Great Metal Albums of 1984: Hellion

 

Upon further reflection back to 1984, I have come to the conclusion that I seemed to be in the right place at the right time when a particular metal band's song got played on MTV or their album just happened to be on display when I walked past the record store. In the case of this six song EP from American metal artists, Hellion, I don't exactly remember which one of those scenarios apply. For some reason, however, their name has stuck in my mind for over thirty-three years. In fact, I went through a period wondering if I was confusing Hellion with Helix but thankfully, I wasn't.

The debut album from Hellion is another cool stereotypical 80s metal album, plain and simple. Things open with the high energy "Break the Spell" and does its job in getting the metal juices flowing. There is a cool opening riff to the song which helps grab your attention before the fast paced action begins. Lead singer Ann Boleyn stamps her vocal authority on things and it all points to a good time had by all. Any doubts otherwise are cast quickly aside by my vote for best track, "Don't Take No." This is a slightly less fast paced ditty but the power behind the melody is attention grabbing. So is the little drum solo at the beginning. Again, Boleyn's vocals shine and there's also of course, the obligatory killer guitar solo and that's why this song gets my vote.

"Backstabber" takes things up a notch with its speedier riffs. On this song, Ann proves she has a very good voice provided she doesn't try to scream so much. On this track, her voice fits the music very well and a decent guitar solo is heard. Furthermore, the band do a good job in the backing vocals department on it. Another cool intro gets, "Looking for a Good Time" going in the right direction and that leads to a good steady metal tune with all the fore-mentioned elements present. That, in turn, leads to the next track, "Driving Hard," where the change of tempo does wonders for the song and if the guitar solo was a little longer, it would have been the best one on the album. "Up From the Depths" closes the party with it's theatrical intro/cool guitar solo intro before it belts out mayhem. Definitely the best song to close the album, the guitar solo makes that clear. If I've discovered anything about this album, the songs are definitely arranged in the correct order.

Track Listing:

1. Break the Spell
2. Don't Take No
3. Backstabber
4. Looking for a Good Time
5. Driving Hard
6. Up From the Depths

[caption id="attachment_4338" align="aligncenter" width="300"] Hellion[/caption]

Ann Boleyn- throat

Alan Barlem- guitar

Ray Schenk- guitar

Sean Kelly- drums

Bill Sweet- bass

https://www.youtube.com/watch?v=90sYsHm-JGI

After this debut EP, Hellion would disappear for a few years. Wendy Dio would eventually take the band under her wing but that's for another time. So is the mistake to fire Ann Boleyn and bring in a male vocalist. So, there won't be any more Hellion posts until I get to 1987 so have a listen to this debut and enjoy.

Next post: Saxon- Crusader

To get Rock and Roll Children email me at: tobychainsaw@hotmail.com 

Great Metal Albums of 1984: Dio- The Last in Line

 

No further evidence to support the fact that 1984 was the year of heavy metal is needed beyond the fact that Dio had two songs from their second album, "The Last in Line" played on commercial radio. When I first heard the title track played on my local commercial station, I wasted no time in cranking up the volume and breaking out the air guitar. I was working at a parking lot at the time but it didn't matter one bit if I was the subject of people's attention. To hear such a song on the radio was completely mind blowing at the time.

The video to the track, "The Last in Line" was cool in my view but it did come in for a lot of criticism at the time. In the eyes of the religious fanatics, scenes of people getting tortured by Satan's minions was a major problem. Of course, if they bothered to watch the entire video, they would have seen that the protagonist in it does make his escape with the help of Ronnie himself. My conclusion was that it's a cool video for a great song.

"Mystery" the second single, didn't do quite as well but I love this song too and the video for it. The video is a more fantasy setting so no one gets tortured in it. After one showing of it on MTV, the vee-jay said "Mystery" was the closest thing to a ballad from Dio. Maybe so, it would be another twelve years before "Angry Machines" and the closer to it, which is a definite ballad. Still, I continue to love "Mystery."

Now, let me go to the four tracks which some people consider to be filler. I don't because I consider "Breathless," "I Speed at Night," "Evil Eyes" and "Eat Your Heart Out" to all be good tracks. Maybe the heavy breathing before "Breathless" is a little OTT but that intro and Ronnie's "No No No No No" more than cancels it out. Coming home from visiting my children the other night, I realise that I do speed at night. In some cases, I discovered that I was doing 80 on the motorway, so that song is very true. "Eat Your Heart Out" has a cool intro as well and I love how "Evil Eyes" ends. So, in my mind, these songs aren't filler.

