Great Rock Albums of 1985: Glen Frey- The Allnighter

 

When I begin a new year of my trip through the golden decade of heavy metal, I always start with albums that were made in the previous year but didn't come to my attention until the said year. Because there were so many great albums in 1984, I didn't get around to listening to a good number until 1985. One of these was "The Allnighter" from the late former Eagles guitarist/singer, Glenn Frey.

Reflecting back to early 1985, I used to wonder if I was a little unfair to both Glenn and one of his former bandmates who also released a solo album in this year. First, I was very much into all things metal and "The Allnighter" is definitely not metal. Furthermore, I was very much into the last two Eagles albums, "Hotel California" and "The Long Run" which did feature some harder rock than their early 1970s albums.

Glenn goes further away from his Eagles roots with this album as it's a more mellower and somewhat bluesier sound. There are some ballads on here like "Let's Go Home" and "Lover's Moon." Glenn's voice has always been suited to these but it is also versatile enough for the faster songs. "Sexy Girl" is kind of in the middle here and he does sing it well. I recently heard a live version of it and it sounds better than the commercial version. However, the best song and one that I've come to appreciate far more in my aging years is "Smuggler's Blues." This song is proof that Frey can sing harder stuff, not that I had any doubt he couldn't. What has really impressed me about it is the musicianship. Like his previous album, Glenn uses a ton of musicians on it, so I don't know who does the guitar solos on the song but they are ace. Full marks to whoever played them. The song did feature on the mid 1980s TV show "Miami Vice."

Track Listing:

1. The Allnighter
2. Sexy Girl
3. I Got Love
4. Somebody Else
5. Lover's Moon
6. Smuggler's Blues
7. Let's Go Home
8. Better in the USA
9. Living In Darkness
10. New Love

[caption id="attachment_2716" align="aligncenter" width="190"] Glenn Frey[/caption]

Glenn Frey- lead vocals, guitar, bass, drums, piano, synthesizer

Josh Leo, Duncan Cameron- guitar

John 'JR' Robinson, Michael Huey, Larry Londin- drums

David Hood, Bryan Garofalo- bass

Greg Smith, Willie Bergman, Al Garth- saxophone

Vince Melamed, Allen Blazek, Barry Beckett- piano

Barry Beckett, David 'Hawk' Wollinski- synthesizer

Nick DeCaro- strings

Steve Foreman- percussion

Victor Feldman, Jack Tempchin, Oren Waters, Jack Galloway, Luke Waters- backing vocals

https://www.youtube.com/watch?v=LSXKyHM133c

I might have mellowed a bit with age and while I like some of what's on "The Allnighter," it really isn't my cup of tea. There are some good songs on it and it's a great album to mellow out to or provide suitable background settings but I won't put away my metal albums in favour of it.

Next post: I know I said at the beginning of the post that I'll be starting with albums that came out originally in 1984 but I have to make an exception. I went to the Download Festival the weekend after I posted this originally, so I need the correct inspiration.

Kreator- Endless Pain

To buy "Rock And Roll Children, email me at: tobychainsaw@hotmail.com 

Great Rock Albums of 1983: Don Felder- Airborne

 

Having acquired MTV in 1983, I found, at the time, a more reliable source than radio to keep me informed of new music. If it hadn't been for this revolutionary new TV station that showed music videos 24/7 and informed viewers of news in music, then the album "Airborne" by former Eagles guitarist Don Felder would have most likely passed me by.

One very good reason for this was that MTV showed the video to the single from this album, "Bad Girls" while I never recall hearing the song played on radio. I remember the video quite well because not only "Bad Girls" was a decent song, but it also featured a guest appearance by Cheech Marin of Cheech and Chong fame. Then again, Don Felder had already gotten my attention two years earlier with his phenomenal song, "Heavy Metal" from the soundtrack to the film of the same name. If I was to try to rank solo songs by all the members of the Eagles, "Heavy Metal" would definitely be number one.

