Great Rock Albums of 1982: Asia

When I returned from my second deployment in June of 1982, this debut album from Asia was there to greet me. It would be the first new album I would hear on my return. I did get a preview of what was to come when someone played the first single "Heat of the Moment" on the juke of a local bar (not the Driftwood) and that persuaded me to check out the rest of the album to which I was delighted to have done for this was a good album. On a totally unrelated note, this is the only album I know of that my sister and my ex wife both own, but don't tell either of them.

For me, Asia gave the sign that the progressive rock which defined the 1970s, would carry on strong into the following decade. The opening song and previously mentioned big single signifies that Asia were a good tight band who joined together to make great music. It starts with a cool attention grabbing guitar riff before being overpowered by some sublime keyboard work. The guitars don't totally go away but come back to begin each verse. The next couple of songs are keyboard lead but done very well and a guitar solo emerges on the track "One Step Closer" and goes on to take the song to its conclusion. A similar guitar riff starts "Time Again" but like some of the great progressive bands that went before such as Emerson, Lake and Palmer or Yes, there is some exciting intricate keyboard work laced throughout the song. However, the one song that certainly highlights the quality musicianship of the members of Asia is "Without You." I got to hear a little of everything here with the keyboards, electric guitar and even an acoustic guitar bit, all very well done. My verdict: Asia's self titled album reminds me of the day when musicians actually cared about the quality of the music they played.

Track Listing:

1. Heat of the Moment

2. Only Time Will Tell

3. Sole Survivor

4. One Step Closer

5. Time Again

6. Wildest Dreams

7. Without You

8. Cutting it Fine

9. Here Comes That Feeling

Geoff Downes- keyboards, vocals

Steve Howe- guitars, vocals

Carl Palmer- drums, percussion

John Wetton- bass, lead vocals

Very shortly after this album, what we know as progressive rock would disintegrate into what would become synth pop. For us who grew up with progressive rock, it would become sad times and I could remember seeing many a person from my era force feeding quarter into a juke box when they spotted a song from the olden times. Asia reminds me that in 1982, those sad times weren't upon us yet and there were still some out there who wanted to play some serious rock.

Next post: REO Speedwagon- Good Trouble

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Great Rock Albums of 1985: Loverboy- Get Lucky

Sometime halfway through my second deployment to the Mediterranean and Indian Ocean, while watching a backdated episode of America's Top 40 with Casey Kasem, I was treated to the Loverboy hit "Working for the Weekend." Admittedly, it didn't quite have the knock out punch I liked about "Turn Me Loose" but it was good enough to have me make a mental note on buying it when I either got to the PX in Rota, Spain or back to the States. It also brought back memories of the previous summer and the Driftwood, even though Twinkles had left a few months before the end of 1981.

True to my word, "Get Lucky" was the first new album I listened to when I returned that summer and I wasn't disappointed. It has just the right blend of progressive and hard rock to make it work. "When It's Over" is more proggy but the hard rock of "Jump" takes over nicely. Other good hard rock tracks come and go after leaving their own stamp on the album. "Emotional" reminds me of classic REO Speedwagon back when they were good in the 70s. "Lucky Ones" brings back fond memories of the first album and there's always has been something about "It's Your Life" that I liked. The album goes out on more a progressive note with "Take Me to the Top" but it's definitely the right closer for this album. Of all the songs on "Get Lucky," the one that stands well above the rest for me is "Gangs in the Street." I don't know if it's because it reminds me of my all time favourite film, "The Warriors" or because the video tries to make Loverboy look bad ass in an unconvincing way or probably just because I like the guitar solo. Whatever it is, the song works and is why this album is so good.

Track Listing:

1. Working for the Weekend

2. When It's Over

3. Jump

4. Gangs in the Street

5. Emotional

6. Lucky Ones

7. It's Your Life

8. Better Watch Out

9. Take Me To the Top

[caption id="attachment_2282" align="aligncenter" width="275"] Loverboy[/caption]

Mike Reno- vocals

Paul Dean- guitar, vocals

Doug Johnson- keyboards

Scott Smith- bass

Mike Frenette- drums

Loverboy seem to have been forgotten by many people now, not me, but back in the very early 80s, they staked their claim on the rock world with two very good albums. They were another reason why Canadian artists have never gotten the respect they deserved.