As for the three songs I haven't mentioned, well, they are better than the four I just mentioned. "We Rock" would have been used to open their shows on tour for "The Last in Line" had they not had a better show opener from the "Holy Diver " album. "Stand Up and Shout" is one of the greatest show opening songs ever. But while it might not have opened the show, Dio still had the sense to play it on their next couple of tours. It is a cool song. "One Night in the City" is my hidden gem on the album. I have always loved Ronnie's ability to tell stories behind the great music and on this one, it's near perfect. The same can be said for the closer, "Egypt (The Chains are On.)" This too tells a great story behind what is some great music. I don't quite rate it as good as "One Night in the City" but it does make an excellent closer for the album.

Most people can attest to the great vocals of Ronnie James Dio and he does a superb job on "The Last in Line." However, the rest of the band needs their credit where due. Vivian Campbell lays down some brilliant guitar solos on here. Why some people call him overrated I'll never under stand. Jimmy Bain and Vinnie Appice remain the tight rhythm section on this albums as much as they were on the last one. Then there's the new addition on the album. It was here, keyboards player Claude Schnell joined the band and his contribution to the band is immense. All together, these five men work together and put out a fantastic album.

Track Listing:

1. We Rock
2. The Last in Line
3. Breathless
4. I Speed At Night
5. On Night in the City
6. Evil Eyes
7. Mystery
8. Eat Your Heart Out
9. Egypt (The Chains are On)

[caption id="attachment_4329" align="aligncenter" width="368"] Dio[/caption]

Ronnie James Dio- vocals

Vivian Campbell- guitar

Jimmy Bain- bass

Claude Schnell- keyboards

Vinnie Appice- drums

https://www.youtube.com/watch?v=mEV4Tov1GBM

 

https://www.youtube.com/watch?v=GhKaCpm6pPE

 

The best concert I ever went to in my life happened on this tour. Dio, supported by Twisted Sister was a night I will take to my grave with me as one of the great highs. One of the main contributors to this ecstasy was the fact that it was "The Last in Line" album. Thinking back to when I wrote about this concert in "Rock and Roll Children," I didn't highlight just how magnificent a show it was.

Next Post: Helix- Walkin' the Razor's Edge

To get Rock and Roll Children, email me at: tobychainsaw@hotmail.com 

1983 Triumphs and Tragedies

 [caption id="attachment_3349" align="aligncenter" width="539"] The Alamo[/caption]

The only tragedy I remember from 1983 actually happened the year before. Due to my military service, I didn't find out about it until 83 when I read about all the fallout from it. I'm talking about when Ozzy Osbourne pissed on the Alamo. He claims he was drunk as a skunk, (I've never seen a drunk skunk so I have nothing to compare it to.) Ozzy also said he didn't know it was such a national shrine, well it is in Texas. The result of his action got him banned from the city of San Antonio for ten years, although that was lifted a few years later when he made a large donation to the Alamo charity.

[caption id="attachment_2343" align="aligncenter" width="199"] Ozzy Osbourne[/caption]

Ozzy was already getting himself a reputation outside the heavy metal world for the wrong reasons. His infamous biting the head off a bat was making its rounds. Of course, the religious element in America embellished things further. There were rumours he blew up goats on stage and at one show, he supposedly threw a puppy into the crowd and said he wouldn't sing anymore until the audience killed the puppy. While this was all untrue hype, it didn't help Ozzy when he actually did something for real. So for Ozzy and somewhat in the metal world, this was a bit of a tragedy because it overshadowed the two albums he released in the year. I'll be covering those soon enough.

Now for the triumphs. It seems that 1983 was a cool year for festivals. I got to go to two of them. The first one, I mentioned when I posted about the Nantucket and Doc Holliday albums a few months ago. Those two bands topped the bill at the Mayfair Festival at Jacksonville, North Carolina. The other five bands remain pretty much unheard of with the bottom three being cover bands. So, I thought I'd include them in this little piece of history. They were Skeet Kelly, Roxy, Avalanche- who did a great cover of Sammy Hagar's "Heavy Metal," Peer Pressure- who did a reasonably decent cover of John Cougar's "Hurt So Good" and Eraxle- who closed their set with a fantastic cover of Van Halen's "Ice Cream Man." I consumed loads of alcohol and there were some interesting events between the bands like a wet t-shirt and a men's ugly legs competition. A fine day from what I remember.