"Airborne" has no such powerful heavy metal anthems like the one I have mentioned from the above soundtrack. Saying that, the album tends to chart the waters of melodic hard rock and is very similar to some of the songs he co-wrote with his former band mates when he was in The Eagles. The first half of the album is pure evidence of this but all of the tracks are nicely done. While I cite the Eagles influence, I am not left thinking, "why don't I just put on "Hotel California" when I listen to "Airborne."

Track five, "Never Surrender" appeared on the soundtrack of "Fast Times at Ridgemont High." If you remember when I covered the soundtrack, I thought it was a very good album but shame the movie sucked. But, I digress yet again. With the tracks following "Never Surrender," he does get more adventurous. "Asphalt Jungle" and "Night Owl" are more in the blues fashion and in my view the two best tracks on the album. While Felder rips out some great guitar solos and bridges with every song, his best efforts are on these two tracks and the closer. He really just lets himself go on these and really shines.

Track Listing:

1. Bad Girls
2. Winners
3. Haywire
4. Who Tonight
5. Never Surrender
6. Asphalt Jungle
7. Night Owls
8. Still Alive

[caption id="attachment_3307" align="aligncenter" width="377"] Don Felder[/caption]

Don Felder- guitar, vocals, synthesizer, keyboards

George 'Chocolate' Perry,Greg Hawkins, Nathan East - bass

Jeff Lorber, Michael Murphy- keyboards

Joe Vitale- keyboards, flute, drums

Albhy Galuten, Anthony Marianelli- synthesizers

Carlos Vega, Ross Kunkel, Tris Imboden- drums

Paulino da Costa- percussion

James Pankow, Lee Loughnane- horns

Dave Mason, Kenny Loggins, Timothy B Schmidt- backing vocals

"Airborne" by former Eagles guitarist Don Felder is probably the best hidden gem from 1983. When I listen to it, I ask myself why this album didn't make more of an impression on people. Maybe it was just the way things were back then because this is a very good album. Felder was just a good singer/song writer as the rest of his compatriots from the Eagles and he is one hell of a guitarist as well.

Next post: Brian May and Friends- Starfleet

To buy Rock And Roll Children, email me at: tobychainsaw@hotmail.com 

Great Rock Albums of 1982: Glen Frey- No Fun Aloud

 It was often speculated back in the early 1980s if Glenn Frey and Don Henley were engaged in a rivalry after the Eagles split. Many thought the same thing a decade earlier with John Lennon and Paul McCartney after the Beatles broke up. The evidence in this case was the fact that in 1982, both Frey and Henley put out albums around the same time. Don Henley's album was visited in the last post so this time, I'll take a look at Glenn Frey's debut album, "No Fun Aloud."
One big similarity between the two albums from the former Eagles is Glenn Frey also uses a shit load of musicians to record the album. In fact, I recognised at least one name from the Don Henley album although Glenn doesn't use any members from Toto on his album. Another big similarity is the fact that while Glenn Frey does add put his own stamp on the album, there are still plenty of hints from his Eagle days on "No Fun Aloud."

Frey's stamp is immediately put on the album with the two opening tracks, both of which are introduced with horns. Both, however, do the job in hooking your attention. The opener, "I Found Somebody" is a more bouncier tune while its successor, "The One You Love" is more of a slow jazz sound. The Eagles influence comes with the next song, "Party Town." "Sea Cruise" comes from way out in left field because it wasn't something I would have expected from Glenn. The song is more of a reggae, calypso sound but fair play, he makes it work. One song that sticks out for me is "That Girl," which Glenn co wrote with Bob Seger. It is definitely Glenn's style of song but you can hear Bob's influence on it as well. It had me wondering out loud if these two did any more collaborations and saying it's a shame if they hadn't. Furthermore, I do like the lead guitar intro in "All Those Lies," a classic Eagles type jam, kind of reminiscent of "One of These Nights." The closer, "Don't Give Up," is the hardest rocker on the album. Some impressive guitar and a couple of solos make sure this album goes out on a high.

