Great Rock Albums of 1979: Cheap Trick- At Budokan

I thought I'd begin the tour through 1979 with albums that were actually released in 1978. Cheap Trick's "At Budokan" was officially released in Japan in 1978 and then in the US in 79. This has been called by many as one of the greatest live albums of all time and I can't really disagree. It was one of the first albums I purchased on cassette and the intensity of the live album blew my young mind.
The first few songs come as a whirlwind, one song after another speedy procession that once you're caught up in it, there's no way you can escape. It slows down a little bit with "Need Your Love," but that only acts as a nice little breather before launching into the three best tracks on the album. "Ain't That a Shame," the world famous "I Want You to Want Me" and completing the trio is "Surrender." By the end of that, you're in league with those in Tokyo who were lucky enough to see this live, you don't want Cheap Trick to leave the stage either.

Track Listing:

1. Hello There

2. Come On Come On

3. Look Out

4. Big Eyes

5. Need Your Love

6. Ain't That a Shame

7. I Want You to Want Me

8. Surrender

9. Goodnight Now

10. Clock Strikes Ten

Cheap Trick

Robin Zander- lead vocals, rhythm guitar

Rick Neilsen- lead guitar, backing vocals

Tom Petersen- bass, backing vocals

Bun E Carlos- drums

There is no better way to start something new than Cheap Trick, "At Budokan." This is a classic hard rock album and the fact that it's live, only makes it that much better.

Next post: Blues Brothers- Briefcase Full of Blues

To buy Rock And Roll Children, go to www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available in Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

 

1979: The Year The Dam Began to Burst

In a song from a fantastic album I will be visiting much further down the line, Saxon asks, "Where were you in '79 when the dam began to burst?"

Saxon

Well, I can definitely say where I was in 1979 and unfortunately, I wasn't wearing denim and leather. For me, that year was a major and I mean major turning point in my life. The middle of the year was especially eventful for me. In the space of 32 days from June 7 to July 9, I turned eighteen, graduated high school and then was off to Parris Island, South Carolina for boot camp in the marines. For the next twelve weeks, I was ruled with an iron hand. I heard no music, saw no movies and didn't even see any television until the last three weeks of training and then that was only for one hour a night. I did get teased one night when I pulled a guard duty near a window with the radio blaring out. I don't remember any songs, but I do remember hearing an advert for the Ted Nugent concert in Savanah, Georgia in a few weeks time.
The top songs before and after boot camp pretty much sums up the year for me musically. Before I left, the popular song was the disco tune, "Ring My Bell" by Anita Ward. When I came home on leave after graduation, it was "My Sharona" by The Knack. My "Death before disco" attitude was already entrenched in my mind, so I was happy that disco seemed to be on the way out. One thing that definitely died that year was my AM clock radio.
One thing that the marines did for me was to open my mind to new forms of music. Being around many more African Americans introduced me to rap and non commercial soul music. Being stationed in North Carolina, I got a better feel for country music, but the best thing was discovering a genre that was made it's way into more mainstream, Southern Rock. It was here, I first heard great albums by Molly Hatchet, 38 Special and Blackfoot and will be visiting their albums down the line.

Molly Hatchet

Of course, the marines provided my access to the up and coming genre I would come to know and love as heavy metal. It was here, I first heard Van Halen and Rush as well as Ted Nugent. My musical world was definitely growing as you will see from all the albums that will be visited throughout the next few months.
Next post: Cheap Trick- At Boudakan
To buy Rock And Roll Children, go to www.strategicpublishinggroup.com/title/RockAndRollChildren.html
Also available on Amazon, Froogle and Barnes & Noble and on sale at Foyles Book Shop in London

A Metal Book Worth Reading

While I was going through my daily dose of heavy metal google alerts this morning, I can upon a book that sounds fascinating to me. The book is called "What Are You Doing Here?" by Laina Dawes. It tells about the struggle on an African American woman in the world of heavy metal.