[caption id="attachment_1322" align="aligncenter" width="300"] Nantucket[/caption]

Military commitments kept me from attending this festival but my sister went. I tried to pick her brains but she didn't remember much. In the June, Journey headlined in Philadelphia and with them were John Cougar, Sammy Hagar, The Tubes and Bryan Adams. From what she can remember, my sister says that Journey sounded great and had a fantastic light show. John Cougar and Bryan Adams were both very good as was Sammy Hagar despite his red spandex. Unfortunately, The Tubes weren't up to the rest of those who played that day. If this line up played in more cities than Philly, I would love to hear your account of the day.

[caption id="attachment_3350" align="aligncenter" width="387"] Journey Live[/caption]

It didn't matter that I was in the military for this one, I couldn't have gone to the US Festival because it was 3000 miles away in California. The US Festival was a three day festival where the first day consisted of new wave bands, the second day's line up was heavy metal and the third day's was a rock line up. From what I heard, all three days were fantastic although I do recall an interview with a local sheriff saying that he was going to try to ban such events following the festival. I didn't think about it then, but that was the first salvo fired at music in the 1980s. I think the best thing to do is just to let you look at the line up for the three days and I'm sure you will be just as awestruck as I was.

[caption id="attachment_3351" align="aligncenter" width="478"] Us Festival Showbill[/caption]

I did get to the final festival in 1983. This was my first Donington Festival as I happened to be in England at the time. From my memory, I can recall that Diamond Head were all right and Dio were very good. I didn't twig on who the lead singer was until they played "Heaven and Hell" but that was okay. They were brilliant. Then came Twisted Sister. I can still remember Dee Snider's quip: "We're not Culture Club or any of those gay boys or Duran Duran nor any of those other wimps. We're Twisted Sister and we play heavy metal rock and roll!" Of course I knew there must of been something about them when they were introduced as Twisted Fuckin' Sister. Their music was great too.

For me, ZZ Top took the concert. They played a magnificent combination of old and new material during their time on stage. Of course it helped that they played my two favourite ZZ Top tunes, "Jesus Just Left Chicago" and "La Grange." They also played quite a few songs off their new "Eliminator" album so they basically rocked. The big let down after ZZ Top was Meatloaf. I was not impressed, he just sounded terrible that day. Worse, my friend's English girlfriend didn't realize that they ran a special train after the concert so out of fear of getting stuck, we left early and missed headliners, Whitesnake. I remain gutted but overall, Donington 1983 was a kick ass day and proved that Great Britain could rock.

 

That was 1983 in a nutshell. The only real tragedy was Ozzy pissing on a national shrine but all the great concert festivals more than compensated for it. Just posting about it has me psyched for Bloodstock in two weeks. It was no wonder I was super excited when I got out of the marines that year.

Next post: Great Soundtracks

To buy Rock And Roll Children, email me at: tobychainsaw@hotmail.com 

Great Metal Albums of 1983: Dio- Holy Diver

 

Like with David Bowie's and Motorhead's 1983 albums, I was hoping to write about the debut album from Dio, in 1983, under much happier circumstances. With the passing of Dio bassist, Jimmy Bain, I feel that it should be a fitting tribute to him that I post about this iconic album now.

[caption id="attachment_3067" align="aligncenter" width="162"] Jimmy Bain[/caption]

What can I say about "Holy Diver" that hasn't already said? Probably nothing, therefore, I am going to speak about it straight from the heart and yes the pun is intended. From my first listen, I admit it wasn't til early 1984 when I got that opportunity, til now, I was and still am completely blown away by it. No wonder it's my fourth favourite album of all time.

Why is this album so good? Let's start with the opener, "Stand Up and Shout." That is one of the best album and concert opening songs of all time. A great opener will grab you by the throat and make you listen to the entire album. It's no wonder, Dio opened with this song three of the five times I've seen them live.