Track Listing:

1. I Found Somebody

2. The One You Love

3. Party Town

4. I Volunteer

5. I've Been Born Again

6. Sea Cruise

7. That Girl

8. All Those Lies

9. She Can't Let Go

10. Don't Give Up

[caption id="attachment_2716" align="aligncenter" width="190"] Glenn Frey[/caption]

Glenn Frey- vocals, guitar, organ, synthesizer, bass, keyboards, piano, clavinet

Wayne Perkins- acoustic guitar

Duncan Cameron- electric guitar

Danny Kootch Korchmar- lead guitar

Josh Leo- lead guitar

Roger Hawkins- bass, drums

Bryan Garofalo- bass

Bob Glaub- bass

David Hood- bass

Roberto Pinon- bass

Michael Huey- drums

John J.R. Robinson- drums

Allen Balzeck- keyboards

Clayton Ivey- piano

David Hawk Wallinsky- organ, synthesizer

Al Garth -tenor sax

Greg Smith- sax, backing vocals

William Bergman- saxophone

Harvey Thompson- saxophone

Jim Coiles- saxophone

Ronnie Eades- saxophone

Jim Horn- saxophone

Ernie Watts- saxophone

Lee Thornburg- trumpet

John Berry Jr- trumpet

Jim Ed Norman- strings

Steve Foreman- percussion

Heart Attack- horns

It's hard to say for sure if there was any sort of rivalry between Glenn Frey and Don Henley or if Glenn had the dilemma that some artists have when they are/were in a group and record a solo album. All I know is that "No Fun Aloud" is a suitable solo debut album from Glenn Frey.

Next post: Styx- Kilroy Was Here

To buy Rock And Roll Children, go to www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Great Rock Albums of 1982: Don Henley- I Can't Stand Still

Sometimes I wonder if musicians who are in a band and then put out their own solo albums aren't faced with an agonizing worry on how their albums are to be received. If the album sound too much like that of their band, they are accused of just putting out the same album with different musicians. On the other hand, if they venture too far from that band's sound, they are criticized for being too diverse or if the album sounds somewhat commercial, selling out. People of little or no experience of heavy metal have accused both Ozzy and Bruce Dickinson of doing the former in spite of the fact that when you listen to those albums, there are notable differences  in the sound between Ozzy and Black Sabbath as well as Bruce and Iron Maiden. No pleasing some people I suppose. Having heard many a solo album, I think the one album that best successfully strides the line between these two extremes is the solo album by Tyketto's Danny Vaughn, "Soldiers and Sailors on Riverside." It is my favourite melodic rock album of the 2000+ era and while there are some moments where you can hear the Tyketto influence, he definitely does his own thing without totally diversing and it sounds very good. Therefore, I wonder if back in 1982, I wonder if Don Henley had such a worry when he released his first solo album following the demise of The Eagles.

It took me a couple of listens to "I Can't Stand Still" before I finally remembered how good it is. Fortunately,  I am more musically open minded than I was in 1982 and that helped me appreciate it even more. While the influence of Henley's days with The Eagles is definitely there, he puts his own spin on things. It's not "Hotel California" but it was wrong of me to expect it to be. The closest songs that come to that on "I Can't Stand Still" are the tracks "You Better Hang Up," "Nobody's Business" and "Them and Us." As far as The Eagles go, I have always believed that Henley's voice was best suited for their ballads and this is certainly proven with the two ballads on this album, "Long Way Home" and "Talking To The Moon." Ironically, it is the single from the album where Don puts his best personal stamp. "Dirty Laundry" may sound like new wave synth pop to the untrained ear but it is definitely his song and the guitar solos are the best on the album. The following track and probably my favourite, "Johnny Can't Read," gets the same sort of work from Don. What amazes me the most about "I Can't Stand Still" is the sheer number of musicians Henley gets to play on the album with him. I mean, he practically used all of Toto at some point on the album.

