire at the time didn't allow me to admit it, this album would always stick in my mind and be a big influence on me. But it just wasn't me, many other great bands have covered songs from this album including Iced Earth, White Zombie and even Nirvana. But my favourite cover is Hammerfall's cover of "Detroit Rock City." If anyone wants to know where it all began, this album was one of the doorways.
Next Post: Led Zepplin: Physical Graffiti
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Wednesday 9 November 2011

Great Rock Albums of the 70s: The Eagles- Hotel California

The Eagles are normally thought of as an easy listening band, mainly due to their countryfied sound. Throughout the seventies, they were able to cross over to both the country and pop charts with songs like "Lying Eyes," "Tequila Sunrise" and "Take Me to the Limit." The same can be said for this album because the single "New Kid in Town" hit number 43 in the country charts and number 2 in the pop charts. Therefore, it is no surprise that they have been labelled easy listening or country rock.
So if this band is considered easy listening, why did so many hard rockers like me go out and buy this album. The answer to this is simple, The Eagles can rock and tracks like "Life in the Fast Lane" and "Victim of Love" are testimony to this. But it's not just these tracks, the title track itself was able to offer something that listeners of different musical genres could identify with. It also helped that back in the 70s, people weren't as quick to categorise music like they do now. For me, it was that unique opening guitar riffs to the just hard enough rock melody throughout the middle to the cranking guitar solos at its finale. As a impressionable teenager back then, I watched a video of Hotel California and was totally blown away at the way lead guitarists Joe Walsh and Don Felder went back and forth trading guitar solos. I wonder if the metal bands who had dual lead guitarists who traded off solos got the idea here.
Track Listing:
1. Hotel California
2. New Kid in Town
3. Life in the Fast Lane
4. Wasted Time
5. Wasted Time Reprise
6. Victim of Love
7. Pretty Maids All in a Row
8. Try and Love Again
9. The Last Resort
 
The Eagles:
Don Felder: guitar, vocals, keyboards
Glen Frey- guitar, vocals, keyboards, piano
Don Henley- drums, vocals, keyboards
Randy Meisner- bass, vocals
Joe Walsh- guitar, slide guitar, vocals, keyboards
Another thing this album has in common with heavy metal of the 80s is that it has been accused of being satanic. Someone somewhere associated some of the lyrics of "Hotel California" with death and drew the conclusion that that was what the song was about. For me, I don't waste my brain cells thinking about that. I just like listening to the great music it has to offer.
I am going on holiday for a week and when I return, the next post will be KISS- Destroyer
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Wednesday 2 November 2011

Great Rock Albums of the 70s: Bob Dylan- Hard Rain

Whenever anyone thinks of Bob Dylan, the first thought that enters people's heads is the image of him playing an accoustic guitar, accompanied by his harmonica and singing folk style songs through his nose. It is true that most of his albums sort of fall into this vein and like me, most people who like Dylan, like him for his lyrics than for his music ability.
Then in 1976, I heard the Hard Rain album and upon hearing it, thought the album really rocked. Gone were the slow accoustic songs replaced by much harder versions on electric guitars. Old classics like "Lay Lady Lay," "Maggie's Farm" and "Stuck Inside of Mobile With the Memphis Blues Again" were given the rock treatment and in this blogger's opinion, sound better for it. Unfortunately, most of the critics at the time didn't share the same views as me and really came down on it. In spite of that, Hard Rain did go gold and peaked at 17 in the charts.
Track Listing:
1. Maggie's Farm
2. One Too Many Mornings
3. Stuck Inside Of Mobile With the Memphis Blues Again
4. Oh Sister
5. Lay Lady Lay
6. Shelter From the Storm
7. You're a Big Girl Now
8. I Threw It All Away
9. Idiot Wind
Musicians:
Bob Dylan- lead vocals and guitar
T-Bone Burnett- guitar and piano
Mick Ronson- ~guitar
Steven Soles- guitar
David Mansfield- guitar
Rob Stoner- bass
Howard Wyeth- drums and piano
Gary Burke- drums
Scarlet Rivera- violin
This album was recorded live on Bob Dylan's Rolling Thunder Revue tour and it shows Dylan in a different light. It also shows that Dylan can rock a little.
Next Post: Kansas
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