Showing posts with label Venom. Show all posts
Showing posts with label Venom. Show all posts

Sunday, 3 August 2025

Great Metal Albums of 1984: Venom- At War With Satan

 

Everybody probably all knows the stereotypes of all heavy metal bands. They can only play four chords, they scream because they can't sing, etc. Well, when I came upon the third album from British death metalers, Venom, I thought that they had a point. My first thoughts of "At War With Satan" was that it was loud, it was brash and it sounded like the whole album was recorded in somebody's basement. Yes, the album ticked all the boxes of the opinions many non-metal people have about heavy metal. But guess what? I couldn't have cared a monkey's about what they thought. I liked this album on account of all that.

For those who have or listened to "At War With Satan" on either cassette or vinyl will know that the entire first side is comprised by the title track. Therefore, you get nineteen minutes of Venom viciousness in one song. The song itself is meant to tell the story of how Hell revolts against Heaven and God is thrown into hell, all centered around the keeper of the gates of Hell who shares his name with Venom's drummer. While a very long concept song, it does keep you on your toes with the various changes throughout so you don't get bored with it. Plus there's some interesting guitar soloing from Mantas. Back in the day, if I had listened to the track on CD, I might have thought it was different songs as opposed to one long one.

Side two consists of the remaining six songs whose combined length equal that of the title track on the previous side. If anyone had problems with Venom stretching out like they did on side one, then they'd be rest assured that Venom return to their more traditional roots of short, sharp headbangers. "Rip Ride" starts things off well enough but is quickly superseded by "Genocide." That is a cool track. "Cry Wolf" actually is slower than what was considered traditional Venom but the band pull it off. The joke at the time was that you could actually make out what Cronus was singing here. Maybe it was meant to be a single. Following, "Stand Up (And Be Counted)," another song whose lyrics you can understand after the initial growls, comes my all time favourite Venom song, "Women, Leather and Hell." This song typifies what I have always liked about Venom. It's loud, ferocious and about some of my favourite subjects. I was rather disappointed when they didn't play it at Bloodstock, 2016. That leads to the very amusing closer, "Aaaaarrrghh."

Track Listing:

  1. At War With Satan
  2. Rip Ride
  3. Genocide
  4. Cry Wolf
  5. Stand Up (And Be Counted)
  6. Women, Leather and Hell
  7. Aaaaaarrrghh
[caption id="attachment_2436" align="aligncenter" width="209"] Venom[/caption]

Cronus- bass, lead vocals

Mantas- guitar

Abaddon- drums

https://www.youtube.com/watch?v=weXJZ5iVd9o

Critics back in 1984 mostly agreed that "At War With Satan" catapulted Venom into the world of mainstream metal. Maybe it did but those of us who liked this album didn't care about that. What was good was the fact that the band was able to write more mature songs without losing any of their edge.

Next post: Loudness- Disillusion

It is also my displeasure to announce that due to the events of the past month and a half, I will not be going to the full Download Festival. The good news is that I will attend the Sunday where I intend to see, Kreator, Marilyn Manson and headlining will be Ozzy.

To get Rock and Roll Children, email me at: tobychainsaw@hotmail.com 

Sunday, 4 April 2021

Great Metal Albums of 1982: Venom- Black Metal

 220px-Venomblackmetal

When many people talk about the new wave of British heavy metal, (NWOBHM,) they usually do so with bands like Iron Maiden, Judas Priest, Saxon and Def Leppard in mind. A good number will also include Motorhead in with the above but most will leave black metal thrashers Venom out. One reason for that, according to some British metalheads I met upon my arrival in the UK, is that they couldn't take Venom seriously. Who's trying to take them seriously? I'm sure not in the sense of being some kind of music critic. I simply appreciate their loud, aggressive thrash metal sound supplemented by very amusing lyrics about death and Satan. Granted, they're not the most talented musicians in metal but what they put together is enjoyable for me. This is evidenced the 1982 album, "Black Metal."

Listening to "Black Metal" makes me regret the fact that I had never heard of Venom until 1984. I can't even blame being in the service for that. This album would have satisfied the hard edge I was searching for in music and while I wouldn't hear of the term 'thrash' for three more years, "Black Metal" would still have been the answer.