When Laina Dawes was eight years-old, she sat in front of her television watching the made-for-television movie “Kiss Meets The Phantom of the Park.”  Soon after, her parents gave her Kiss’ Double Platinum record, and later followed an obsession with bands like Judas Priest and Black Sabbath.  Laina Dawes is a bona fide metal head. But her fandom is complicated, though it probably shouldn’t be, by the fact that Laina is a black woman.
During her time in the heavy metal scene, she has experienced a lot of racism and sexism, as well as judgment and hostility from various black communities. Laina Dawes is the author of “What Are You Doing Here?: A Black Woman’s Life and Liberation in Heavy Metal" (Bazillion Points, 2013).
Dawes talks with host Frank Stasio about the complicated relationship she has with heavy metal. She says that although heavy metal has in the past been viewed as a white male scene, the music can be powerful for anyone who feels like they need an outlet for anger.
“Heavy metal has always had this stereotype of being a working-class blue collar music for predominantly men who are frustrated by their day job, and want to listen to music to let out their aggressions…” Dawes says. “I think that translates to how people are still drawn to the music…It’s for the positive energy and the positive aggression that you have the ability to let out…and we’re not able to do that in other aspects of their lives.”
Dawes grew up in rural Kingston, Canada, as one of the only black people in her community. Listening to heavy metal was one of only a few things that helped her deal with her frustration and feelings of isolation. 
Dawes tells host Frank Stasio that “the music was what got me through…I never did fit in, and I always felt like an outsider, but I knew that I desperately needed something to make me feel better, and to make me feel more empowered then I did in my everyday life.”
Although heavy metal can be very empowering to its listeners, the scene surrounding it can be very racist and sexist. Dawes spoke to many black women involved in those scenes in their respective communities who survived violence inflicted on them on the basis of their race.
“One of the women I interviewed for the book was knocked unconscious” states Dawes.
“Another girl in Atlanta was chased around the venue by a bunch of skin heads, because they had warned her that she had to leave because they didn’t want her there…And then they stayed so they chased her,” she recalls.  “You get these extreme stories of people violently reacting to your presence.”
And not only has there been push back from white people in the heavy metal scene, but black communities have taken issue with black people’s participation in heavy metal. Dawes explains that listening to heavy metal as a black person is often seen as something that makes you “less black.”
“One of the reasons I’ve faced resistance from various black communities is the [link to culture]. Blues music is not just music, it’s seen as a narrative of the lives of African Americans who came before us…it has a connection to African-American listeners,” says Dawes. “But on the other hand in terms of listening and participating as a fan or musician it should be wide open.”
But there are still black women breaking down barriers and performing heavy metal. Dawes says that her favorite part of this project has been meeting women who challenge the norm with their passion for the genre.
“The best part of this journey is meeting extremely strong women who want to play the music that they’re passionate about and also realize that there are a lot of roadblocks in their way,” Laina reflects. “And for them it’s not about the money. It’s about them being passionate about their art.”
I, for one, am going to read it because I have always battled against the accusations of heavy metal being sexist and racist and I've always believed that knowledge is the best weapon.

Great Metal Albums of 1978: Van Halen I

I thought what better way to end the tour through 1978 than to visit the very first album by Van Halen. Like so many great rock and metal albums that came out in this year, this album didn't come into my fields of vision for another year when I heard a marine buddy blasting it through the barracks. I only heard part of the album, but I was hooked. The weird thing was that I actually bought II before I bought this one.
Some metal officiandos have compared Van Halen to Led Zeppelin and I admit there are some similarities. But Van Halen I gave Van Halen a unique sound of their own. To me this was just as heavy as Ted Nugent and it opened my eyes to a whole new world out there in music. You could say that Van Halen I was the final rock in the stream that caused the rivers of rock to overflow.
What really made this album for me was the fantastic guitar work of Eddie Van Halen. "Eruption" totally blew my mind and the way they metalised a classic Kinks song let me know that heavy metal was the road I wanted to travel down. I can't really think of a track I don't like but if you were to ask my favourite, it has to be "Ice Cream Man." I loved the way it starts with the accoustic and then rips into a full metal frenzy. Yes, I can say that for me and others, Van Halen I was the album that paved the way.