Track Listing:

1. I Can't Stand Still

2. You Better Hang Up

3. Long Way From Home

4. Nobody's Home

5. Talking to the Moon

6. Dirty Laundry

7. Johnny Can't Read

8. Them and Us

9. La Eile

10. Lilah

11. The Unclouded Day

[caption id="attachment_2710" align="aligncenter" width="201"] Don Henley[/caption]

Don Henley- drums, lead vocals, keyboards

Ras Baboo- percussion, timbales

Derek Bell- harp

Kenny Edwards- bass, guitar

Steve Foreman- percussion

Bob Glaub- bass

Louise Goffin- vocals, gut string guitar

Andrew Gold- keyboards

Max Gronenthal- vocals, gut string guitar

George Gruel- vocals

Garth Hudson- synthesizer

Maren Jensen- vocals, gut string guitar

Danny Kooch Korchmar- bass, guitars, synthesizers, backing vocals

Ross Kunkel- drums

Steve Lukather- guitar

Paddy Maloney- whistle, ulliean pipes

Jeff Porcaro- drums, moracas

Steve Porcaro- keyboards

Timothy B Schmidt- bass, guitar, vocals

Leland Sklar- bass

JD Souther- acoustic guitar, gut string guitar

Benmont Trench- keyboards

Waddy Watchel- electric guitar

Ian Wallace- drums

Joe Walsh- lead guitar

Max Williams- drums

Bill Withers- vocals, gut string guitar

Warren Zevon- vocals, gut string guitar

Don Henley made an impressive start out of the blocks in his solo career with "I Can't Stand Still." While he doesn't completely abandon his past, he isn't afraid to be his own person with the album and once that conclusion is arrived at, it makes the album that much more enjoyable.

Next post; Glen Frey- No Fun Aloud

To buy Rock and Roll Children, email me at tobychainsaw@hotmail.com

Great Soundtracks of 1981: Heavy Metal

If I have to think back in time and pick out one major turning point in what made me the metalhead I am today, it would have to be this film and its superb soundtrack. Back then, I only thought of heavy metal music as a concept and it wouldn't be until I left the marines two years later that I would actually call myself a metalhead but after seeing the film and listening to all the great music on the soundtrack, it was safe to say that I was well on the road to becoming one.
Even though as a film, "Heavy Metal" was dismissed by some critics, even science fiction ones, I thoroughly enjoyed it. When you're twenty years old and your mind is under the influence of certain substances, seeing a space ship open its cargo door and then an astronaut comes out of it in a 1953 chevy corvette parachuting to Earth is mind blowing. For those who haven't seen the film, the mentioned scene happens to be at the beginning. The astronaut drives home and is met by his daughter. He then gives her this gift which is a large green globe. The globe melts the father and then tells the daughter its going to kill her after it shows her six stories about how it is the sum of all evil. It is these individual stories that make the film. My personal favourite is story two, "Den" about a nerdy teen who gets transported to a fantasy world where is is this muscular hero who gets all the girls. For months, I went around repeating Den's  lines from where he first discovers he's in a new body. "No hair, mmm big." Then the nerdy voice (done by the late John Candy) says, "There is no way I'm walking around this place with my dork hanging out." And then later in that story, after he sleeps with the evil queen, "Eighteen years of nothing and then twice in one day." Sorry, small things amuse small minds. While those lines amused me, the one that became the standard for me and my buddies was from story five when the two stoned aliens badly dock their space ship. Voiced by the late Harold Ramis: "One thing I know how to do man is drive when I'm stoned."
[caption id="attachment_2321" align="aligncenter" width="272"] Chevy Corvette parachutes to Earth[/caption]
You find out at the end that the entire film is tied to the very last story, "Taarna." Taarna is the last descendant of a warrior race known as the Taarakians, who after extracting vengeance on the barbarians who destroyed a peaceful city, sacrifices herself so the green globe can't take over the world. Her blood is in the young girl who becomes the new Taarakian defender. Yes, I thought the ending was a little naff but after watching the other six stories, I didn't really care. Besides, it was this last story that has instilled my fondness for ladies wielding swords. That might be too much information.
[caption id="attachment_2322" align="aligncenter" width="300"] Taarna with her sword[/caption]
Enough about the film, lets move to this fantastic soundtrack. I don't use the term "fantastic" loosely here because I really believe it about this soundtrack. It's a who's who of great rock and metal artists from the period. Two bands, Grand Funk Railroad and Blue Oyster Cult were listed in my honourable mentions category in great heavy metal influences. Then there's a song by Nazereth, whose album "Hair of the Dog" could have been used as a blue print for the creation of metal. Note: the Nazereth song on this soundtrack wasn't from that album but it's a good one nonetheless. Up an coming Sammy Hagar demonstrates why he would rise to glory in his own right with the song he plays here. There are also two great songs from Cheap Trick and my favourite Devo song and the soundtrack's more tender moments give us "Open Arms" by Journey and ones from Stevie Nicks and Donald Fagen. And of course we can't forget the contribution from one of the metal's founding fathers, Black Sabbath. What better song for this soundtrack than "The Mob Rules." However, the one song that gained the most notoriety was the second title track, (there are two on this one) by former Eagles guitarist Don Felder. If the soundtrack and film set me on the road to being a metalhead, it was this particular song that was the engine driving it.
[caption id="attachment_1950" align="aligncenter" width="275"] Black Sabbath[/caption][caption id="attachment_1443" align="aligncenter" width="248"] Blue Oyster Cult[/caption]