From the get go with the opening title cut, I immediately found myself soaking up the thunderous beat and thrashing guitars from the album. Even when they try to slow down with the introduction of "Buried Alive," you know that in a second, you're going to get your ears blasted. You know, I can never make out what they're trying to do at the beginning of that song, but hey, who cares? Even though, I have to really concentrate to listen for when "Buried Alive" ends and "Raise the Dead" begins, it's not a major thing to worry about. The album just goes on rocking your socks off.

I think one problem some people might have had with this album is that they couldn't pigeon hole it. While the music is thrash, the lyrics are definitely black metal. Take "To Hell and Back" for instance.

"I have been to Hell and back - kissed satanic Queen
Traveling at the speed of light - saw thing never seen
Arm in arm with Lucifer - Belial on my back
I have swam the lake of flames - walked forbidden tracks
To Hell - - and back
To Hell - - and back"

True, part of me wants to roll on the floor laughing my ass off when I hear them but it also makes me want to scream them at any religious nuts who happen by. I think that this is something else that makes this album so cool. If you think that those lyrics are amusing, then check out "Teacher's Pet" which opens with the line "Teacher caught me masturbating underneath my desk." Then there's my favourite track, "Sacrifice" where they constantly spell the title throughout the song. With all of this, no wonder it is said that "Black Metal" influenced a generation of metal.

Track Listing:

  1. Black Metal
  2. To Hell and Back
  3. Buried Alive
  4. Raise the Dead
  5. Teacher's Pet
  6. Leave Me In Hell
  7. Sacrifice
  8. Heaven's On Fire
  9. Countess Bathory
  10. Don't Burn the Witch
  11. At War With Satan (preview)
[caption id="attachment_2436" align="aligncenter" width="254"]Venom Venom[/caption]

Cronos- bass, lead vocals

Mantas- guitar

Abbadon- drums

History has rewarded "Black Metal" by saying that it influenced both the thrash metal and black metal scene. Hearing this album, I can certainly testify to that. It possesses what I have always loved about both sub-genres of metal. It's just a shame I didn't get to listen to it back in the day because I think Venom were ahead of their time.

Next post: Triumph- Never Surrender

To buy Rock and Roll Children, email me at: tobychainsaw@hotmail.com 

Wednesday, 24 April 2019

Great Metal Albums of 1981: Venom- Welcome to Hell

220px-Venom_Welcome
Thank God that my local record store back in the mid 1980s had the foresight to have a heavy metal import section otherwise I might not have heard of Venom for at least two more years from when I did. While Venom came out with all the other great NWOBHM acts in 1981, they didn't quite enjoy the commercial success of the likes of Iron Maiden, Judas Priest or Saxon. This was in spite of the fact that commercial radio didn't totally suck at that time. There was a genuine danger of them slipping beneath my radar totally but fortunately they didn't and I got to hear great metal delights like their debut album "Welcome to Hell."

After my obligatory listen, twice, to "Welcome to Hell," I have come to the conclusion that Venom were actually ahead of their time. True, some people worried that rock music was the devil's tool and would lead many an impressionable young mind to sacrifice goats to the dark lord, there wasn't the all metal is Satanic fervor that would come a few years later and I was even dead smack in the bible belt at the time, thanks to the military. A few grumbled about demonic persuasion in music but Venom was the first band I know to come right out and sing about it. Songs like "Sons of Satan," the title track, "One Thousand Days in Sodom" and "In League With the Devil" are all songs that would have the bible bashers wanting to throw copies of this album onto the fire pit. The best thing is that I get the firm impression that Venom just didn't give a shit. I would never have taken the lyrics seriously then or now. In fact, I would have had a good giggle at them while enjoying the powerful metal that they deliver along with all those amusing lyrics. It can also be argued that they. along with Motorhead, were the first pioneers of thrash because there are a lot of thrash overtones on this album. I honestly believe that most of America wasn't ready for this type of ear bashing back then though I would have been. "Welcome to Hell" is just a totally enjoyable album.

Track Listing:
1. Sons of Satan
2. Welcome to Hell
3. Schizo
4. Mayhem With Mercy
5. Poison
6. Live Like an Angel (Die Like a Devil)
7. Witching Hour
8. One Thousand Days in Sodom
9. Angel Dust
10. In League With Satan
11. Red Light Fever
[caption id="attachment_2436" align="aligncenter" width="209" class=" "]Venom Venom[/caption]
Conrad 'Cronos' Lant- bass, vocals
Jefferey 'Mantas' Dunn- guitar
Tony 'Abbadon' Bray- drums

Reflecting back, I think the real reason why Venom and "Welcome to Hell" escaped my notice in 1981 was the fact I was down South at the time. It has nothing to do with religion, it was more the fact that I was in the South when Southern Rock had also ascended to its zenith. Come to think about it, what a fantastic year 1981 was for music! We had both Southern Rock and New Wave of British Heavy Metal. What more could a 20 year old US Marine, who was really digging music, could ask for?
On a personal note, I would like to thank everyone for their thoughts on the death of my father in law. The funeral went really well and again, thanks for all your support.

Next post: AC/DC- For Those About to Rock, We Salute You

To buy Rock And Roll Children, go to www.strategicpublishinggroup.com/title/RockAndRollChildren.html

Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London

Wednesday, 14 September 2016

Bloodstock- The Friday

Old age had caught up with me just after midnight on the Thursday so I decided to call it a night. Trying to get to sleep, I was disturbed by several loud crashes that went on through the night. When I awoke the next morning, Teal, my stepson, tells me about the latest sports craze sweeping Bloodstock, bin jousting. From what he tells me, you get two large dumpster bins, one or more persons to stand on it and then a group of people to push the bin into that of their opponent's. Whoever falls loses. I would have definitely done something like that in my youth but these days, nah!
My first morning at Bloodstock, I wolf down my breakfast and head for the arena. With no apparent appearance of anyone on the Ronnie James Dio Stage, I head over to the New Blood Stage. Maybe, I'll find another band like Black Emerald. At 10:30, a three piece band called Witch Tripper from Mansfield, England ascends the stage and immediately blows me away. They were a great power metal band. The guitarist, who is also the lead singer, can definitely shred and he is supported by a very capable rhythm section. They were that good that they held my attention to the point that I never even noticed the first band of the day on the main stage had begun playing. If there were any record scouts watching these guys play and didn't make them an offer, then shame on you. Witch Tripper was a great start to the Friday morning.
Witch Tripper made the perfect start to the day.
Witch Tripper made the perfect start to the day.
When Witch Tripper finished, I immediately beat feet to the Ronnie James Dio Stage to catch the second half of Hark. I'm glad I did. Hark's brand of metal followed very nicely from what I had just seen. They were powerful, fierce and hungry and their performance on the stage showed it. While Witch Tripper might have kicked things off for the day, Hark definitely got the show started on the main stage.
Hark
Hark
It was on Teal's recommendation that I check out the second band on the main stage on Friday, Gloryhammer. My first impression when I heard them was, "They sound a lot like Hammerfall." Melodic keyboards, fantasy lyrics and at times, a good power sound, yes, all the elements I know of from Hammerfall. Furthermore, all the mannerisms of the band while they were on stage gave the impression that they were from one of the Scandinavian nations. Even the actions of lead singer, Thomas Winkler, had me thinking they were from said reginon. Well, the last bit was all wrong. The members of the band are from Scotland and Switzerland! In fact, Winkler claims he is the heir to the throne of Fife. Still, their music and stage show was very good. I especially liked when they brought a young lady dressed as a medieval serving wench to refresh them. So, while there was still a definite Hammerfall influence here, they were unique enough to rock the stage.
Gloryhammer fulfilling fantasies
Gloryhammer fulfilling fantasies
More Gloryhammer
More Gloryhammer
Heir of Fife addressing his subjects
Heir of Fife addressing his subjects
Tried to get the serving lady, too many hands got in the way.
Tried to get the serving lady, too many hands got in the way.
With a break in the action on the main stage, I heard loud sounds from the Sophie Lancaster Stage. Going to investigate, I discovered the band Brutai blasting away. Silly cliches but Brutai were brutal. They were loud and proud. So loud in fact that work phoned my mobile during their time on stage and I had to walk a good ways from the tent in order to hear the call. They proved to be an enjoyable bridge between Gloryhammer and the next band to ascend the Ronnie James Dio Stage.
Brutai pounding the Sophie Lancaster Stage
Brutai pounding the Sophie Lancaster Stage
Gloryhammer played melodically to people's fantasies. The next band on the main stage, Evil Scarecrow, simply scared the crap out of people. Their Halloween make up combined with their aggressive thrash metal was not for the feint-hearted. Evil Scarecrow pulverized the stage and anyone who got near enough to hear them. It must be my sub-conscience masochistic tendencies but I kind of enjoyed what I heard. Still, not one to play when your grandmother is visiting.
I wasn't the only one unafraid of Evil Scarecrow
I wasn't the only one unafraid of Evil Scarecrow
For some reason, Evil Scarecrow left me feeling a bit hungry. I mean there was no drinking of animal blood on stage or anything like that but my stomach was calling. Therefore, I thought it would be a good idea to feed my face, down a couple of cans in preparation for the long time I was going to be at the front of the main stage. It was always my plan to see three of the last four bands on the Friday and since the other band was the one on before the headliner, I thought I would see them just so I wouldn't lose my place for the main event.
The first of those bands was Corrosion of Conformity. I listened to one album of theirs back in the 1980s, but that was all. My memory of them was always them being a thrash metal band but this night, I was educated. While they were definitely metal, I couldn't help hearing some of their Southern roots in their music. Well, they were announced as being from North Carolina, so I can certainly see where that comes from. Nevertheless, they were metal on this day, through and through. Really loved it when they played "Vote With a Bullet." They were a great start to the marathon.
Corrosion of Conformity establishing their dominance
Corrosion of Conformity establishing their dominance
Woody Weatherman cranking out a solo
Woody Weatherman cranking out a solo
Corrosion of Conformity wowing the crowd.
Corrosion of Conformity wowing the crowd.
Actually, the wait between bands wasn't as excruciating as I was fearing. So, it didn't seem all that long before, Venom emerged. Not to be outdone, Venom hit the stage like a formula one car and only accelerated more as they went on. Playing a good mix, it was only four songs before they played the first of their classics, "Welcome to Hell." From there, they only created more mayhem on the stage and I have to admit, compared to when I saw them in 1986, Cronus has definitely matured as a musician, singer and showman. Plus, new guitarist, La Rage, was definitely a welcome addition to the band. The only thing I could nit pick was the fact they didn't play "Women, Leather and Hell" but only a minor disappointment from what was a rather good set, especially when they ended with "Black Metal," fantastic! At one point, Cronus stated that Venom hadn't played Britain in ten years but I think that on this day, they earned their place back in the hearts and minds of British metalheads.
Venom comes back
Venom comes back
Cronus proves he still has pipes
Cronus proves he still has pipes
La Rage showing what he can do with a guitar
La Rage showing what he can do with a guitar
I thought that this might have been my first time seeing Behemoth but I now realise that I may have seen them in 2010. I can't be sure. If I had, back then, they definitely didn't enter the stage as theatrically as they did on this day. With guitar and bass waiting under a wooden frame while eerie music played, Nergal made his dramatic entry onto the stage and then all pandemonium broke loose. Behemoth's brand of black metal and death metal provided an interesting gap in what had gone before and what was to come. While I only realised it since coming home from the festival, Behemoth played their latest album, "The Satanist" in it's entirety. Knowing this and seeing them on stage, has made me want to listen to the album. I have to say, their stage show was quite good except at the end when they released the black confetti, all I could think was that Sabbaton did that last year.
Orion, Seth and Inferno silently wait for things to commence
Orion, Seth and Inferno silently wait for things to commence
Nergal hits the stage
Nergal hits the stage
Behemoth go for it
Behemoth go for it
Cool light show
Cool light show
Black Confetti
Black Confetti
One band was to follow Behemoth on this night. However, you will have to wait til next post to read about them. After all, I did say that I would do a separate post for them alone and trust me, they deserve it.
Next post: Twisted Sister at Bloodstock
To buy Rock And Roll Children, go to www.strategicpublishinggroup.com/title/RockAndRollChildren.html
Also available on Amazon, Barnes & Noble and Froogle and on sale at Foyles Book Shop in London