Track Listing:

1. Running With the Devil

2. Eruption

3. You Really Got Me

4. Ain't Talin' About Love

5. I'm the One

6. I'm on Fire

7. Jamie's Crying

8. Atomic Punk

9. Feel Your Love Tonight

10. Little Dreamer

11. Ice Cream Man

Van Halen

David Lee Roth- lead vocals, accoustic guitar

Eddie Van Halen- guitars, backing vocals

Michael Anthony- bass, backing vocals

Alex Van Halen- drums

I hope you have enjoyed my little tour through the rock and metal history of 1978 and will continue on the ride to 1979. There will be plenty of albums to come in that year. So, I will leave you for now with one artist I first discovered in 1978 on the Saturday Night Live show. I admit, I like some of Kate Bush's eccentricities and her early music. It is also probably why I have a thing for British women, after all, I married two of them.

Next post: 1979- The Year the Damn Began to Burst

To buy Rock And Roll Children, go to www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

Great Metal Albums of 1978: Ted Nugent- Double Live Gonzo

I didn't get to hear this great live album until 1982 and when I did, I regretted not having seen Ted Nugent live. It wouldn't be until 1986 until that opportunity came my way and when it finally did, I got the great delight in seeing him perform with the intensity that you can hear on "Double Live Gonzo." For me, this album is the blueprint on which all live metal albums have followed ever since. Song after song gives you that "I'm there too" feel as the music pounds away. When he's not showing why he appeared in my "Great Guitarists of the 70s" post last year, Ted Nugent is using his vocals or the in between songs banter. Therefore, it is no surprise why so many people regard this as one of the greatest live albums.
The first time I listened to "Double Live Gonzo," I was mainly waiting to hear classic songs like "Cat Scratch Fever" and "Wang Dang Sweet Poontang." While I was bobbing my head and thoroughly enjoying the other tracks as they built up to those two, it was still those two songs I was wanting most to hear. Then something happened at track number five. I got my metal ass totally kicked by "The Great White Buffalo!" That for me, with the possible exception of live "Freebird," is the greatest live song ever. Every time I listen to it I feel a surge of energy, probably eminating from the energy Terrible Ted uses up while performing it. The guitars and vocals provide a great combination to take it well over the top. It is definitely the reason why in "Rock And Roll Children," when the characters see Ted Nugent live, the Mitch character calls out for him to play it throughout his entire show. Like Mitch, I too was disappointed when he didn't play the song either time I saw him.

Track Listing:

1. Just What the Doctor Ordered

2. Yank Me, Crank Me

3. Gonzo

4. Baby Please Don't Go

5. The Great White Buffalo

6. Hibernation

7. Stormtroopin'

8. Stranglehold

9. Wang Dang Sweet Poontang

10. Cat Scratch Fever

11. Motor City Madhouse

Ted Nugent- lead guitar, lead and backing vocals

Derek St. Holmes- rhythm guitar, lead and backing vocals

Rob Grange- bass

Cliff Davies- drums

Even though, Ted Nugent didn't play "The Great White Buffalo" when I saw him live, they were still both great concerts nonetheless. Still, I have the consolation prize of this great live album to hear that song recorded live and the best thing is that I can listen to it whenever I want to. Still, that great "what if" remains.

Next post: Van Halen I

To buy Rock And Roll Children, go to www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyle's Book Shop in London

Great Metal Albums of 1978: Ted Nugent- Weekend Warriors

The media has made a lot about Ted Nugent's politics recently and yes, he does love to slag off the president, but to me that doesn't matter. I don't agree with his politics and if he wants to be a spokesman for the NRA, then let him. None of this will stop him from listening to his music and reflecting on how he totally kicked ass when I saw him live twice back in the 80s. Furthermore, if I did lean more to the right in my political beliefs, I wouldn't stop watching Morgan Freeman films just because he endorses Obama.
Enough of that, the 1978 "Weekend Warriors" album is one of the reasons why I like Ted Nugent so much. This was the first album to convince me that an album didn't need a hit single to be good. The one single from this album, "Need You Bad" only got to 82 in the singles charts and I definitely don't remember it being played on that little AM clock radio of mine. However, the entire album contains a steady stream of good songs which demonstrates Ted Nugent doing what he does best with a guitar. Every track does it for me here.