Track Listing:

1. Sammy Hagar- Heavy Metal

2. Riggs- Heartbeat

3. Devo- Working in a Coal Mine

4. Blue Oyster Cult- Veteran of 1000 Psychic Wars

5. Cheap Trick- Reach Out

6. Don Felder- Heavy Metal

7. Donald Fagan- True Companion

8. Nazereth- Crazy (A Suitable Case for Treatment)

9. Riggs- Radar Rider

10 Journey- Open Arms

11. Grand Funk Railroad- Queen Bee

12. Cheap Trick- I Must Be Dreamin'

13. Black Sabbath- The Mob Rules

14. Don Felder- All of You

15. Trust- Prefabricated

16. Stevie Nicks- Blue Lamp

[caption id="attachment_947" align="aligncenter" width="222"] Journey[/caption][caption id="attachment_963" align="aligncenter" width="220"] Cheap Trick[/caption]

One useless piece of information: When I visited Journey' "Escape" album, I mentioned that "Open Arms" was Mrs 80sMetalman's and mine first dance song at our wedding. Actually it was the CD from this very soundtrack that was used for it. See, that's how good this soundtrack was. Not much more I can say about it as the songs speak for themselves.

Next post: Thin Lizzy- Renegade

To buy Rock And Roll Children, go to www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

Great Rock Albums of 1981: Joe Walsh- There Goes the Neighborhood

After the break up of The Eagles in 1980, Joe Walsh was the first ex-band member out of the blocks with a solo album. Of course, he was already experienced in that department having had a number of solo albums before joining and whilst with the band. Most notable of those was the 1978 album, "But Seriously Folks," which I visited on here a long time ago. It's sometimes hard to believe that I've been at this for three years now. "There Goes The Neighborhood" was his first solo release since "But Seriously Folks" and on account of rockers like the famous "Life's Been Good" on that album, it took me a rather long time before I was able to warm to this 1981 effort.

I realise now that I was guilty of pigeon holing Joe Walsh back then because there are no rockers like his very famous 1978 single on this album and that is something I don't do for many other artists and don't like it when the media and so called music fans do it. Now with my wrist slapped and a refamiliarisation of the album thanks to YouTube, I can talk about this album through a fresh pair of ears. What put me off the album in 1981 was the first single, "Life Of Illusion," which each time I heard it, gave me the impression that I was dining in an Italian restaurant. Don't ask where I got that from. I didn't have that impression this time around but it's still not the best song on the album. The tracks "Down On the Farm," "Bones" and "Rivers (Of the Hidden Funk) all top it for their more bluesy guitar sound. The last of those featured former band mate Don Felder, who co-wrote the song, on guitar and although it's not stated, I can't help wondering whether or not the two did their guitar solo trade off like they did on a very famous Eagles classic. The rest of the album varies between that blues sound and a more progressive rock sound.