You are the driver
you own the road
you are the fire -- go on, explode

Then comes my favourite Dio song of all time, the title track. If I were running a 'Headbanging for Beginners' course, "Holy Diver" would be the first song I would use. This unique but catchy riff is just plain phenomenal. I still remember at the local nightspot in London for heavy metal, scores of metalheads all in a huddle headbanging away to it. The song is so easy to do that with. Not only that, there are Ronnie James Dio's lyrics, (he was top of his game here), and Vivian Campbell just nails the guitar solo. For me, it's always been truly an amazing song.

Between the velvet lies

There's a truth as hard as steel

A vision never dies

Life's a never ending wheel.

Following the title cut are two more excellent songs in the form of "Gypsy" and "Caught in the Middle." With both songs, we see some heavy chords being struck while in sync with more of Ronnie's lyrics.

Take a look at yourself, you might see someone you don't know

If you haven't already figured it out, the above lyrics were from "Caught in the Middle." After that is what many claim to be the best non single or song that should have been released as one on the album. Anyone who has any experience of Dio will know "Don't Talk to Strangers." Its eerie intro followed by lyrics that can be of sound advice before exploding into pure heavy metal mania with Campbell's solo probably being the best one on the album. There's something for everyone to like here. It is most likely the reason why Dio has played this song all five times I've seen them live.

Having originally procured "Holy Diver" on cassette, I should go on about side two. However, the age of CD's and MP3 downloads has made me stop dividing albums into sides. "Straight Through the Heart" is a very powerful rocker and maintains the standard the album sets but after that is my choice for best hidden gem on it, "Invisible." Don't ask me to explain why or how but I just love that song. I think it's the way like "Don't Talk to Strangers," it starts melodically before hitting you over the head with more power chords. Those chords may not be quite as in your face as the other song but it does the job.

If your surface stays unbroken, then you're a lucky man

Cause it never, never, never has for me

In the palace of the virgin lies the chalice of your soul

And it's likely you will find the answer there.

Again, Ronnie's lyrics are amazing, especially matched with his truly one of a kind voice. Following "Invisible" is the more known "Rainbow in the Dark," which maybe was Dio's most successful single. Hell, I remember in 1984, a Budweiser advert being played to this tune. This is the one song where keyboards play a major role but still, they don't detract from the power of the song.

Now onto the closer, "Shame on the Night." If I have to pick a least favourite track, it would have to be this one. Don't get me wrong, it is no way a bad track, I just don't rate it quite as high as the other eight but what it does do is close the album very nicely, I guess that's what Ronnie had in mind with it. That is yet another reason why I think "Holy Diver" is so fantastic.

Track Listing:

1. Stand Up and Shout
2. Holy Diver
3. Gypsy
4. Caught in the Middle
5. Don't Talk To Strangers
6. Straight Through the Heart
7. Invisible
8. Rainbow in the Dark
9. Shame on the Night

[caption id="attachment_3069" align="aligncenter" width="259"] Dio[/caption]

Ronnie James Dio- vocals, keyboards

Vivian Campbell- guitar

Jimmy Bain- bass

Vinnie Appice- drums

I don't give a flying fart as to how cliched this statement sounds but I know in my heart that Jimmy has now joined Ronnie and they are jamming away together in a better place. Probably their former Rainbow band mate, Cozy Powell has joined them and if they had any sense, they would invite Jon Lord to do the honours on the keyboards. However, I can't think of any guitarist who has played along side of these guys who has departed from our world. Therefore, I would suggest they take Criss Oliva from Savatage as his guitar work would fit Ronnie's vocals perfectly. Who knows, maybe they would make an album as great as "Holy Diver."

Next post: Paul Kantner- Rock and Roll Orchestra 

To buy Rock And Roll Children, email me at: tobychainsaw@hotmail.com

R.I.P. Jimmy Bain

Jimmy Bain

What is going on with 2016? January isn't over and another great rocker is taken from us. This time it is Rainbow/Dio bassist Jimmy Bain. Details of his death haven't been released but he was 68. Jimmy played with Rainbow from 1975-77 but he was best known for his time with Dio, especially on their first five albums. Less known is that he co-wrote with Phil Lynott of Thin Lizzy on some of his solo albums.

Dio

Okay, some may say that Jimmy Bain wasn't the legend that some of the others who have recently passed but for me, he was a part of the band that made my 1980s. Therefore, I too will be listening to some Dio and early Rainbow over the next few days and it's probably a given which album I'll be posting about next.