Track Listing:

1. Need You Bad

2. One Woman

3. I Got the Feelin'

4. Tightspots

5. Venom Soup

6. Smokescreen

7. Weekend Warriors

8. Cruisin'

9. Good Friends and a Bottle of Wine

10. Name Your Poison

Ted Nugent- guitars, lead vocals

Charlie Huhn- lead and backing vocals, rhythm guitar on "One Woman"

John Sauter- bass

Cliff Davies- drums, percussion, backing vocals

For me, Ted Nugent was heavy metal back in 1978. I was still riding on the wave of "Cat Scratch Fever" and this album just further cemented in my mind his place in metal. Memory flashback, I am now reminding myself of the time when Ted Nugent hosted the late night "Midnight Special" show on which was the first time I had encountered AC/DC as they were guests on it. In 1978, that would have been a magnificent concert.

Next post: Ted Nugent- Double Live Gonzo

To buy Rock And Roll Children, go to www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and available at Foyles Book Shop in London

Great Rock Albums of 19787: The Rutles

You're probably thinking, "Is he serious? How can he post something like this after recent visits to great 1978 albums from such Gods as Judas Priest, Black Sabbath, The Who and AC/DC?" You may be even be thinking that I am posting a joke album here. After all when the programme that influenced this album, "All You Need Is Cash" was shown on NBC in that year, the main attraction was that it featured members of both Monty Python's Flying Circus and original members of Saturday Night Live. So I can understand why people may think that.
"All You Need Is Cash" was about a band called The Rutles and followed their history from their formation in 1958 to their break up in 1970. And yes, it was very much fashioned on The Beatles, but with a more humourous approach. My one high school friend refused to watch the programme because he was a Beatles fan and thought it was taking the piss out of them. Okay, maybe it was and while, in spite of the cast, didn't have me rolling on the floor laughing throughout, it was still pretty funny.

All that said, let's take a look at the album by The Rutles. When I first listened to it, I assumed that it was going to be full of satirical lyrics making fun of Beatles classics. When you listen to the album, you can definitely hear the Beatles influence on it and can accurately identify most of the Rutles songs with the appropriate Beatles song it's associated with. Some are quite obvious, like "Ouch" is definitely based on "Help" and "Love Life" is definitely "All You Need Is Love" and so on. Others you may have to listen a bit more carefully, but you do figure out which song it's based on. However, most of the songs aren't funny lyrics making fun, some are what you can call serious. While I did laugh my rear end off when I heard "Piggy in the Middle," the song "With A Girl Like You" could be seen as a light hearted love song.
One thing that strikes me is that Neil Innes is a good musician who seems to have been overlooked. You may remember him as one of Sir Robin's minstrels in "Monty Python and the Holy Grail" and he has some singing parts on the album "Monty Python Live at City Center," but the man does have musical talent. He was the brains behind The Rutles and wrote the songs on the album. I think he deserves more credit than he has been given.

Track Listing:

1. Hold My Hand

2. Number One

3. With a Girl Like You

4. Living In Hope

5. Ouch

6. Love Life

7. Nevertheless

8. See How the Good Times Roll

9. Doubleback Alley

10. Cheese and Onions

11. Another Day

12. Piggy In the Middle

13. Let's Be Natural

The Rutles

Ron Nasty (Neil Innes) guitar, piano, vocals

Dirk McQuirkley (Eric Idle) bass, vocals

Stig O'Hara (Rikki Fataar) guitar, vocals

Barry Wom (John Halsey) drums

Note: Eric Idle didn't actually play on the album, other muscians also contributed

I hope you like my little break in the action, but in the mean time, why not listen to the album. You will have a laugh as well as hear some good songs. Back in 1978, this was a real "feel good" album for me and I still feel that way after 34 years.

Next post: Ted Nugent- Weekend Warriors

To buy Rock And Roll Children, go to www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Froogle and Barnes& Noble and on sale at Foyles Book Shop in London