Track Listing:

1. Things

2. Made Your Mind Up

3. Down On The Farm

4. Rivers (Of Hidden Funk)

5. Life Of Illusion

6. Bones

7. Rockets

8. You Never Know

[caption id="attachment_841" align="aligncenter" width="98"] Joe Walsh[/caption]

Joe Walsh- guitar, vocals, synthesiser

Don Felder- guitar, backing vocals

Jody Boyer- vocals

Victor Feldman- percussion

Ross Kunkel- percussion

David Lindley- percussion, violin, vocals

Bob Mayo- guitar

Kenny Passarelli- bass, backing vocals

George Perry- bass, backing vocals

Timothy B Schmidt- backing vocals

Tom Stephenson- keyboards

Joe Vitale- drums, flute, keyboards

Now I know why I try not to pigeon hole artist if I can help it. So, "There Goes The Neighborhood" wasn't the hard rocker that Joe Walsh's previous album was. It's still not a bad album and there are a few tracks where he still works some magic with the guitar.

Next post: Rush- Moving Pictures

To buy Rock And Roll Children, go to www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

Great Rock Albums of 1980: The Eagles Live

Musically, 1980 had a great many musical highs but it also had a few lows as well. One of these was the disbanding of a band that entertained the world throughout the entire 1970's, The Eagles. The band unofficially disbanded in July 1980 but they still owed their record company, Elektra/Asylum a live album. This magnificent live album was the result.

It can be argued that this album was just a collection of all The Eagles' greatest hits, which just happened to be recorded live. True, the album contains many of the classics which made us love them. Greats like "Hotel California," "Take Me to the Limit," "Heartache Tonight" and "Take It Easy" are all on their and sound brilliant live. The album even includes a live playing of the Joe Walsh solo classic, "Life's Been Good" and a new song "Seven Bridges Road." On the flip side, they leave out a couple of my personal favourites like "Victim of Love" and "One of These Nights" but that's me nit picking. This album is The Eagles at their best on stage and for people like me who never got the chance to see them live, it makes a good consolation prize.

Track Listing:

1. Hotel California

2. Heartache Tonight

3. I Can't Tell You Why

4. The Long Run

5. New Kid In Town

6. Life's Been Good

7. Seven Bridges Road

8. Wasted Time

9. Take Me to the Limit

10. Doolin' Dalton Reprise II

11. Desparado

12. Saturday Night

13. All Night Long

14. Life In the Fast Lane

15. Take It Easy

The Eagles

Glen Frey- guitars, keyboards, vocals

Don Henley- drums, percussion, vocals

Joe Walsh- guitars, keyboards, vocals

Don Felder- guitars, vocals

Randy Meisner- bass, vocals (1976- recordings)

Timothy B Schmidt- bass, vocals (1980 recordings)

This live album reminds us of the legacy of great music left behind by one of the greatest rock bands of the 70s.  A full account of some of the great rock songs they gave us all recorded at what was considered their killer live shows. While the album is great, it also reminds us that it was what signaled the end for them.

Next post: The Pretenders

To buy Rock And Roll Children, go to www.strategicpublishingroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

Wayne's World's Top Ten Party Killing Songs

In case anyone is wondering which are the top ten party killing songs according to Wayne's World, I thought I would print the list here:

Top Ten Party-Killing Songs

01 Any Disco Tune

02 Anything by Toto

03 "From A Distance" by Bette Midler

04 "Billy Don't Be A Hero" by Paperlace

05 "Lovin' You" by Mimi Ripperton

06Le "Color My World" (nice flute solo... Not!)