R.I.P. Jimmy Bain

Great Movie Soundtracks- Bad Teacher



I happened to watch this film the other night and while the movie was okay, not something I would rush out and add to my DVD collection, there was something in it that grabbed my attention. It was the soundtrack! While I was watching it, I first heard the all time classic Judas Priest track "You Got Another Thing Comin." My first thought was this was a throw back to the 80s when a lot of films threw in a metal tune or two in the hopes that metalheads would buy their soundtrack. The 1985 film "Visionquest" is prime example of this. I mean where else would you find Madonna on the same record as Sammy Hagar, Journey and Dio?

Judas Priest

As the movie progressed, other songs began to catch my attention as well. There was "Still of the Night" by Whitesnake. When I heard that, I thought, "Okay, another metal tune to tempt me to buy the soundtrack" but then something happened that took me by surprise. In the background of one scene there was the song "Rainbow In the Dark" by Dio playing loud and proud. That wasn't the end of it, whoever put together the soundtrack went back into the archives and pulled out what is for me a gem of a Priest classic, "The Ripper." Take these songs and the final song at the end credits by Joan Jett and the Blackhearts and you got yourself one hell of a compilation album!

 

Dio

I have tried both Amazon and Gemm and couldn't find the soundtrack on either. It just comes up with the DVD. Of course there are other issues like some non metal tracks from the likes of Hall And Oates. That's movie soundtracks for you. So, instead why not just listen to these great metal songs on their own and thank the film for putting them all together in one movie soundtrack.
Next post: Blackfoot- Strikes
To buy Rock And Roll Children, go to www.strategicpublishinggroup.com/title/RockAndRollChildren.html
Also available on Amazon, Barnes and Noble and Froogle and on sale at Foyles Book Shop in London

Book Signing, Saturday May 12

I will be on location at Fat Lil's Pub in Witney, Oxfordshire to sell and sign copies of Rock and Roll Children. This will be my first book signing event of the year, so if you haven't bought a copy of Rock And Roll Children, here's your chance to get your own autographed copy. If you have, I will still autograhph it and you can tell me what you think of it.

Of course, it won't just be a case of me signing books because also appearing on the evening will be the sensational metal covers band Shepherd's Pie. These guys are a brilliant cover band and are definitely worth checking out. It should also be interesting to see if they rise to my challenge. A free copy of Rock and Roll Children is waiting for them if they play a Dio song during the night.

So, for a fantastic night of live metal and a chance to buy a great book, come to Fat Lil's this Saturday night. You won't be disappointed.

To buy Rock and Roll Children, go to www.strategicpublishinggroup.com/title/RockAndRollChildren.html
Also available on Amazon, Barnes & Noble and Froogle. Also on sale at Foyles Book Shop in London

Great Rock Albums of the 70s: Black Sabbath- Paranoid

Living the sheltered life I did as a teenager back in the 1970s, I didn't hear this album until 1980. When I did, I thought this was the hardest rock album ever (until then). Hearing the Paranoid album changed my view on music forever. After that, I completely abandoned any feeling for the top 40 and have been a dedicated metal head ever since and this is the album I have to thank for it.
Every rock or metal compilation album puts the title track "Paranoid" on it knowing that it will boost the album. I won't take anything away from the song, it's a good one. However, the song that did it for me and is still my favourite Sabbath tune is definitely "War Pigs." Having seen Sabbath twice in concert, I cheer the loudest when they play it. Of course, we can't forget the brilliant riffs that is "Iron Man" as well as the other songs like "Fairies Wear Boots." From beginning to end, it is understandable why this is one of the true metal albums of all time.

Tack listing:

1. War Pigs

2. Paranoid

3. Planet Caravan

4. Iron Man

5. Electric Funeral

6. Hand of Doom

7. Rat Salad

8. Fairies Wear Boots

Ozzy Osbourne- vocals

Tony Iommi- guitar

Geezer Butler- bass

Bill Ward- drums

No one can argue against the Paranoid album by Black Sabbath as being the template for what true metal albums since should be like. This album has been often immitated but never duplicated and will forever stand the test of time.

Next Post: Led Zepplin IV

To buy Rock And Roll Children, visit www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available to buy on Amazon, Barnes & Noble and Froogle

Founding Fathers of Metal Part 3- Led Zepplin

"Led Zeppllin just made music, they didn't care if they were liked. They left that to the BeeGees."