Next post: Asia

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Great Rock Albums of 1982: U2- October

U2's second album "October actually came to my attention at the tail end of 1981 when I saw it at a record store. However, I was still listening to their debut album "Boy," so I wasn't quite ready for their new album. That all changed while I was early into my second deployment to the Mediterranean and Indian Ocean when a fellow marine played the album opener "Gloria" that was on his self made cassette of punk tunes. Fact: believe it or not, back in 1981 and 2, U2 were considered punk by the mainstream. I've said this before and I know I'll say it again, back then, anything new or that mainstream commercial radio just didn't get was classed as punk.

Whether or not U2 were ever punk was not really an issue for me, all I know was that they were quickly growing on me. One reason why was that if I were to choose another name for "October," I would call it "Boy II" because to me, the second album sounds very much like the first. That's not a particularly bad thing by the way. Like "Boy," "October" begins with the best know single from that particular album. I won't make comparisons because "I Will Follow" will always be my favourite U2 song. Therefore I will not take anything away from the opener here. "I Fall Down" is a good follow on and I'm not sure what to make of "I Threw a Brick Through a Window" but it does stand out in the sense that I didn't hear anything like it on "Boy." For me, the album goes down the same road as its predecessor and you could argue "If it ain't broke then don't fix it." Even the end of the album slows down in the same way the closer on "Boy," "Shadows in Tall Trees" does. While I won't go as far as saying the two albums are completely identical, they are quite similar.

Track Listing:

1. Gloria

2. I Fall Down

3. I Threw a Brick Through a Window

4. Rejoice

5. Fire

6. Tomorrow

7. October

8. With a Shout (Jerusalem)

9. Stranger in a Strange Land

10. Scarlet

11. Is That All

[caption id="attachment_2198" align="aligncenter" width="233"] U2[/caption]

Bono- lead vocals

The Edge- guitar, piano, backing vocals

Adam Clayton- bass

Larry Mullen Jr- drums

As I said earlier, if it's not broke, don't fix it. What U2 did with "October" is take their first album as a blueprint and made another album along the same vein. However, it is done in a way that doesn't put the listener off. "October" would prove to be a small stepping stone towards the next album which would lead them to ultimate greatness in the golden decade. One thing I have always said about U2 was the fact that they were one band that metalheads and trendies both liked.

Next post: Loverboy- Get Lucky

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Great Rock Albums of 1982: Rod Stewart- Tonight I'm Yours

Balance has been restored in the world now. Rod Stewart's "Tonight I'm Yours" is the first piece of new music I heard in 1982. It wasn't the entire album but the second single from the album "Young Turks" which I heard several times on the AM radio of my beat up Chevy Nova during my journey home on my final weekend pass before going overseas. Like many of the Rod Stewart songs I heard throughout the 1970s, minus the two albums previous to this one because I thought they were too disco. Then again, I did like the song "Ain't Love a Bitch" off the "Blondes Have More Fun" album but I digress. That single did stick in my mind like many of his other singles although I am glad I didn't have MTV at that time so I was spared the cheesy video of the song where everyone is dancing on the roofs of cars. That experience would come in the April when I discovered that "Young Turks" was number three in the Israeli charts.

Abandoning the disco feel of the previous albums, Rod went a little more new wave with "Tonight I'm Yours" while at the same time, not venturing too far from his rock roots. The new wave part is obvious on the first two singles from the album: The title track and the already mentioned one with the cheesy video. Both are done well and I like Rod's personal spin on his cover of "How Long?" which was his third single. He does get down to some more serious rock after that. On "Tora Tora Tora (Out With the Boys)" Rod truly rocks out. The guitar breaks in the song are great and the way it interlinks with the sax is nicely done. I don't know which of the guitarists on the album played the solo here but he should step forward and receive his accolades. A pleasant surprise comes right on the heels of "Tora Tora Tora" in the form of "Tear It Up," which begins with a piano intro that could rival that of "Piano Man" of Billy Joel fame. However, as far as piano intros go, it still doesn't quite measure up to the best of all time: "Joan Crawford" by Blue Oyster Cult. Rod continues his rock tradition with the next few songs pausing in the middle to belt out the ballad, "Just Like a Woman," originally a Bob Dylan tune. The album returns to new wave, with "Young Turks" before going out very nicely with the suitable closer "Never Give Up On a Dream." This album certainly proves that Stewart's voice is far more versatile than what some people give him credit for.