07 "More Than Words" (chick song by the inappropriately named Extreme)

08 "Hotel California" (No, really, it's a great party. I'm just going for a walk)

09 "Freebird"

10 "MacArthur Park" by Richard Harris

How many of these do you agree with? Let's start a discussion.

A Rock/Metal Poll: Who's the Greatest Rhythm Guitarist of All Time?

I have written much about guitarists during the two years I have been blogging, but it has all been about the great lead guitarists who have graced us over the years. So today, I thought it would be a grand gesture to pay homage to those unsung heroes, the rhythm guitarists. These are the ones who, while their much more noted and worshiped lead guitarists are cranking out the solos, are playing power chords in rhythm with the music that allows their compatriot to work their magic. Once in a while, they may be allowed to play the occasional solo, but often times just keep striking their chords without any adulation.

So I will not only honour these unsung heroes, I would also like to know who you, my readers, consider to be the best rhythm guitarist. I have put forward a number of candidates but by no means is this list exclusive.

Blackie Lawless- WASP

Brad Whitford- Aerosmith

Dave Mustane- Megadeth

James Hetfield- Metallica

Malcolm Young- AC/DC

Glen Frey- The Eagles

Paul Kantner- Jefferson Starship

Rudy Schenker- The Scorpions

Scott Ian- Anthrax

I know there are many more out there so all you have to do is comment who your favourite or favourites are. Meanwhile, when you listen to an album from any of the great bands these guys are from, strain your ears for the efforts they are putting in.

Next post: 1980- A Golden Decade Begins

To buy Rock And Roll Children, go to www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

Great Rock Albums of 1979: The Eagles- The Long Run



"The Long Run" was the long awaited follow up to The Eagles' great 1976 album "Hotel California." That previous album began to take them away from their easy listening sound to more of a harder rock sound and "The Long Run" continued along in that direction. My first taste of this classic album was when I was on leave after just finishing boot camp and the song "Heartache Tonight" came on my AM car radio. I was very impressed by the harder sound of the guitars and even more impressed by the guitar solos in it. Side tracking for a moment, I will say that Joe Walsh and Don Felder never receieved the respect due them as guitarists, even after their solo tradeoff in the song "Hotel California." Anyway, tracks like the last one mentioned as well as "In The City" which Joe Walsh brought over from "The Warriors" soundtrack, "Disco Strangler" and "Teenage Jail" are just some of the harder rock songs that help make this album so great.
Saying that, "The Long Run" doesn't totally take them from their roots of the easy listening countrified sound. There are a couple of tracks that remind us where they came from. Such songs as "The Sad Cafe" and "I Can't Tell You Why" bear testimony to that fact and to me, the title track of the album serves as the bridge between the soft and the hard. Add all of these things together and you get a fantastic album that has continued to remain so over three decades.

Track Listing:

1. The Long Run

2. I Cant Tell You Why

3. In the City

4. The Disco Strangler

5. King of Hollywood

6. Heartache Tonight

7. Those Shoes

8. Teenage Jail

9. The Greeks Don't Want No Freaks

10. The Sad Cafe

The Eagles

Glen Frey- electric guitar, keyboards, synthesiser, vocals

Don Henley- drums, percussion, vocals

Don Felder- electric, accoustic and slide guitars, organ, vocals

Joe Walsh- electric and slide guitars, keyboards, vocals

Timothy B Schmit- bass, vocals ]

"The Long Run" was the first album not to feature founding member Randy Meisner on bass who was replaced by Timothy B. Schmit. I have also noticed that when I posted the tracks, I don't remember them being in that order in my cassette. I guess it's a trip back up the loft to see for myself or maybe I should just get a CD. Still, this is a brilliant album and the first new album I listened to as a marine.

This would be the last Eagles studio album before their break up in 1980. I have always put that down to so many talented musicians each wanting to go a separate way. The evidence is the solo albums each one of them recorded afterwards that I will be visiting down the line.