Wayne Campbell

Now I know that once again I'm preaching to the heavy metal choir, but one can't talk about the founding fathers of metal without mentioning Led Zepplin. Led Zepplin were considered by many to be pioneers in the rock music industry and many bands today have them, as well as Black Sabbath to thank for their sound today.

John Bonham- drunms

Robert Plant- vocals

Jimmy Page- guitars

John Paul Jones- bass

My first experience of Led Zepplin was Led Zepplin IV or as I called it back then, "The album with the funny shapes for a title." It contains the all time classic "Stairway to Heaven," you know, the song that every apsiring guitarist plays in music shops when they are shopping for a new guitar. But "IV" also has some other great songs like, "Rock And Roll," "Black Dog," "Misty Mountain Hop" and "When the Levee Breaks." All of these make the fourth album a killer album.

Their are many more studio album, greatest hits albums and even some live albums,if you look hard enough,  which have stood the test of time and are now considered classics. This includes their most recent "Mothership" which is a two CD release of some of their greatest hits and includes a DVD. But enough of the adverts, besides, I'm not getting paid to say that.

While some metalheads may not want to admit it, it can be rightfully said that everyone in the metal world can look to Led Zepplin as one of the founding fathers of heavy metal.

Next week will be the last of the Founding Fathers of Metal and will feature Deep Purple. After that I will visit two other influential bands from the 70s.

To buy your own copy of Rock And Roll Children, visit www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Founding Fathers of Metal Part 2, Black Sabbath

I know that I am preaching to the choir, but you can't mention the origins of heavy metal without mentioning Black Sabbath. It is most certain that every metal head on the planet (and maybe beyond) will site Sabbath as one of the founding fathers of metal.
                                         
My only regret is not allowing myself to listen to Black Sabbath throughout my teenage years in the 1970s.  Back then, I was a born again Christian and was very much influenced by the Black Sabbath are Satanic brigade and believed the myth that listening to them would have me sacrificing chickens to the Dark Lord. That is one claim that Black Sabbath can boast, they were the first band I know of to be branded Satanic.

It was their "Paranoid" album that first introduced me to the music of Black Sabbath as a young marine in 1980. I was totally blown away by the first track "War Pigs," which is still my favourite Sabbath track after all these years. The other tracks confirmed to me that Black Sabbath were brilliant and persuaded me to listen to them more. Furthermore, after hearing "Paranoid," I did not find myself looking to sacrifice a chicken on the first available altar.

Black Sabbath would put out eight albums between 1970-78, although it is the two pictured above along with "Paranoid," that rank as my favourite. Their sound was true metal in its greatest form and many a band since will draw upon them as an influence. While Black Sabbath will continue and have success with other line ups, the original billing of:                                            

Ozzy Osbourne- vocals

Tony Iommi- guitar

Geezer Butler- bass

Bill Ward- drums

will be the line up that is most remembered by all metal fans.

Next post: Led Zepplin

To buy Rock And Roll Children visit www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Take a Trip Through 80s Heavy Metal History

There are many great heavy metal blogs on the net, including some right here on Wordpress. They cover metal both old and new alerting readers to great heavy metal releases and news as well as the occasional trip back in history. My blog will now take you through the history of heavy metal in the 1980s, thus keeping in line with the name of the blog. I will mention great albums of the decade and the artists who made them. I will also revisit many of the events from the 80s which helped to shape the music and I will do all I can to post twice a week.

Let us start by paying tribute to a great concert venue from the era. The Spectrum in Philadelphia was the sight of many a great event from when it was built in 1967 to it's demolition in 2009.  During its 42 years, it hosted many great happenings in sports and music. It was the place where the Philadelphia Flyers lifted their first Stanley Cup in 1974 and where the 76ers won at least one of teir NBA Crowns. However, for me, it was the scene of some fantasitc metal concerts from 1983 -86. I rocked and partied to great shows by Twisted Sister, Dio, Aerosmith, Black Sabbath and many more to name a few. There were many other great shows both before and after as well.
I am sure many an old metalhead like myself shed a silent tear when this great monument to heavy metal was demolished. I look back in time and still immagine metalheads all partying under the Rocky statue swapping stories, having pre concert parties and even being accosted by Jesus freaks. So when you travel down metal memory lane with me, take a second to pay homage to the venue that gave thousands some great metal memories.

To buy Rock And Roll Children go to: www.strategicpublishinggroup.com/title/RockAndRollChildren.html