Track Listing:

1. Tonight I'm Yours

2. How Long?

3. Tora Tora Tora (Out With the Boys)

4. Tear It Up

5. Only a Boy

6. Just Like a Woman

7. Jealous

8. Sonny

9. Young Turks

10. Never Give Up On a Dream

[caption id="attachment_2485" align="aligncenter" width="259" class=" "] Rod Stewart[/caption]

Rod Stewart- vocals

Jim Cregan- guitars, backing vocals

Robin LeMesurier- guitars

Jeff Baxter- guitar on "Tonight I'm Yours," pedal steel guitar on "Just Like a Woman"

Danny Johnson- guitar on "Jealous"

Byron Berline- fiddle

Jimmy "Z" Zavala- harmonica, saxophone

Kevin Savigar- keyboards

Duane Hutchins- keyboards on "Tonight I'm Yours" and "Young Turks"

Jay Davis- bass

Tony Brock- drums

Carmine Appice- drums on "Tonight I'm Yours" and "Young Turks"

Paulinho De Costa- percussion

Tommy Vig- tubular bells

Penny Jones- soloist on "Never Give Up On a Dream"

Linda Lewis, The Penetcostal Community Choir- backing vocals

I'm going to come out of the closet here, no not that way, but I am going to admit that I actually like a lot of Rod Stewart's music. Something I would have never admitted to in male heavy metal circles. True, he's not hard rocker or metal singer but his vocals and the music behind them is usually quite good. The album "Tonight I'm Yours" is proof.

Next post: U2- October

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Great Rock Albums of 1982: The Police- Ghost in the Machine

Normally, I start each year with the very first album or song from an album I heard at the beginning of said year. But my brain isn't what it used to be and I only realised this mistake after this album was announced. So, you'll get that one next post. I can't even blame being caught in massive amounts of traffic and roadworks today while going to and from a supply teaching assignment that was miles away where my "Iron Man 2" soundtrack got scratched. Maybe it was all for the best because "Ghost in the Machine" by The Police might be a good place to start.

Tempting as it may be to once again mention my suspicion about albums whose hit single is the opening track being a ploy by one hit wonders, I won't. True, the very first two tracks on "Ghost in the Machine" are the two singles from the album but I get a different impression here. "Spirits of the Material World" and "Every Little Thing She Does is Magic" are both good songs in their own right and worthy of being singles, my impression is that the idea behind putting them first was to say, "Now, you've heard the singles, now listen to the rest of our album."

The rest of the album is no less inferior, in fact, I only like it more. "Invisible Sun" gives me a dark brooding feeling while I listen to it but I like it. Then things go the complete opposite way with the next two songs. "Hungry for You" and "Demolition Man" are almost party atmosphere songs and definitely make things come alive. With the latter, I hear a bit of fingerboard smoking from Andy Summers which is probably why it's my favourite track on the album. So once again I ask, why did they not just give him one song to just shred? Answers on a post card please. "Too Much Information" sums me up perfectly at times and is an enjoyable song and "One World" sticks out as well. With "Ghost in the Machine," The Police stick with the standard reggae-rock roots but at the same time weren't afraid to venture out of their comfort zone a little. The result is a great album.

Track Listing:

1. Spirits in the Material World

2. Every Little Thing She Does is Magic

3. Invisible Sun

4. Hungry For You (J'aurais toujours faim de toi)

5. Demolition Man

6. Too Much Information

7. Rehumanizer

8. One World (Not Three)

9. Omegaman

10. Secret Journey

11. Darkness

[caption id="attachment_1358" align="aligncenter" width="300" class=" "] The Police[/caption]

Sting- vocals, bass, saxophone, keyboards

Andy Summers- guitar, guitar synth, keyboards

Stewart Copeland- drums, percussion, keyboards

It might not actually have opened 1982 for me musically but I think that perhaps "Ghost in the Machine" by The Police was a good place to begin the journey through the year.

Next post: The actual first album I heard in 1982, actually it was a couple of songs.

Rod Stewart- Tonight I'm Yours

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1982: The Floodgates Are Truly Open

To be honest, I was a little nervous about the year 1982 and expected a bit a turbulence during the ride through it. The reason for this was that I spent eight months out of the year overseas with the marines. From the middle of January to the very end of June, I made my second deployment to the Mediterranean and Indian Ocean. Then in the October, I went to Okinawa for the remainder of the year and the first three months of the following one. In fact, October 9, 1982 never existed for me as I was flying across the International Date Line. Because I was overseas so much, the year was fairly barren for me musically and I worried that I might not have enough albums to visit during the year. But, I will persevere and thanks to Youtube, I can listen to albums from that year that I never got the chance to listen to back then.

[caption id="attachment_1085" align="aligncenter" width="127" class=" "] Iron Maiden[/caption]

With the benefit of hindsight, I can say that in 1982, the new wave of British heavy metal (NWOBHM) had its claws firmly gripped on the industry. I saw this to be true when I was in Toulon, France in the May. Previously, I had heard of Iron Maiden but it wasn't until I heard a song, I can't remember which one, on a juke box in a bar there that I finally got my ears blown away by them. Of course, there were great metal delights served up by the likes of Judas Priest and Motorhead as well as many other rock and metal acts. It seems my journey through what turns out to be an important year that almost passed me by and I am going to put right something I got wrong in the said year. See, I never listened to Van Halen's "Diver Down" album because a couple of marine buddies bought it while we were in France and said that the album sucked. Again, curse me for simply taking their word. I will listen to this album during the course of my trip through 1982 and give you my own thoughts on it.

[caption id="attachment_1143" align="aligncenter" width="128" class=" "] Van Halen[/caption]

As I go down the road of metal history, I realise that while I may have missed out on quite a bit of music history on account of military service, the year itself was a phenomenal one for metal. Thanks to NWOBHM and others, the floodgates opened and metal began to flood the world.

Next post: The Police- Ghost in the Machine

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The Runaways: The First True All Female Metal Band

Janis Joplin and Grace Slick for the first queens of rock in the 60's and in the 70's came Ann and Nancy Wilson who were arguably the first modern rock chicks. In the later part of the 70's and early 80's we had such great ladies like Pat Benatar, Chrissie Hynde and Debbie Harry. All of these women were rock queens in the true sense and their contribution to music will always be remembered.

[caption id="attachment_1501" align="aligncenter" width="256" class=" "] Janis Joplin[/caption][caption id="attachment_1679" align="aligncenter" width="127" class=" "] Grace Slick[/caption][caption id="attachment_1373" align="aligncenter" width="188" class=" "] Debbie Harry[/caption][caption id="attachment_1396" align="aligncenter" width="195" class=" "] Pat Benatar[/caption]

[caption id="attachment_874" align="aligncenter" width="168" class=" "] Heart[/caption][caption id="attachment_1759" align="aligncenter" width="243" class=" "] The Pretenders[/caption]

In 1981, two all female bands made their way into the spotlight, The Go-Gos and Girlschool. While the former had a more commercial rock sound, the latter was straight forward heavy metal and stood alongside of many of the NWOBHM acts that were coming out that year. However, these two weren't the all female bands who could blow speakers with great power chords. Before them came The Runaways.

[caption id="attachment_2299" align="aligncenter" width="278" class=" "] The Go Go's[/caption][caption id="attachment_2373" align="aligncenter" width="276" class=" "] Girlschool[/caption]

I had heard of The Runaways even before the film that came out a few years ago. Even at the tender (small chuckle here) age of sixteen, I was enamoured with these fine ladies who played such aggressive music. I did listen to their debut album and liked it. Likewise, I wanted to listen to their second one "Queens of Noise" but never got the chance. Must rectify that in the future. While, I never heard any of their songs on that cheap AM radio I had back then, they toured extensively and played many sell out concerts in the US and Japan. Furthermore, the likes of Tom Petty and the Heartbreakers, Cheap Trick and Van Halen supported them. Unfortunately, accusations of mismanagement, rows over money and direction plus several personnel changes lead to break up of the band.

Albums:

The Runaways- 1976

Queens of Noise- 1977

Waitin' for the Night- 1977

Live in Japan- 1977

And Now, The Runaways- 1978

The Runaways

Cherrie Currie- vocals

Joan Jett- guitar, vocals

Lita Ford- guitar

Jackie Fox- bass

Sandy West- drums

*Vicki Blue and Laurie McAllister also played bass during The Runaways reign

While The Runaways may be no longer, the members are still around and making themselves known. One of them would dethrone Pat Benatar as the queen of rock in 1982 and possibly become the first metal queen. That one is up for debate. Another ex Runaway would also make a huge splash in heavy metal circles nor would some of the other former members remain completely silent. Almost silently, these ladies would go onto to be an influence on heavy metal and I think the all female metal bands that would spring up less than a decade later can look to them for inspiration. Don't take my word for it, watch the film and listen to their music for yourself.

Next post: 1982- The Floodgates Are Open

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