Next post: The Knack- Get The Knack

To buy Rock And Roll Children, go to www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

Great Rock Albums of 1978: Joe Walsh- But Seriously Folks

Back in 1978, I only had a small AM clock radio that only had a range as for as I could throw a baseball. Therefore, I had to encounter a lot of disco tunes and other top 40 rubbish in order to hear the occasional good song. Then one night I heard the killer riffs from an electric guitar. Stunned, I had to turn up the volume of that clock radio and what I heard blew me away, the song "Life's Been Good" by Joe Walsh.

"But Seriously Folks" was the first solo album from Joe Walsh since he had joined the Eagles two years earlier when they put out the famous "Hotel California." This solo album was considered more melodic than Walsh's previous album but it is still a good rock album as it carries many of the traditional guitar licks he was known for.

Track Listing:

1. Over and Over

2. Second Hand Store

3. Indian Summer

4. At the Station

5. Tomorrow

6. Inner Tube

7. Theme from Boat Weirdoes

8. Life's Been Good

• Joe Walsh – vocals, guitars, bass guitar, keyboards, synthesizer
• Jody Boyer – backing vocals
• Don Felder – guitar, Steel guitar, backing vocals
• Glenn Frey – backing vocals
• Don Henley – backing vocals
• Timothy B. Schmit – backing vocals
• Jay Ferguson – keyboards, vocals.
• Joey Murcia – guitar
• Bill Szymczyk – tambourine, vocals, background vocals
• Joe Vitale – drums, percussion, keyboards, synthesizer, flute, vocals.
• Willie Weeks – bass guitar

This album was a welcome relief from the onlsaught of disco in the summer of 78. However, it is still probably one of the best albums by Joe Walsh and still a good listen these days.

Next post: My Favourite Christmas Album

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Great Rock Albums of the 70s: The Eagles- Hotel California

The Eagles are normally thought of as an easy listening band, mainly due to their countryfied sound. Throughout the seventies, they were able to cross over to both the country and pop charts with songs like "Lying Eyes," "Tequila Sunrise" and "Take Me to the Limit." The same can be said for this album because the single "New Kid in Town" hit number 43 in the country charts and number 2 in the pop charts. Therefore, it is no surprise that they have been labelled easy listening or country rock.
So if this band is considered easy listening, why did so many hard rockers like me go out and buy this album. The answer to this is simple, The Eagles can rock and tracks like "Life in the Fast Lane" and "Victim of Love" are testimony to this. But it's not just these tracks, the title track itself was able to offer something that listeners of different musical genres could identify with. It also helped that back in the 70s, people weren't as quick to categorise music like they do now. For me, it was that unique opening guitar riffs to the just hard enough rock melody throughout the middle to the cranking guitar solos at its finale. As a impressionable teenager back then, I watched a video of Hotel California and was totally blown away at the way lead guitarists Joe Walsh and Don Felder went back and forth trading guitar solos. I wonder if the metal bands who had dual lead guitarists who traded off solos got the idea here.

Track Listing:

1. Hotel California

2. New Kid in Town

3. Life in the Fast Lane

4. Wasted Time

5. Wasted Time Reprise

6. Victim of Love

7. Pretty Maids All in a Row

8. Try and Love Again

9. The Last Resort

 

The Eagles:

Don Felder: guitar, vocals, keyboards

Glen Frey- guitar, vocals, keyboards, piano

Don Henley- drums, vocals, keyboards

Randy Meisner- bass, vocals

Joe Walsh- guitar, slide guitar, vocals, keyboards

Another thing this album has in common with heavy metal of the 80s is that it has been accused of being satanic. Someone somewhere associated some of the lyrics of "Hotel California" with death and drew the conclusion that that was what the song was about. For me, I don't waste my brain cells thinking about that. I just like listening to the great music it has to offer.

I am going on holiday for a week and when I return, the next post will be KISS- Destroyer

To buy Rock And Roll Children, go to: www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle