Great Rock Albums of 1978: Meatloaf- Bat Out of Hell

This is probably the most commercially successful rock album of 1978, if not one of the most of all time. It is the album that will always be looked upon as Meatloaf's greatest musical achievement. It has been argued that the album was successful on account of it's timing, that it filled a gap in the rock market while disco was still in its hey day. I don't know about that nor would I agree with it if I did. I put the success of "Bat Out of Hell" down to the masterful production and great musicianship that appears on it. The result is seven good songs that withstood the test of time.
I know that I am probably being biased when I say this, but I put the success of this album down to the fact that it was produced by Todd Rundgren. Rundgren saw something in the album which some record companies didn't and insisted in producing it. The result was in the listening and it is most likely why in a 1989 interview, Jim Steinman referred to Todd Rundgren as "the only genius he ever workded with." One thing that he did which was a major contributor was to line up good musicians, which included members of his part time band Utopia.
Singing the praised of the producer and the musicians in no way means that I am in any way taking anything from the artist who appears on the album. Meatloaf has a very versatile voice, one of the most versatile in rock. I can picture him barking away to a thrash metal song and then slowing down to a love ballad the very next. Possibly an argument that they should have put "Two Out of Three Ain't Bad" right after the title track to demonstrate my point. Of course, I have to add my all time favourite part on the album, the baseball commentary on the song "Paradise By the Dashboard Light."

Track Listing:

1. Bat Out of Hell

2. You Took The Words Out of My Mouth

3. Heaven Can Wait

4. All Revved Up With No Place To Go

5. Two Out of Three Ain't Bad

6. Paradise By the Dashboard Light

7. For Crying Out Loud

• Meat Loaf – lead vocals, backing vocals (track 6), percussion (track 2)
• Todd Rundgren – guitar (tracks 1, 2, 4–6), percussion (tracks 1, 2), keyboards (track 1), backing vocals (tracks 1–3, 5, 6)
• Kasim Sulton – bass guitar (tracks 1, 2, 4–7), backing vocals (track 1)
• Roy Bittan – piano, keyboards (tracks 1, 2, 6)
• Steve Margoshes – piano (track 7)
• Cheryl Hardwick – piano (track 7)
• Jim Steinman – keyboards (tracks 1, 2, 6), percussion (tracks 1, 2), "lascivious effects" (track 6), dialogue intro (track 2)
• Roger Powell – synthesizer (tracks 1, 2, 5, 6)
• Edgar Winter – saxophone (tracks 2, 4, 6)
• Max Weinberg – drums (tracks 1, 2, 6)
• John Wilcox – drums (tracks 4, 5, 7)
• Marcia McClain – dialogue intro (track 2)
• Phil "Scooter" Rizzuto – play-by-play (track 6)
• Ellen Foley – featured vocal (track 6), backing vocals (tracks 1, 2, 4, 6)
• Rory Dodd – backing vocals (all except track 4)
• Gene Orloff – concert master (track 7)
• Members of New York Philharmonic and Philadelphia Orchestra – orchestra (track 7)

Many years ago, I happened to catch a glimpse of "Pop Idol" (I don't watch that rubbish, honest) and Simon Cowell denied a good singer a shot at the next round becuase he was overweight. Cowell justified this by saying it might work for Pavarotti, but not in the pop world. The comment set my mind racing straight away. If it had been 1978, Simon Cowell would have rejected Meatloaf on the same grounds and we would have been denied this great rock album.

Next post: Rush- Hemispheres

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